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Dernier Rendez-vous

Original title: Ultimo incontro
  • 1951
  • Tous publics
  • 1h 29m
IMDb RATING
6.0/10
52
YOUR RATING
Dernier Rendez-vous (1951)
Drama

The wife of a mechanic and tester of Alfa Romeo cars becomes the lover of a pilot. The two decide to flee together in Argentina.The wife of a mechanic and tester of Alfa Romeo cars becomes the lover of a pilot. The two decide to flee together in Argentina.The wife of a mechanic and tester of Alfa Romeo cars becomes the lover of a pilot. The two decide to flee together in Argentina.

  • Director
    • Gianni Franciolini
  • Writers
    • Marco Praga
    • Alberto Moravia
    • Edoardo Anton
  • Stars
    • Alida Valli
    • Amedeo Nazzari
    • Jean-Pierre Aumont
  • See production info at IMDbPro
  • IMDb RATING
    6.0/10
    52
    YOUR RATING
    • Director
      • Gianni Franciolini
    • Writers
      • Marco Praga
      • Alberto Moravia
      • Edoardo Anton
    • Stars
      • Alida Valli
      • Amedeo Nazzari
      • Jean-Pierre Aumont
    • 2User reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos2

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    Top cast24

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    Alida Valli
    Alida Valli
    • Lina Castelli
    Amedeo Nazzari
    Amedeo Nazzari
    • Piero Castelli
    Jean-Pierre Aumont
    Jean-Pierre Aumont
    • Michele Bonesi
    • (as Jean Pierre Aumont)
    Vittorio Sanipoli
    • Augusto, il ricattatore
    Giovanna Galletti
    Giovanna Galletti
    • Flora
    Henri Vidon
    • Signor Hermans
    • (as Harry Weeden)
    Laura Carli
    • Maria
    Michele Malaspina
    Michele Malaspina
    • Vincenzi
    Gianna Segale
    • Model
    Alfredo Mazzotti
    Mariemma Bardi
    Leda Gloria
    • Bianca
    Giuseppe Farina
      Juan Manuel Fangio
      Juan Manuel Fangio
      Consalvo Sanesi
      Felice Bonetto
      Enzo Donzelli
        Luigi Fagioli
          • Director
            • Gianni Franciolini
          • Writers
            • Marco Praga
            • Alberto Moravia
            • Edoardo Anton
          • All cast & crew
          • Production, box office & more at IMDbPro

          User reviews2

          6.052
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          10

          Featured reviews

          5jromanbaker

          The Fate of Women in Early 1950's Italian Cinema

          I have watched three Italian films from the early 1950's and despite certain merits they deal with ' bad ' women in a way that is deeply depressing. In one ' Three Forbidden Stories ' a woman ' addicted ' to drugs and parties has to die; in ' La Lupa ( The Vixen ) she burns horribly to death for her ' sins ' and in ' Last Meeting ' Alida Valli suffers a similar fate. As far as film itself is concerned ' Last Meeting ' is cast well, and interesting to watch, but committing adultery, being blackmailed for it and consequently searching for money through prostitution has to be punished. I am not sure I want to investigate more, but I came to the conclusion that the producers enjoyed this sort of ' execution ' punishment, and wondered why. The influence of the church ? A ' natural ' masculine response to the supposed social ' evils ' of Post-War society ? Cinematically these films are mainly based on an Operatic view of life and are all highly wrought. In ' Last Meeting ' Alida Valli ( a great actor ) is woefully cast as a reluctant call-girl, and Jean-Pierre Aumont has few scenes and an untimely demise and for those who like racing cars of the period there is a certain excitement in seeing them as they are an intrinsic part of this melodrama. For what it is worth it deserves a 5 for Valli alone. But the film is heavy, and like the other two I have mentioned doom laden.
          10clanciai

          How to get out of a jam without hurting others and thereby hurting them the more.

          This is another of those Alida Valli films presenting an absolutely hopeless case of a fallen woman desperately trying to extricate herself out of her difficulties, and thereby only involuntarily exacerbating her predicament. However, there is no villain here, except in two brief scenes, making himself solely responsible for unsurveyable dire consequences, but is it possible to blame her for getting into trouble? Her lover is after all Jean-Pierre Aumont, and who can resist an ardent lover like that? You cannot blame Amedeo Nazzari either, his last words, the last words of the film, make a perfectly reasonable seal on the entire film and tragedy, for this is definitely like a Greek tragedy, inevitable, irrevocable in its destiny, and ultimately resolving itself by the strange mechanisms of nemesis. Alida Valli is always worth watching, her female characters are always hopelessly complicated beyond repair, a singular characteristic that Hitchcock used to extreme advantage in "The Paradine Cae", and she is a great actress. That fact and its excellent script and thorough psychology makes this film one of the foremost of Italian moral-psychological films of the 50s, and it is all mainly sustained by Alida Valli.

          .

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          • Trivia
            Submitted to the British Board of Film Censors under the title Last Meeting by UK distributor Archway and passed with an "X" certificate on 16 July 1953. The London premiere was at the Marble Arch Pavilion (owned by Archway) on 1 October 1953 and ran five weeks, closing on 4 November 1953. During the latter part of the film's run, according to the billing in The Times, the certificate was modified to "A."

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          Details

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          • Release date
            • May 27, 1953 (France)
          • Country of origin
            • Italy
          • Language
            • Italian
          • Also known as
            • Last Meeting
          • Production company
            • Lux Film
          • See more company credits at IMDbPro

          Tech specs

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          • Runtime
            • 1h 29m(89 min)
          • Color
            • Black and White
          • Sound mix
            • Mono
          • Aspect ratio
            • 1.37 : 1

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