An older woman discovers that her multimillion-dollar fortune was based on embezzlement, so she sets out to right the wrong. She goes to America to meet the young woman who is the embezzled ... Read allAn older woman discovers that her multimillion-dollar fortune was based on embezzlement, so she sets out to right the wrong. She goes to America to meet the young woman who is the embezzled man's sole heir. The woman works in a department store and is in love with a struggling pi... Read allAn older woman discovers that her multimillion-dollar fortune was based on embezzlement, so she sets out to right the wrong. She goes to America to meet the young woman who is the embezzled man's sole heir. The woman works in a department store and is in love with a struggling pianist. When the handsome young attorney tries to give the heiress a check for $1 million, ... Read all
- Alvie Grayson
- (as John Sheffield)
Featured reviews
Jeffrey Lynn is quite appealing as Robson's lawyer, a handsome young fellow assigned to deliver a one million dollar check to department store salesgirl Lane. (It's "conscience money" – Robson has discovered her family fortune is based on a decades-ago swindle that ruined Lane's grandfather.) Naturally Lynn finds himself falling for the very charming Lane, who despite her newly acquired wealth remains stuck on
Ronald Reagan, a piano player and would-be serious composer whose sour disposition may indicate a stubborn independent streak in the great American tradition—or, may mean he's just kind of a jerk. In any case, Reagan is less than thrilled when suddenly-rich girlfriend Lane urges him to quit his job to write music while she supports him.
Robson plays her trademarked feisty old lady and she is a pleasure to watch, as always. Lynn is fine although the character he plays is unfortunately a bit bland. Reagan has a somewhat challenging role—a potentially fine songwriter who scoffs at popular music and would rather starve than sell out, he doesn't quite succeed in making us see whatever it is that Lane apparently can't resist.
Priscilla Lane herself is certainly the best thing about the picture: She's a Cinderella who sticks to her values and her man regardless of sudden riches and despite Robson's well-intentioned attempts to make her a "lady." Madcap, affectionate, completely charming—when Lane is on the screen (and that's almost every scene), it's really fun to watch.
If the plot doesn't quite work, it is nevertheless a very nice try. The picture does deserve credit for good intentions—and is especially worth watching for any fan of Priscilla Lane.
In this 1941 wonderful film, Miss Robson plays a very wealthy dowager who learns that her father swindled a man causing the latter to commit suicide. To be repentant, Robson leaves Europe to come to N.Y. and give the granddaughter, a wonderful Priscilla Lane, $1,000,000.
Lane is living in a small housing tenement with an assortment of characters. Her boyfriend, a pianist, lives there. Ronald Reagan is just great here in a comical turn as well as being moody and philosophical about life. This is his second best performance to "King's Row."
This Cinderella-like tale conveys the idea that money can't bring happiness. Jeffrey Lynn is in fine form as Miss White's attorney who gives Lane the money and falls for her romantically.
A wonderful film with the venerable May Robson stealing the show.
May Robson does her Applie Annie role in reverse, she's the dowager spinster heiress of an old robber baron whom she discovers got his fortune by bilking a partner back in the day who committed suicide. Seeking to right some wrongs Robson discovers the granddaughter and heir of the deceased partner is Priscilla Lane, proud working person where you find Million Dollar Babies, in a five and ten cent store.
Her lawyer, young Jeffrey Lynn is the agent for Robson's largess, quite a dapper fellow himself. Priscilla's got a boyfriend though, struggling composer Ronald Reagan. Given what Reagan's politics were when he became President of the United States it's a bit much to her him railing against the rich, but who would have figured in 1941.
Some of the best character players around fill out the rest of the cast of Million Dollar Baby and they make the incredible story entertaining in its own way. Helen Westley as Lane's landlady, John Qualen as an eccentric scientist, George Barbier as Robson's former attorney, Lee Patrick as a burlesque queen. There isn't a name I've mentioned in that group that doesn't summon up an image and type that old film viewers know exactly what to expect.
That cast gives Million Dollar Baby the vitality it has. As for Priscilla and her new found millions, will she choose lawyer Lynn or composer Reagan. I won't say, but I will tell you that I think she chose wrong.
Priscilla Lane is the titular blonde, Pamela McAllister. Ms. Lane turns in a typical, wonderful performance. Her high energy and ready smile light up the screen.
I think the producers were aiming for a screwball comedy, but the script does not rise to that level. The relationship between Jessica and Peter (Ronald Reagan), the struggling pianist, is problematic. His constant negativity and sarcasm undercut any romantic tension.
Jessica has big decisions to make, and you might be guessing until the end which way she will go. Personally, I found her final choices somewhat disappointing. But this is an entertaining film that guarantees smiles, if not belly laughs.
But Priscilla is the star of "Million Dollar Baby," giving one of her most sparkling performances. She is so lovable, so adorable that even if she had ever given a bad performance, this role would wipe it out.
Ronald Reagan also gives one of his best performances, with him as a pianist/composer hitting just -- pardon the pun -- the right note. It's worth saying twice: He gives one of his best performances.
Jeffrey Lynn is also great. He was a good-looking guy and extremely likable in this role.
May Robson probably couldn't give a bad performance, and she certainly didn't in "Million Dollar Baby."
Very interesting is John Qualen, in a sympathetic role and not speaking with a Scandinavian accent.
There are some wonderful lines in this intelligent script, even if some of us watching are puzzled by some of the characters' attitude toward money, and toward getting wads of it.
Oh, look for the handsome Charles Drake in an uncredited role.
He was just one of a large and excellent cast, far too many of whom didn't get credit, including the great Herb Vigran (whom I had met when he was in a play with Richard Thomas, and than whom he was a better actor), and he was on screen so briefly I didn't even see him, but he's listed here at IMDb.
One other standout among the un-credited is Irving Bacon as the repulsive federal PIG (Person In Government). Though the scene was no doubt intended as comedy, today's headlines make it too true to be funny.
Seriously, this is a very good movie. I'll watch it again.
Did you know
- TriviaMay Robson (about 82 in this film) was in fact over a decade older than Richard Carle (about 69), who plays George, the butler who grew up with Cornelia Wheelwright's (Robson's) father.
- Quotes
Cornelia Wheelwright aka Miss White: You know something, Mr Amory? I just discovered America. Imagine that, at my age.
James 'Jim': You discovered what?
Cornelia Wheelwright aka Miss White: America! What it's all about. Where else could it happen that a couple of youngsters like that would refuse to take money simply because they hadn't earned it? Where they don't want to live on Easy Street unless they build their own home? Ah, there they go, bless their hearts. You know, it's youngsters like that that make you have faith in the future.
- ConnectionsReferenced in Gilmore Girls: Une nouvelle année: Spring (2016)
- SoundtracksI Found a Million Dollar Baby (in a Five and Ten Cent Store)
(uncredited)
Music by Harry Warren
Lyrics by Billy Rose and Mort Dixon
[Played by the studio orchestra and sung by an off screen chorus during the opening and end credits; Variations played often in the score]
Details
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.37 : 1