4 dans une jeep

The film begins with a helpful prologue which explains the political situation in post-war Vienna. It seems like Berlin, the city was divided into four zones and each of the four Allied powers (US, USSR, UK and France) jointly govern. As part of this, a jeep goes on rounds every day with a soldier from each nation to deal with problems as they arise with the locals.

One thing the film did NOT explain is that during WWII, millions of Axis soldiers were taken prisoner. Many of them remained in the USSR long after the war and quite a few were simply never heard from again. Now, considering the death toll in the USSR during the war, I could understand them not releasing many of the soldiers...but this important part of post-war Austria isn't mentioned...as if the viewer knows about this. As a retired history teacher, I assume that most do not know about this today.

This film begins with one of the patrols coming upon a woman who has been accosted by two men. The Russian soldier tells the men to go...and the American soldier is confused why the Russian instantly sided with the men...and he soon creates a bit of an incident. After all, the four soldiers are supposed to cooperate. Later, this same woman comes into the American soldier's life. It seems her husband is among the many soldiers still in the USSR...and there's word he may have escaped and is making his way back home to Vienna.

Overall, this is an interesting curio, though not a great film. It has a lot of slow portions and although it's Ralph Meeker's film debut, I can't imagine most folks wanting to see this unless they are interested in the Cold War. It's just duller than you'd expect it to be considering the subject matter.

Viveca Lindfors was a prominent Swedish actress who rose to fame in the shadow of Ingrid Bergman, but she is actually more beautiful and more interesting. She made films in Italy before Bergman, and she chose her roles and films with great distinction - although she acted against Errol Flynn in one film, she never accepted standard stardom roles - she needed roles to suit her depth. This is a Swiss film about the post war time in Vienna, when the city was divided by the four occupation forces, Russia, France, England and America, each ruling their own sector except the centre, which was divided equally among them, but patrolling the city regularly by four representatives of the four forces in a jeep - and the film is about them and how they dealt with a problem. An Austrian prisoner of war escapes from a prison camp in Hungary and is wanted by the Russians. His wife is waiting for him at home in Vienna in the Russian sector, and since the Russians are after him they lock her out of her flat to occupy it themselves, lying in wait for the escapee. The other three in the jeep wish to help her, particularly the American Ralph Meeker, and she is allowed to stay temporarily with the family of the French officer. Some of the best scenes are interiors from their home, but the film is rich in memorable scenes. The greatest is when a train arrives with released prisoners of war and the station is filled with their relatives expecting them, the police tries to keep the crowd back, but at length it is impossible, and this is a scene no one will be likely to ever forget. The circumstances here are identical with those of "The Third Man", but there is no villainy here, no political intrigue, no refugee tragedy, this is no thriller, but everything is poignantly realistic, all the four nations speaking their own language. It's a gripping story, although no masterpiece, but it is very Carol Reed-like, especially when you also think of "The Man Between" of a similar situation in Berlin. But the major difference between this and Carol Reed's two films is the permanence of Viveca Lindfors - this could be one of her most interesting roles, while they are all interesting.

In post-war Vienna, four sergeants, each from a different occupying power, share a jeep patrolling the International Sector at the heart of the old city. They get along pretty well -- American Ralph Meeker and Russian Yossi Yadin had actually met during the War -- but when Viennese Viveca Lindfors enters their view, matters become confused. She is waiting for her husband, Hans Putz, to be released from internment camp in Hungary. Word comes he will be in the next batch, but he fails to show up; he escaped just days earlier. It's obvious he's making his way to Vienna and his wife. Meeker, the French sergeant, and the British one are pretty easy-going about the situation, but Yadin has orders to capture him.

It's a well written, shot, and acted drama about the attitudes of the non-coms; even as the tension surrounding the Berlin Air-Lift roils international relations, Vienna is a city in which the occupying powers are still cooperating. Unfortunately, the last half hour is shot at night-time, and the print I looked at was pretty dark, so it's sometimes hard to tell what's going on during the pursuit of Putz. Still, there are plenty of good moments here, and it was time well spent watching this.

When "Karl" (Hans Putz) manages to escape from a Soviet prison in post-war Vienna, it falls to the four occupying powers to work together to re-apprehend him. This task ought to be a fairly routine one for them. Briton "Stuart" (Michael Medwin), American "Long" (Ralph Meeker), Frenchman "Pasture" (Albert Dinan) and the Soviet "Voroshenko" (Yossi Yadin) make up a group that regularly patrol the city in their jeep and know their way around. It's also quite astonishing, in their Babel-esque linguistic maelstrom, that these men can hope to accomplish anything at all but they are soon on the trail of this man and his wife "Franziska" (Viveca Lindfors). Quite quickly, they begin to realise that "Karl" is no danger to anyone and that his imprisonment isn't exactly just. Three decide to help him instead but their problem is that "Voroshenko" isn't convinced. He has much less latitude than his cohorts and it soon proves a much more delicate, even dangerous, mission for him. Can they manage to re-unite this couple in freedom? This starts off as quite an effective illustration of the loose confederation of warring tribes scenario that prevailed after the Nazi defeat, but as the characterisations develop it becomes a little meandering and undercooked and the appearance of the rather wooden Lindfors doesn't really help much. The narrative starts to become more of an anti-Russian propaganda exercise and sadly rather predicable thereafter. There is some potent imagery - especially as the beleaguered refugees arrive home at the railway station to an awaiting crowd of hopeful relatives, but the use of each other's language, though useful at the start, starts to grate after an hour. It's an interesting concept and the actors do an adequate enough job, but it becomes just all a little too messy and black and white for me.

This movie is not exactly a household name. In fact, this movie may be one of the best kept secrets in the pantheon of movies. Has anyone ever heard of this movie besides me? I guess not. So I'm doing this critique for an audience of one - me. Oh well, might as well proceed. This movie is about four soldiers, one American, One Russian, One British and One French, patrolling in post-war Vienna, Austria, in the period immediately after the end of World War Two and how they interact with each other, and with a certain woman who wants to leave the Russian zone. The American is played by the excellent, and regrettably forgotten actor Ralph Meeker, which gets to the point of this essay. Ralph Meeker was a great actor and he proves it in this movie. Mr. Meeker is one of those stars who shown brightly for a little while and then for reasons unknown his stardom burnt out. This is an obscure movie, and perhaps does not deserve any more attention that it has received thus far, but if that's the case, it's not because of Ralph Meeker, whose performance in this movie deserves at least some consideration, even if the movie itself deserves none.