L'affaire Cicéron

This film is far from forgotten. Fans of James Mason and director Joseph L. Mankiewicz know it well. It's one of the most intelligent spy thrillers ever thanks to an Oscar-winning screenplay by Michael Wilson ("Bridge on the River Kwai," "Lawrence of Arabia," and the original "Planet of the Apes"). It also has a score by Bernard Herrmann. What else do you need? Other comments here have told what the plot is, so all I'll say is I envy you if haven't seen it yet and plan to. It's gripping and enjoyable all the way, and wonderfully ironic.

Supposedly based on a true story, a valet uses his position at British embassy to steal WWII secrets to sell to the Germans.

What a superbly tight script that stays on the compelling track the whole time. We watch lowly valet Diello (Mason) use nothing but wits and guts to outmaneuver both the British and the Germans. He's not a sympathetic lead character, always unusual for a Hollywood production (TCF). But you can't help admiring his ability to outwit the professionals, even if he is completely self-centered.

I get the feeling Diello sees himself as a natural born aristocrat denied that position by the fortunes of birth. So, by golly, he's going to use those talents to get the wealth and position he deserves, but which European society has denied him.

Mason is simply superb in a tailor-made part. He projects both the icy intelligence and curt politeness that the role requires. I sweated a bucket load when the cleaning lady rummages around the closet, while Diello photographs embassy secrets. If she finds the power switch, he's toast. Great scene.

Note too, how there're no obvious good guys-bad guys, also unusual for a WWII drama. The British are slightly favored, but at least the Germans aren't caricatured. It's more like one opportunist (Diello) is exploiting both sides impartially, and they're both after him.

Then too, what guy wouldn't lose his head over the delectable Darrieux, even a guy as calculating as Diello. All of which makes the ending one of the most ironically satisfying in movie annals. I'm betting this was one of the best films to come out of that spare movie year of 1952. So if you haven't seen it, do.

Up till recently I had never seen 5 Fingers, for some reason it is rarely shown on television. But in watching it I knew why Alfred Hitchcock had cast James Mason as villainous Philip Van Damm in North By Northwest. His role as Diello in 5 Fingers, the Albanian spy for profit, is apparently what Hitchcock saw before casting his film.

The setting of this is Ankara, capital of neutral Turkey in World War II. Mason is the valet of the British ambassador there and an Albanian national. He's hit upon a scheme to enrich himself with a little espionage.

Mason hits the jackpot with the secret plans for Overlord, the location and operation of the Allied invasion of Europe. He pulls off the caper of all time, but things go quite awry after that. Former employer Countess Danielle Darrieux does him wrong in a very big way.

Michael Rennie is fine as the intrepid British counter intelligence agent and the other outstanding performance is John Weingraf as Franz Von Papen the German Ambassador to Turkey at the time. He wasn't called the Fox for nothing.

If you enjoyed James Mason in that Hitchcock classic, you will not want to miss 5 Fingers.

This forgotten film brilliantly directed by Joseph L. Mankiewicz is one of the best spy films we have seen in recent memory. The film holds the viewer in suspense up the last frame. Mr. Mankiewicz was working on the fine screen play written by Michael Wilson, based on a real incident told by L. C. Moyzisch, a German officer who is a key player in the story.

The film opens in Ankara, Turkey's capital during WWII. The place is swarming with spies and intrigues. We are taken to a reception where we encounter Countess Anna, a beautiful woman of uncertain age, who is living below her means in the country. Anna asks for monetary help to a German officer, who she has met before. At this point, we meet Diello, a valet to the English ambassador to Turkey. Diello has a proposal for Moyzisch, a German connected to the embassy. He proposes a deal where he will cooperate in spying for the Germans in exchange of heavy amounts of money.

Since Diello needs a front, Countess Anna, becomes the a desirable object for this man's plans in how to conduct the business. Thus the impoverished countess agrees to the plan. Countess Anna becomes a hostess who gathers in her new elegant surroundings the cream of the diplomatic society. The countess goes along with the scheme, but at the same time, she deeply resents the idea of having Diello, a man that is not from her circle and background, be treated as her equal.

The film works because what we see is what really happened. This being a real story, is not something that came out of some writer's imagination. On the contrary, we are completely astounded in the way this Diello was able to fool his superiors at the embassy. We watch as Diello goes about the business of spying right at the ambassador's office without being caught.

There are two ironic twists to the story that come as complete surprises to us. In a way, because one is not expecting, the first one is the betrayal to Diello by the heartless countess, and the second one is at the conclusion of the film. This last one is something that keeps us laughing along with Diello and in turn to the woman who double crossed him.

James Mason, is excellent as Diello. Mr. Mason was an actor that always delivered. In his English films, as well as some of his Hollywood movies, this actor projected such a powerful figure. His method of working always amazes because his performances always build up to unexpected results. The film belongs to Mr. Mason, who is terrific and charismatic.

Danielle Darrieux, one of the best French film actresses of all times, makes a delightful appearance as Countess Anna. She transforms herself from a the woman trying to eke out a living to the sophisticated lady of a society she felt comfortable with because she was born into it.

The supporting roles are quite good. The surprise was Herbert Berghof, one of the most famous acting teachers of all times making a rare appearance.

"5 Fingers" has a great black and white cinematography by Norman Brodine who captures some of those Turkish locales in all their splendor. The film score by Bernard Herrmann adds another dimension to the film. Thanks to Mr. Mankiewicz, this is a film that will please his admirers.

This is one of the great spy films. Mason gives his trademark cool, expert performance as a slippery, suave spy for the Nazis. The story is one of 20th Century Fox's series of documentary-style films based on real events during World War II.

The sense of danger and suspense is well handled, and the conclusion is Shakespearian in irony. This is a minor classic -- minor simply because few people know about it. See it if you get the chance.