Texas Carnival

Penniless carnival barker Red Skelton and chorine-turned-dunking girl Esther Williams are mistaken for millionaires and are forced to enter a Chuck Wagon race to eradicate a gambling debt. Modest M-G-M comedy-musical filmed in Technicolor looks just as good as the studio's more-popular output--what was needed, however, was a screenplay with bigger laughs and stronger characterizations. Skelton juggles, sings, and performs some pleasing comedy shtick, but he's too polite here; director Charles Walters keeps Red reigned-in so much that a nutty drunk routine late in the movie seems out of place. Williams has a nifty fantasy number where she appears to pole-dance underwater (!), while Ann Miller has one great tap-dance sequence accompanied by a mad xylophone. Isolated moments of fun linked by the barest minimum of plot, though the wild slapstick finale nearly makes up for the picture's deficiencies. **1/2 from ****

If you want to see a direct descendant of the Buster Keaton line of comedy, this is surely the movie. Skelton's funny physical antics while trying to retrieve a dollar from the floor or getting drunk with Keenan Wynne are topped by a chuckwagon race finale that deftly combines comedy and dangerous stunts.

In the supporting cast you've got Ann Miller's legs. I esp enjoyed seeing her tap her dancers' bongos. Ahem.

Esther Williams and Howard Keel are also in this movie, I assume, because Hollywood producers needed their names on the marquee to sell tickets. Fair enough. But they're mostly wasted. That ''underwater dream sequence" is goofy. And their romance is perfunctory.

A reference to a wrecked car (with no preceding scene with Skelton presumably wrecking the car, probably with Miller on board), a reference by Williams to a dinner speech she didn't actually give, and a romance between Skelton and Miller that had no beginning (I don't count her dance number by the piano) leaves me to conclude that 15 minutes or so got hacked out of this movie after preview audiences full of dummies said, ''it dragged in parts" and ''the car wreck scene wasn't funny" or ''that speech was boring."

Nevertheless, as long as you're not expecting to see Esther Williams floating around in a pool for 90 minutes (thankfully that only lasts about 90 seconds here) this is a decent way to kill just over an hour.

This little-known musical might be considered the Texas answer to (the stage musical) "Oklahoma!" And though things in Texas are supposed to be bigger, this film is smaller in many ways. But the four leads get their moments in the sun: Esther swims, Red mimes, Ann dances, and Howard sings.

Cornie the carny (Red Skelton) and his collaborator, Debbie (Esther Williams) run a dunking booth in a carnival, but they are not making ends meet. When Cornie runs into a rich, drunk cattleman Dan Sabinas (Keenan Wynn), who takes a shine to him, Cornie and Debbie leave the midway and head for a posh hotel where Sabinas is supposed to be staying. A case of mistaken identity allows them to reside there indefinitely.

The Sabinas foreman (Howard Keel as the real Slim Shelby) becomes interested in Debbie, and a hoofer named Sunshine Jackson (Ann Miller) sets her sites on Cornie. The rest of the plot is a jumble of unimportant events, including a rough and tumble chuck wagon race that is reminiscent of Ben Hur.

Keel's singing is up to his usual standards, but the songs are not Rodgers and Hammerstein. Ann Miller taps up a storm with choreography by Hermes Pan. Esther Williams swims less than she usually does in her aquafests, but she has a dream sequence that is clever. Red Skelton transforms the entire film, making it more comedy than any other genre.

Credit Helen Rose for the beautiful designs worn by the female leads.

The ending is weak, but the overall production entertains adequately.

The movie has several fun moments, some good songs and a couple of nice dances by Ann Miller. The problem is that it really doesn't work as an Esther Williams vehicle so it's best to approach it as a Red Skelton movie featuring Esther Williams. With a slightly different perspective this can be an enjoyable experience.

Debbie Telford (Esther Williams) is the dunk tank girl with partner Cornie Quinell (Red Skelton). Cornie is too honest and helps out wealthy rancher Dan Sabinas with the carnies. Dan takes the taxi while Cornie returns his car to his hotel. Cornie and Debbie are mistaken for Dan and his sister Marilla.

The start is a little funny. I would have liked more carnival. I like Debbie being pursued by Slim Shelby. Then the movie stalls a bit. It was fast becoming a failure before the wagon race. The wagons allow Red Skelton to do some physical comedy and the stunt people to do some good work. It basically woke me up.