Deux nigauds aviateurs

Blackie (Bud Abbott) and Heathcliff (Lou Costello) are the ground crew for barn storming pilot Jinx Roberts. They join the Air Corps as ground crewman where the fall for twin USO hostesses (Martha Raye).

The guys are still fun but they are stuck in a propaganda film for the military. I don't care about the Jinx story. So the movie is split into two. I enjoy the boys but when they're not on the screen, the movie stalls out. I also enjoy Martha Raye playing the duo role. She's great with the guys. I like half of this movie.

Not their best, but by far not their weakest, the film provides the viewers with the duo in the Army Air Corps, or at least a training facility.

While there has been some comment on the wood and fabric airplanes in the film, filmed shortly before the U.S. got involved in World War II, many training facilities taught their students initially on such aircraft, just so they could learn the rudiments of flight. Later, the fledgling pilots would graduate to more state-of-the-art trainers.

Minor spoiler For the aero gags, the fabric airplanes worked well: in the "inverted" sequence, Costello's head wouldn't have been able to break through a metal skin.

I had this on VHS, and finally was able to locate it on DVD, in an A&C collection.

When high-flying stunt pilot Jinx Roberts joins the air corps, his two assistants Blackie and Heathcliff follow him into the service out of loyalty and lack of other options. While Jinx gets a pilot's position they find themselves essentially at the level of janitors with little in the way of glamour or prestige. They end up causing more trouble than anything else – not least of which in the world of romance where the attention of twins Gloria and Barbara causes more confusion.

This film was part of several made in a short period by Abbott & Costello in support of the war effort and the structure is roughly the same. A "straight" guy pursues a girl while Abbott and Costello trail along behind getting involved in various escapades and misunderstandings in support of the "straight" guy's romantic efforts. This should not surprise anyone and the only thing of concern should be whether or not the film is funny and makes good use of the comic abilities of the stars (by which I do not mean Foran). The answer is "sort of" and it is because of this that the film is quite amusing for fans but not good enough to really win over others or stand out as one of their best. The plot with Jinx does take up a bit too much of the running time and, as is often the case, the film is padded out with too many songs (although at least one of them is actually pretty good) and I didn't find myself laughing often enough. There are some good bits though; the scene where they order food in the restaurant is brilliant stuff and had me laughing out loud but, a few good lines here and there and that is pretty much it. The torpedo sequence is the normal stuff but lacks inspiration while the flight stuff, although quite good suffers badly from poor back projection and basic model work – OK both are of their time but still.

The cast do reasonably well and the fault for the film perhaps being a bit lacking is not with their performances. Both Abbott and Costello do good work as you would expect but it is just a shame that they don't get better material to work with. What they do benefit from is a female co-star who isn't just a cute love interest for Costello. Raye plays it in a way that echoes Costello's style but it does work and she is funny and adds a bit of variety which is needed when you consider the "main" plot. Bruce, Gargan and Foran are all fairly dull and stiff – again it is a shame that they take so much of the time from the others.

Keep 'em Flying is an OK Abbott & Costello film that has enough about it to please most fans however it is still not as funny as it should be and it has too much stuff that either pads (the songs) or detracts (the main plot). If you like them it is worth a look but only a few scenes here and there show what the two are capable of.

Before rewatching this movie on YouTube, I watched a 9-minute short called Life with the Flying Cadets which was basically a trailer for this film as it shows many scenes from it especially the ones with stars Abbott & Costello. It basically told of the value of those men training to fly for whatever awaits them. Now Keep 'Em Flying was the second A & C movie I saw as an 11- or 12-year-old kid in 1979 when it showed up on TV late Saturday night on "The Abbott & Costello Theatre" which was devoted to showcasing all their Universal product. The first was Hold That Ghost. Anyway, here Blackie (Abbott) and Heathcliff (Costello) are associates of daredevil flyer Jinx Roberts (Dick Foran who had also appeared with Bud and Lou in In the Navy and Ride 'Em Cowboy) who all get fired from the fair and they all swear off women but then they go to a nightclub where singer Linda Joyce (Carol Bruce) is performing her last engagement before going to the USO. Of course, Jinx is smitten with her and ends up working near her at a cadet training center. Blackie and Heathcliff follow and encounter two waitresses at a cafe there but since they're twins-Barbara and Gloria (both Martha Raye)-and they don't appear together when they all meet, confusion reigns! I'll just now say that this was even more funny now than when I first saw this all those years ago, that's for sure! I especially thought that routine in which the Abbott character tells the Costello character to not make any orders since they're short on money and he's offering to share his order only for Costello to renege quickly because Abbott keeps insisting he order something was much better than a similar routine Laurel & Hardy did in Men O'War which was my last review before this one. Speaking of L & H, the producer of this picture was Glenn Tryon who was previously an actor who, among his earlier appearances, was in the short 45 Minutes from Hollywood which was the first time Stan & Ollie were in the same Hal Roach short-having first previously appeared together in The Lucky Dog for another company-though they missed actually being together in that one. And if the names of Carol Bruce and Martha Raye are familiar to you, you probably saw them in their later years during the late '70s when Ms. Bruce had a recurring role as Mama Carlson in "WKRP in Cincinnati" and Ms. Raye likewise had such a role as Mel Sharple's mom in "Alice"! A few more things about this movie: I thought the moving torpedo and the standing-on-the-wing-of-a-flying-plane sequences involving Lou were partly convincing enough to me to excuse the obvious use of moving background projection (it should be noted that Pat, Lou's brother, was the stunt double for these segments), that the serious parts of the Jinx storyline was fine with me, and that the musical interludes were entertaining enough especially Carol and Martha's "The Boy with the Wistful Eyes" number. So that's a high recommendation of Keep 'Em Flying. Oh, and continuing my reviews of A & C and L & H doing similar movies, my next one will be on the latter's Our Relations in which Stan and Ollie have their own set of twins encountering mistaken identity...

One of the funniest of Abbott and Costello's early Universal films was Keep 'Em Flying which stuck with the tried and true formula established by Buck Privates.

The boys are working at a carnival with their pal Dick Foran who's a stunt flier. After a disagreement with management, all three of them quit and wind up in the Army Air Corps.

For Foran he gets to renew a personal rivalry with William Gargan who's an instructor who had fired Foran once before in a civilian flying job. They're both interested in the lovely Carol Bruce who sings great and is a USO hostess.

The boys are up to their usual monkeyshines. Seeing both of them on the back of a speeding torpedo was as funny as when they repeated the same gag on the back of a bucking bronco in Ride 'Em Cowboy. And seeing them hit the silk at the end of the film is indescribable.

Martha Raye plays a dual role in the film as twin sisters, one of whom likes Abbott and the other Costello. Of course poor Costello doesn't realize they're twins and Martha's on and off attitude towards him is baffling. Later on the same twin gimmick was used by Betty Hutton in Here Come The Waves.

Gene DePaul and Don Raye wrote the original songs for this film and actually came up with an Academy Award nomination for one of their songs, Pigfoot Pete which Martha Raye sings and which is incorrectly credited in Academy records to another Universal Film, Hellzapoppin'. It's not bad, but it's really a poor man's Boogie Woogie Bugle Boy. The best song in the film is one interpolated for Carol Bruce when we first meet her as a nightclub singer, the Tommy Dorsey standard, I'm Getting Sentimental Over You.

Keep 'Em Flying is right in the great tradition of Buck Privates and In the Navy and still as funny today as when first made.