Le Singe justicier

Scot Webster is looking for his brother-in-law who mysteriously left his wife and left her in at the hands of a racketeer and his mob. Webster is later set up with the murder of a mob enemy, convicted and set to die, but swears revenge on those who set him up. He donates his brain to science and it is later put into an ape, which proceeds to carry out Webster's venegance. The plot sounds pretty good for its genre, but the Webster's trial takes up a little too much time plus the scenes with the ape just seem to be lacking the excitement that this movie should generate. 5 out of 10.

This is one of those films that I was only familiar with up till now via a still in Alan Frank's 1977 exhaustive and entertaining chronicle of the genre, "Horror Films"; a belated Paramount genre entry that was most notable for its unusual mix of noir (the white slavery angle in the first half) and horror (the "gorilla on the loose" segment in the second). The atmosphere (courtesy of Oscar-winning cinematographer Victor Milner) is congenial to both styles but, being just 65 minutes in length, the film kind of crams everything in without giving the disparate elements a chance to breathe! The essential silliness of the plot – a wrongly executed man seeking revenge when revived in an ape's body – brings up several questions in a discriminating viewer like yours truly: how could he have known the addresses of the various culprits, having only been in town for just a few days, and how come the gorilla is never noticed moving about (but then this fault is also borne by Poe's "Murders In the Rue Morgue"!)?; incidentally, the devotion of the hero's pet mutt to its former master – even when reduced to its own, i.e. animal, level – is most poignant. Anyhow, the whole is quite redeemed by a decidedly remarkable cast of stalwarts from both genres: Ellen Drew from ISLE OF THE DEAD (1945), George Zucco as the obligatory mad scientist, Edward Van Sloan in an uncredited bit as a prison warden, Tom Dugan as wisecracking cop, and especially the rogues' gallery: Robert Paige from SON OF Dracula (1943), Paul Lukas as the suave head villain, our very own Joseph Calleia (in one of his rare genre appearances) as a pastor-cum-hit-man(!), Marc Lawrence, Gerald Mohr and Onslow Stevens! In conclusion, the film under review is not to be confused with the later (and superior) THE LADY AND THE MONSTER (1944) which, as it happened, I watched in quick succession myself.

This Paramount film has the kind of outlandish plot often found in minor studio cheapies of the same period: Phillip Terry's sister (Ellen Drew) foolishly falls for a gangster and ends up sold into "white slavery." Her brother tries to rescue her but ends up getting framed for murder by the mobsters. Convicted and sent to die in the electric chair, his body ends up stolen by mad scientist George Zucco, who puts his brain in the body of a gorilla. The gorilla now with Phillip Terrys brain, escapes and proceeds to kill off the mobsters one by one. Along the way his dog instinctively knows the gorilla is his (hers?) old master and tags along on his murderous rampage of vengeance. If one view this film ignoring the outlandish plot, this actually a very well made film with good Paramount production values, good stylish direction by Stuart Heisler, good atmospheric photography, and good performances by most of the films cast. Charlie Gemora's gorilla costume is more realistic looking than the cheesy moth eaten suits worn by George Barrows or Ray Corrigan in minor studio pictures. Also Gemora manages express real feelings and emotions underneath that gorilla suit. Also Gemora's gorilla actually walks and gestures like a real gorilla. THE MONSTER AND THE GIRL is an incredible film and is recommend if you are looking for something really outlandish but not trashy.

Ellen Drew plays a woman tricked into prostitution by Robert Paige and a group of gangsters after leaving a small town for the lights and allure of the big city. Drew's brother comes to her rescue and is instead set up in a murder by the gang led by Paul Lukas. Phillip Terry(her brother) is given the death penalty for his innocence and is executed. Right now you must be thinking...is there a monster? Oh yes! Just before the execution takes place, scientist George Zucco asks Terry is he can have his brain after he is killed. Zucco receives Terry's consent and transplants the brain of Terry into a giant gorilla that will seek payback from the gang of thugs and the attorney that sent Terry to his death. This is certainly not your typical monster film from the 40's. It opens with Drew narrating and then we are immediately thrust into the courtroom. We see everything through the testimony of the witnesses. Very innovative, and well-done. The story gets ridiculous midway, but the director Stuart Heisler never for one moment takes the material as anything less than serious. This attitude really allows the film to work. The story also sheds light on what was at the time a very scandalous subject....prostitution. We are never told what actually happens in so many words with regards to Drew's shame, yet we know through subtle means. The gang is truly repulsive. Each of the actors in it are extremely good playing men with no souls. Gerald Mohr, Paige, Lukas, and Marc Lawrence(isn't he always playing a thug?) do very well also in their obvious demises to come. The rest of the acting in this film is pretty good too. Onslow Stevens has a small part as the prosecuting lawyer. And George Zucco is always a treat to watch. I never have seen him give a bad performance. And the ape?" Not bad...looks fairly realistic..I have seen far worse. A good all around film from Paramount. They sure don't make em like this anymore and ain't it a shame!

I learned about this movie from a sidebar to an article on "horror noir" in Films in Review, where it was highly recommended.

It does mix horror and film noir in its own peculiar fashion. It starts off more noir than horror. A woman addresses the camera, surrounded by smoke or fog, to tell us a tale. We're taken to a courtroom, where a stoic man is being tried for murder. The woman from the introduction enters the court as a spectator, and a couple of the other spectators call attention to her.

The man on trial doesn't say much in his defense, speaking in a monotone. The woman jumps up to insist on speaking. She seems like a tough dame, and it turns out she's the man's sister. What she says doesn't help much, and she isn't a credible witness; it's implied she's a prostitute.

Through a flashback to better days, we see the siblings when they were much more animated and happy. She wanted to leave their small town, but when she goes to the city she finds it hard to get work. She meets a man she falls in love with, and gets married, but when she wakes up after a party on her wedding night, he's disappeared. A strange man is in her bedroom informing her how much she owes for the room and party, and offers her work in a cabaret entertaining men...

The brother goes to the city to find the missing husband, and gets framed for murder by a criminal conspiracy by the men his sister now works for. Back in the courtroom, he's convicted, vows revenge, and is executed, but not before he agrees to donate his brain to science.

Post-mortem, his brain is implanted into an ape. It's not clear what the scientist hopes to accomplish by that. Something about evolution, perhaps seeing what the ape's potential is if its brain is upgraded. For some reason, the scientist seems to expect an intelligent ape, rather than a man's mind in an ape's body. It isn't clear to what extent the executed man's brain retains its personality or memories, but the ape does carry out his vow of revenge, and his own dog seems to recognize him.

There were several other primate horror movies Universal made, among them the three titles in the Paula the Ape Woman series: Captive Wild Woman (1943), Jungle Woman (1944/I), Jungle Captive, The (1945), and then the Bela Lugosi film Murders in the Rue Morgue (1932). It's a funny thing about primates and horror, they go back pretty far. The Doctor's Experiment, The Professor's Secret, and The Monkey Man (all 1908) are three of the earliest ones, the latter one even involving a brain transplant!