Duel sous la mer

The nightclub pictured in Submarine Command was the Club Royal located at 3rd and C street in downtown San Diego. The wallpaper was black with chartreuse horses pictured, the booths were red. Walter Fuller was the band leader and played trumpet. This nightclub was owned at the time by Albert Bertolino who appears briefly in the bar scene. His wife,Una was the attractive blond seated at the bar. William Holden and Nancy Olsen were on the set at the time and were kind enough to visit with me and my family during the filming of this scene at a restaurant next door to the club. Third street at that time consisted of one bar after another. These clubs were razed in the latter part of the 20th century.

William Holden stars in/narrates this rather humdrum submariner story from the end of WWII and the commencement of the Korean War that offers little by way of uniqueness or jeopardy. Holden, himself, is fine - but the tale of an executive officer making a tough, ultimately tragic, battle decision that causes him to become a pariah to many of his crew is just too old hat, as is the ending which offers a redemption that was never really in doubt. Technically, it conveys some of the claustrophobic aspects of living and working on a submarine well; and William Bendix as "CPO Boyer" demonstrates how effectively a man can hold a grudge, but (no pun intended) it's all just a bit too shallow and procedural. Worth a watch for the photography, but the story is neither here nor there...

William Holden is Cmdr. White a quite mature man who suffers through the boredom of the post WW II Navy. He is chained to a desk on a base near his old submarine, which has been decommissioned and mothballed. He visits it periodically to experience his wartime ghosts. He is so bored that he seriously considers chucking the Navy and taking a more lucrative civilian job. Nancy Olson plays his understanding Navy wife. William Bendex is also on hand with old time Chief Petty Officer wisdom and to remind Holden of his ghosts.

Don Taylor portrays the fun and games Navy pilot who is anything but mature. He is teaching ROTC at a nearby college. They met at the end of the war when White's submarine rescued him. They maintain a friendship even though White is at times disturbed by his happy-go-lucky well adjustment.

When The Korean War starts White is rescued from his desk and placed in command of ----- (You guessed it!) his old submarine. Taylor and Holden are united again off the Korean Coast where boat and men undertake a movie ending dangerous mission.

This was a feel good war movie that wasn't loaded with dated propaganda. Holden narrates as he did in Sunset Blvd. where he first played opposite Olson.

If you like military movies, this is a good one.

William Holden did a nice job in this patriotic movie but for the most part this film seemed be the same plot from so many war-time movies. A commander had to make some hard decisions by letting people die in order to save the ship. Of course, at least a few of the people disagree with the decision- and there we have the rub of the story. The only difference in this tale than others. is the fact that most of the mental conflict about the decision comes at the close of the war instead of playing out during the war. So this seemed like a reused plot with names being changed for the audience approval.

Do not get me wrong, the movie has some gifted actors that gave nice performances. Along with Holden, William Bendix and Nancy Olson did a nice job keeping the story interesting and the viewer involved in the story. Even when the writing (at the end) was rushed and forgiveness came like a flash, the actors made the transition flawlessly. Perhaps a bit more time should have been planned for the ending instead of feeling rushed to an conclusion. But since this was not to be, we are left with a film that is at least entertaining and we can enjoy the talent of the actors. Nice watch.

Submarine Command is an excellent example of the type of good entertainment that Hollywood used to grind out regularly back in the fifties. The story isn't deep, but the writing (Jonathan Latimer) and direction (John Farrow) are very fine, and the actors, especially William Holden, in the leading role, are all in good form. William Bendix provides a kind of stubborn, moral center in the movie, and one can only hope that Holden can get into his good graces. Most of the technical military-professional side of the film is realistically or at least convincingly (to me) handled. The movie's otherwise ho-hum submarine stuff, with all the usual cliches, but so much life is breathed into the old material that it feels fresh and original, no small accomplishment in this kind of film.