Le sentier de l'enfer

Paramount produced a great outdoors adventure with this story of a soldier's vengeance quest and hostilities between soldiers and Indians on the Dakota frontier. An army recruit joins the 7th Cavalry under false pretenses to track down three killers in this grim, bitter story which the cast brings off in realistic fashion. Edmond O'Brien and Forrest Tucker are the main adversaries here and their antagonism and hatred for each other is sustained throughout the picture. The film has two thrilling battles between the cavalry and Indians that are among the finest ever filmed, and are done in the spirit of the golden-age westerns of the past. The movie is also an ode to General George A. Custer and the 7th Cavalry, which lost its last battle. Ray Rennahan's camera is outstanding, as is Paul Sawtell's nostalgic music score.

SPOILER: A man who joins the cavalry to find 2 men he blames for the death of his fiancee finds himself in the middle of a big indian uprising. He has no idea what the 2 murderers look like, but finally he finds out their identity. However, the indians and a new love cause his plans to change somewhat. So-so.

A vengeful former officer (Edmond O'Brien) joins the 7th Cavalry in order to track down those responsible for his wife's death years earlier with everything leading to a showdown with the Sioux and events surrounding the Little Bighorn debacle. Forrest Tucker plays his sergeant, Polly Bergen a romantic interest and Dean Jagger her shopkeeper father. James Millican convincingly plays General Custer.

The plot of "Warpath" (1951) was ripped-off by writer Frank Gruber from Ernest Haycox's novel "Bugles in the Afternoon," which was made into an inferior stage-bound Western the year after this one (with Tucker in the same role, interestingly enough).

O'Brien is certainly serviceable, but arguably miscast because he's a little too pudgy for the role that called for someone of Kirk Douglas' robust demeanor or John Wayne's formidableness. Another issue is the old-fashioned way the men typically deliver their obviously-scripted dialogue in an austere rat-a-tat-tat manner, which seems unnatural.

But, if you can acclimate, this is a great old Western that gets better as it proceeds and is superior to Ford's renowned cavalry Westerns released just prior to this one. The movie delivers superbly in both human interest and action. The title "Warpath" has a duel relevancy in that the protagonist is on the warpath as well as the Sioux, and both justifiably.

Speaking of the Sioux, producers used real American Indians (with the exception of the sub-chief, played by John Mansfield), as well as authentic locations from the same general area of the real-life events (listed below). On top of this Polly Bergen was sure a beauty in her prime.

I'm surprised "Warpath" is so obscure. It must be because of the issues noted above, but they're not significant enough to ruin what is a very compelling and worthwhile old Western that's so meaty it could've easily ran another half hour. This is going down on my list of favorite Westerns.

The film runs 1 hour, 35 minutes, and was shot in the greater Billings area of southeast Montana, including Yellowstone County and the Crow Reservation.

GRADE: A-

The twist is the hero joins the cavalry to settle a personal revenge. The island battle was great in my opinion. It seems to be based loosely on the historical Battle of Beecher's Island (in Colorado)named after Lieutenant Beecher who was killed during the battle. I liked the some of the attention to historically correct items such as using different colored scarves instead of everyone wearing yellow scarves and the use of Kepi hats when in garrison. What wasn't correct is the use of chevrons and officer shoulder straps on the shirts but that I can overlook since practically all the movies of that time have that error. In summary, it was a good story, could have been a little better but standard western entertainment.

I think if I hadn't already seen several better revenge-themed westerns I would have liked "Warpath" much more. Now this isn't to say it's a bad film--it's quite good. But westerns of the same time period such as "Seven Men From Now" and "The Bravados" handled similar material just a bit better. But, considering it stars Edmond O'Brien, it's still well worth your time.

"Warpath" begins with O'Brien catching up to a man he's been tracking for years. When he confronts him for an almost decade-old murder, the man tries to shoot O'Brien but is plugged by him in the process. Next, O'Brien has a run-in with an obnoxious cavalry sergeant (Forrest Tucker)--and then, inexplicably, joins up with the outfit! It seems that the trail leading to the killers of O'Brien's wife leads to the 7th Cavalry. What's next? See the film.

The film's biggest asset isn't the plot (which is decent) but the actors. O'Brien, Dean Jagger and Tucker are all quite good--as is young Harry Carey, Jr. in an interesting role as a commanding officer. Overall, you could do a lot worse and the film is interesting throughout.