Burt, former Marine, haunted by his wartime trauma, struggles with mental illness. His girlfriend hopes his family will help his recovery, but they hesitate due to their young children. Can ... Read allBurt, former Marine, haunted by his wartime trauma, struggles with mental illness. His girlfriend hopes his family will help his recovery, but they hesitate due to their young children. Can Burt overcome his demons and find a path forward?Burt, former Marine, haunted by his wartime trauma, struggles with mental illness. His girlfriend hopes his family will help his recovery, but they hesitate due to their young children. Can Burt overcome his demons and find a path forward?
Nancy Reagan
- Betty Hopke
- (as Nancy Davis)
Harry Baum
- Man at Dance
- (uncredited)
Chet Brandenburg
- Man at Dance
- (uncredited)
Edward Clark
- Larkin
- (uncredited)
Gene Coogan
- Man at Dance
- (uncredited)
Michael Dugan
- Attendant
- (uncredited)
Ken DuMain
- Man at Dance
- (uncredited)
Charles Ferguson
- Man at Dance
- (uncredited)
Ben Hall
- Man at Dance
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Ralph Meeker plays a Marine veteran of the famous battle for Gualdalcanal. The experience left him with PTSD. His condition arises from the memory of carrying a wounded Marine (James Whitmore, who plays Meeker's brother-in-law married to Meeker's sister played by Nancy Davis (Reagan) to safety during a rainstorm as the battle raged on. While Hollywood made the fierce fight for Guadalcanal famous, this pic attempts to illustrate the longterm fallout of the battle on one Marine's psyche. It's pretty good, though it leaves you wondering why Meeker is so traumatized since he actually rescued his future bro-in-law rather than letting him die. If he had done that he might have really been traumatized by crippling guilt. But since he actually rescued him and only feels guilty about considering the possibility of just leaving him in the mud, the whole PTSD premise seems a little far-fetched. In any event, the acting is great between Meeker, Whitmore, Davis, and Jean Hagen, who is in love with Meeker. The weather forecast plays a pivotal role, especially if there's a chance of rain.
This is a post-war story about the effects of what today we'd call PTSD. Ralph Meeker is a former marine who's confined at a VA facility in California. 90% of the time, he's a standup guy who seems to have a promising future, but whenever it rains, he turns into a major head case who can't escape his past wartime experience in the South Pacific. Nancy (Davis) Reagan plays his sister who is married to James Whitmore's character. They vacillate between whether or not to take in Meeker to provide a little support for his condition and give him a stable home life, as well as a potential job working with Whitmore at his roadside gas station and garage. The problem is that they've also got two young kids at home, and they don't want to expose them to their uncle's episodes whenever the weather turns inclement. They also are afraid Meeker might really wig out and hurt his niece and nephew during one of his "bad" days.
Jean Hagen plays Meeker's love interest. She too has some kind of mental incapacity, but the film never really explains how she got that way. And therein lies the problem with this picture. It's a great story with good performances by the four leads, but the script is a real puzzler. There are so many holes and unanswered questions with so little back story of the characters. This movie was released about 3 months after "Singin' in the Rain" came out, and it was fun to see how good an actress Jean Hagen was when you compare the two pictures. "Shadow in the Sky" is only an hour and 18 minutes long, and if the script were given an extra 20 or 30 minutes, some of those unanswered questions could have been addressed. It's the only film I can think of where Ralph Meeker can be seen in a speedo.
Jean Hagen plays Meeker's love interest. She too has some kind of mental incapacity, but the film never really explains how she got that way. And therein lies the problem with this picture. It's a great story with good performances by the four leads, but the script is a real puzzler. There are so many holes and unanswered questions with so little back story of the characters. This movie was released about 3 months after "Singin' in the Rain" came out, and it was fun to see how good an actress Jean Hagen was when you compare the two pictures. "Shadow in the Sky" is only an hour and 18 minutes long, and if the script were given an extra 20 or 30 minutes, some of those unanswered questions could have been addressed. It's the only film I can think of where Ralph Meeker can be seen in a speedo.
They didn't call it post traumatic stress or PTSD back in those days, the term was shell shocked. But that is what Ralph Meeker is in this film Shadow In The Sky from MGM's B picture unit.
Meeker is a former Marine who served in the Pacific where his sergeant was James Whitmore who happened to marry his sister Nancy Reagan. Meeker has been in an out of veteran's hospital since the end of World War 2. He has a phobia about rain and the presence of Whitmore who was his sergeant during the war, but received a million dollar wound and went home acts as a kind of security blanket for Meeker.
We never really learn what his issues are and they certainly are a lot more complex than Shadow In The Sky lets on. But that was the way with most Hollywood films that dealt with psychological issues back in the day.
It's a good cast ensemble MGM gathered for this film which also includes Jean Hagen who works at the VA and might like to get something going with Meeker once he straightens himself out.
A good film for Veteran's Day.
Meeker is a former Marine who served in the Pacific where his sergeant was James Whitmore who happened to marry his sister Nancy Reagan. Meeker has been in an out of veteran's hospital since the end of World War 2. He has a phobia about rain and the presence of Whitmore who was his sergeant during the war, but received a million dollar wound and went home acts as a kind of security blanket for Meeker.
We never really learn what his issues are and they certainly are a lot more complex than Shadow In The Sky lets on. But that was the way with most Hollywood films that dealt with psychological issues back in the day.
It's a good cast ensemble MGM gathered for this film which also includes Jean Hagen who works at the VA and might like to get something going with Meeker once he straightens himself out.
A good film for Veteran's Day.
The main interest point in seeing 'Shadow in the Sky' was the subject matter, post traumatic stress disorder was a very brave topic to explore back then and was not done on film back then. It still is a brave topic to discuss now, now that it is even more common. Another interest point for me too was Ralph Meeker, here in a type of role with characteristics that he did incredibly well. Have always loved classic film and admire any film etc that covers tough subjects.
'Shadow in the Sky' is an interesting, thoughtful and very well intentioned film with a good deal to admire. A shame that it was a box office disaster at the time. It did fall short of full potential though, as not everything comes off great and it could have done a good deal more with the subject. While it's handled tactfully and sincerely, it could have had a good deal more depth as it is on the sketchy side. 'Shadow in the Sky' is definitely worth a look and am glad that it was watched, but it is one of those appreciate rather than love films.
Meeker is excellent in an intelligent and intensely moving performance. James Whitmore's performance is also powerful and Nancy Reagan is suitably sympathetic. Found myself really caring for their nicely fleshed out characters and caring for what happens to them. Fed M Wilcox directs with some nice atmosphere and sensitively, even with little innovative on display. The film looks quite good, clearly made with care, especially the suitably unsettling photography that sometimes has a surreal quality that is quite enticing.
Have always liked Bronislau Kaper and the score provided for 'Shadow in the Sky' is haunting without being overwrought. There is thoughtfulness in the script and the story is compelling enough with moments that move and frighten.
Do have to agree though that the script is patchy, with too much of an over-reliance of over-heated melodrama later on and while it raises some good points and questions the subject of PTSD was just not delved into enough, it never goes skin deep and while it would have been an education at the time judging the film now there is not enough that is insightful or illuminating. Meaning that while it is moving, it is not quite uncompromising enough.
Pacing isn't always there too, with too much padding and some of it is overlong and not necessary. The hospital dance agreed is completely superfluous. As a result, some of the film drags. While 'Shadow in the Sky' starts off really promisingly, one really tastes the soap suds quite bitterly in the final act. There are some strange character behaviours, especially those of the nephew, especially those that lack any kind of logic.
In summary, worth a look but could have been more. 6/10.
'Shadow in the Sky' is an interesting, thoughtful and very well intentioned film with a good deal to admire. A shame that it was a box office disaster at the time. It did fall short of full potential though, as not everything comes off great and it could have done a good deal more with the subject. While it's handled tactfully and sincerely, it could have had a good deal more depth as it is on the sketchy side. 'Shadow in the Sky' is definitely worth a look and am glad that it was watched, but it is one of those appreciate rather than love films.
Meeker is excellent in an intelligent and intensely moving performance. James Whitmore's performance is also powerful and Nancy Reagan is suitably sympathetic. Found myself really caring for their nicely fleshed out characters and caring for what happens to them. Fed M Wilcox directs with some nice atmosphere and sensitively, even with little innovative on display. The film looks quite good, clearly made with care, especially the suitably unsettling photography that sometimes has a surreal quality that is quite enticing.
Have always liked Bronislau Kaper and the score provided for 'Shadow in the Sky' is haunting without being overwrought. There is thoughtfulness in the script and the story is compelling enough with moments that move and frighten.
Do have to agree though that the script is patchy, with too much of an over-reliance of over-heated melodrama later on and while it raises some good points and questions the subject of PTSD was just not delved into enough, it never goes skin deep and while it would have been an education at the time judging the film now there is not enough that is insightful or illuminating. Meaning that while it is moving, it is not quite uncompromising enough.
Pacing isn't always there too, with too much padding and some of it is overlong and not necessary. The hospital dance agreed is completely superfluous. As a result, some of the film drags. While 'Shadow in the Sky' starts off really promisingly, one really tastes the soap suds quite bitterly in the final act. There are some strange character behaviours, especially those of the nephew, especially those that lack any kind of logic.
In summary, worth a look but could have been more. 6/10.
Strange little domestic drama concerning ex-soldier Ralph Meeker's attempts to readjust to civilian life many years after the war. Generally happy and normal, he can't handle rain, as it serves as a frightening reminder of the rain-soaked conditions he was constantly exposed to during one particularly brutal war time stint.
An extremely handsome looking movie, I was surprised at how the director, Fred Wilcox, composed so many of his shots in such a glistening, almost immaculate way. There always seems to be a lot going on inside the frame. It's visually exciting, almost experimental at times, a novel choice for this subject matter. There's one almost David Lynch-ian scene where Meeker is making an important phone call, and the little daughter is playing in the background, wandering through the house with a bag over her head saying "Give me some eyes. Give me some eyes". Filmed in a dream-like, consciously artistic way, it's quite odd.
All the performances are fine, especially James Whitmore's. He nails the big scene at the end, even though the important revelation about Meeker is sort of a dud. The film is also noteworthy in that it contains two well written women's roles. Nancy Davis plays a loving housewife and mother, but she's complicated and rounded out in a way that most women in these sorts of films around this time weren't allowed to be. And Jean Hagen plays a difficult, rather confounding mental hospital nurse who falls in love with Meeker. Frankly, their whole relationship felt a little confused and hurried but at least Hagen was not the typical angelic girlfriend.
This is a pretty intelligent, realistic and sensitively handled examination of mental illness. And it achieves the somewhat remarkable effect (almost as if it were a horror film) of portraying the simple event of rainfall as something sinister and threatening - its occurrence to be feared not just by Meeker's character but by all those who care about him as well.
An extremely handsome looking movie, I was surprised at how the director, Fred Wilcox, composed so many of his shots in such a glistening, almost immaculate way. There always seems to be a lot going on inside the frame. It's visually exciting, almost experimental at times, a novel choice for this subject matter. There's one almost David Lynch-ian scene where Meeker is making an important phone call, and the little daughter is playing in the background, wandering through the house with a bag over her head saying "Give me some eyes. Give me some eyes". Filmed in a dream-like, consciously artistic way, it's quite odd.
All the performances are fine, especially James Whitmore's. He nails the big scene at the end, even though the important revelation about Meeker is sort of a dud. The film is also noteworthy in that it contains two well written women's roles. Nancy Davis plays a loving housewife and mother, but she's complicated and rounded out in a way that most women in these sorts of films around this time weren't allowed to be. And Jean Hagen plays a difficult, rather confounding mental hospital nurse who falls in love with Meeker. Frankly, their whole relationship felt a little confused and hurried but at least Hagen was not the typical angelic girlfriend.
This is a pretty intelligent, realistic and sensitively handled examination of mental illness. And it achieves the somewhat remarkable effect (almost as if it were a horror film) of portraying the simple event of rainfall as something sinister and threatening - its occurrence to be feared not just by Meeker's character but by all those who care about him as well.
Did you know
- TriviaThis film was a major disaster at the box office despite its low cost, losing $644,000 (over $7.6M in 2024) for MGM according to studio records. It did so poorly it didn't even make back its negative cost, let alone expenses for duplication, distribution and advertising.
- GoofsIn a long shot of the rocking boat at night in the rain, the film suddenly runs backwards (notice the waves).
- ConnectionsFeatured in Los Angeles Plays Itself (2003)
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- Also known as
- Come Again Some Other Day
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- See more company credits at IMDbPro
Box office
- Budget
- $787,000 (estimated)
- Runtime
- 1h 18m(78 min)
- Color
- Aspect ratio
- 1.37 : 1
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