Convoi de femmes

Between 1930 and 1960, 97% of all movies (that's 14729239520520 films) were westerns--or so it would seem. And, sadly, almost all of them have one of about five different plots and variations on these plots. Because of this, I really have very little patience with the genre--though I must admit that I have reviewed quite a few westerns. The ones I like are often ones that are somehow a bit better--despite the familiar plots, fine acting and direction make them watchable. Rarely, very rarely, do I see one that not only has fine acting, direction AND a novel plot--and all that is in "Westward the Women".

The film begins in a remote part of the old west--so remote that there are no women for all the men. Because of this, the men hire a tough trail boss (Robert Taylor) to recruit the women and bring them to a small outpost. The problem, however, is that the only way is a long trek across the prairie--through Indian land and desert. These women sure have to be tough--otherwise they'll never make it. And, in fact, unlike any other western I can think of, many of the women DON'T.

What also makes this a very good film are the nice little characters within the film. So it's NOT just a Robert Taylor film but excels because of the fine ensemble cast. One of the standouts is Hope Emerson--a brawny actress who made a name for herself playing gangsters and other scary characters.

Overall, there's not a lot to dislike about the film and it's a nice little story about American history you don't normally hear. Worth seeing and a top-notch production--with a real lump-in-your-throat ending. Sweet, sentimental and exciting.

"Westward the Women" may not be the greatest western ever made but it's certainly one of the most unusual and is, indeed, very fine and I'm amazed it isn't better known. The women in question are 140 brides being brought West for for the male townsfolk in a Californian valley on a wagon-train lead by Robert Taylor. The director of the picture was William Wellman and William C. Mellor shot it in crisp black-and-white and it has a fine screenplay by Charles Schnee from a story by none other than Frank Capra.

As wagon-train movies go, it's not only unusual but remarkably robust and full of incident and it deals with the male/female dynamic with a surprising degree of honesty and if you don't think so, remember this was 1951. It's certainly not sentimental and Wellman approaches his subject with much the same documentary-like realism that John Ford brought to "Wagonmaster". In a good supporting cast Denise Darcel and Hope Emerson stand out.

A brilliant slice of pioneer-era Americana. In no other movie that comes to mind was there such a realistic portrayal of the Old West and its numerous perils than in this faithfully told story of pioneer women crossing the harsh western U.S. wilderness of 1850 from Missouri to California.

The ladies are responding to an ad placed by a leader (on behalf of several other men) in a pioneer settlement out in California for wives. These tenderfoot ladies may be looking for husbands, but there's nothing "weak" about them at all. They not only bravely face the hardships, dangers, and tragedies of the journey, but they soon learn how to handle their own with toughness and grit.

The story unfolds clearly due to a finely structured and developed script. The intertwining stories are well told and well acted. The mostly female cast are all strong, and Robert Taylor as "Buck," the guide and leader of the wagon train seems to enjoy the task of having dozens of female leads surrounding him. John McIntyre as the patriarchal Mr. Whitman (who hires Buck) is good, while Buck's friend, confidant, and comic-relief guy Ito is also a well-rounded character.

The ending is one of the most heartwarming ever in a western; this is the kind of movie that can be watched over and over again.

I thoroughly enjoyed this film about a group of women being led by Robert Taylor's character to their new town. They are a motley bunch but pull together when the men desert them to travel and start a new life with the men they have chosen to be their husbands. Robert Taylor is fantastic as the man being taken to take them through, even though he believes it to be an impossible task. There are some genuinely touching moments in this movie, I had to have my tissues handy in places, but it is well worth a watch. One of the best Westerns I have seen and even better because the women have the chance to take centre stage for a change.

This western is gritty and realistic, and does not spare the audience from the grim facts of an overland trek from St. Louis to California with a wagon train of women (the "weaker" sex, right?

As far as I know, this movie has no rival in its subject matter, and the stars are magnificent. You will laugh and you will cry, but most of all, you will come away with a deep admiration of those hearty pioneers and especially those wonderful women. I have the video in my library!