Shadow in the Sky

Thoughtful (if not particularly incisive) look at mental illness in veterans brought on by their war experiences after suffering extreme duress in the midst of battle. One emotional Marine, recuperating at a hospital in southern California, is deemed well enough to leave, but his sister and brother-in-law (whose life the soldier saved overseas) are reluctant to take him in because of his volatile nature. Excellent performances from Ralph Meeker, Nancy Davis, and James Whitmore nearly compensate for Ben Maddow's sketchy screenplay which begins as a study of human frailties but soon becomes a family melodrama (its subject matter whittled down to one case). Thus, scenes such as a dance at the Veteran's Hospital serve no real purpose, with the viewer left in the uncomfortable position of waiting for Meeker's Marine to lose self-control. Nevertheless, an unusual product to come from MGM, with several taut and moving sequences--though not enough to quite fill its running-time. **1/2 from ****

They didn't call it post traumatic stress or PTSD back in those days, the term was shell shocked. But that is what Ralph Meeker is in this film Shadow In The Sky from MGM's B picture unit.

Meeker is a former Marine who served in the Pacific where his sergeant was James Whitmore who happened to marry his sister Nancy Reagan. Meeker has been in an out of veteran's hospital since the end of World War 2. He has a phobia about rain and the presence of Whitmore who was his sergeant during the war, but received a million dollar wound and went home acts as a kind of security blanket for Meeker.

We never really learn what his issues are and they certainly are a lot more complex than Shadow In The Sky lets on. But that was the way with most Hollywood films that dealt with psychological issues back in the day.

It's a good cast ensemble MGM gathered for this film which also includes Jean Hagen who works at the VA and might like to get something going with Meeker once he straightens himself out.

A good film for Veteran's Day.

Strange little domestic drama concerning ex-soldier Ralph Meeker's attempts to readjust to civilian life many years after the war. Generally happy and normal, he can't handle rain, as it serves as a frightening reminder of the rain-soaked conditions he was constantly exposed to during one particularly brutal war time stint.

An extremely handsome looking movie, I was surprised at how the director, Fred Wilcox, composed so many of his shots in such a glistening, almost immaculate way. There always seems to be a lot going on inside the frame. It's visually exciting, almost experimental at times, a novel choice for this subject matter. There's one almost David Lynch-ian scene where Meeker is making an important phone call, and the little daughter is playing in the background, wandering through the house with a bag over her head saying "Give me some eyes. Give me some eyes". Filmed in a dream-like, consciously artistic way, it's quite odd.

All the performances are fine, especially James Whitmore's. He nails the big scene at the end, even though the important revelation about Meeker is sort of a dud. The film is also noteworthy in that it contains two well written women's roles. Nancy Davis plays a loving housewife and mother, but she's complicated and rounded out in a way that most women in these sorts of films around this time weren't allowed to be. And Jean Hagen plays a difficult, rather confounding mental hospital nurse who falls in love with Meeker. Frankly, their whole relationship felt a little confused and hurried but at least Hagen was not the typical angelic girlfriend.

This is a pretty intelligent, realistic and sensitively handled examination of mental illness. And it achieves the somewhat remarkable effect (almost as if it were a horror film) of portraying the simple event of rainfall as something sinister and threatening - its occurrence to be feared not just by Meeker's character but by all those who care about him as well.

This is a post-war story about the effects of what today we'd call PTSD. Ralph Meeker is a former marine who's confined at a VA facility in California. 90% of the time, he's a standup guy who seems to have a promising future, but whenever it rains, he turns into a major head case who can't escape his past wartime experience in the South Pacific. Nancy (Davis) Reagan plays his sister who is married to James Whitmore's character. They vacillate between whether or not to take in Meeker to provide a little support for his condition and give him a stable home life, as well as a potential job working with Whitmore at his roadside gas station and garage. The problem is that they've also got two young kids at home, and they don't want to expose them to their uncle's episodes whenever the weather turns inclement. They also are afraid Meeker might really wig out and hurt his niece and nephew during one of his "bad" days.

Jean Hagen plays Meeker's love interest. She too has some kind of mental incapacity, but the film never really explains how she got that way. And therein lies the problem with this picture. It's a great story with good performances by the four leads, but the script is a real puzzler. There are so many holes and unanswered questions with so little back story of the characters. This movie was released about 3 months after "Singin' in the Rain" came out, and it was fun to see how good an actress Jean Hagen was when you compare the two pictures. "Shadow in the Sky" is only an hour and 18 minutes long, and if the script were given an extra 20 or 30 minutes, some of those unanswered questions could have been addressed. It's the only film I can think of where Ralph Meeker can be seen in a speedo.

Earnest little movie that's almost a sleeper, thanks to a solid cast, good production values, and an affecting story. Ex-Marine Burt (Meeker) is in a VA hospital suffering from periodic bouts of battle shock, especially when it rains. Meanwhile, his solid citizen sister Betty (Davis) and her husband Lou (Whitmore) live close by. Burt wants to get out of the confinement and move in with them. But Betty and Lou have two kids and are wary that the unpredictable Burt may prove a live-in hazard. The predicament is compounded by the fact that Burt saved Lou's life during the war, thus Lou has an obligation. So how these various threads get resolved forms the core of the plot.

Hats off to glamorous MGM for foregoing the usual glitz with location filming and a sturdy, if non-glamorous cast. Whatever her politics, Davis-Reagan was a fine actress, excelling at everyday roles, while Meeker at this stage was a Brando-type, though here he calibrates in non-emoting fashion. Of course, Whitmore is Whitmore, looking like an everyday guy as the role requires. Together, they make this story of post-war wounds both affecting and believable, even if in a Hollywood manner. I especially like the rapport between Burt and Lou, which ultimately relies on the male bonding so common among men in battle. Understandably, there were a number of these war trauma films made during this period. However, this obscure little B-film can hold its own even among the bigger boys.