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Kathleen

  • 1941
  • Approved
  • 1h 28m
IMDb RATING
6.2/10
547
YOUR RATING
Shirley Temple, Herbert Marshall, Laraine Day, and Gail Patrick in Kathleen (1941)
Drama

Kathleen is a 12 year old who lives in a big house with a nanny, a butler, maids, no mother and a father who is working most of the time. She dreams of a family with a mother, father and her... Read allKathleen is a 12 year old who lives in a big house with a nanny, a butler, maids, no mother and a father who is working most of the time. She dreams of a family with a mother, father and her, and tells everyone that she has such a family. Because of this story, she cannot invite ... Read allKathleen is a 12 year old who lives in a big house with a nanny, a butler, maids, no mother and a father who is working most of the time. She dreams of a family with a mother, father and her, and tells everyone that she has such a family. Because of this story, she cannot invite any friends over as they will see that it is not true. Kathleen and her nanny, Mrs. Farrel... Read all

  • Director
    • Harold S. Bucquet
  • Writers
    • Mary C. McCall Jr.
    • Kay Van Riper
  • Stars
    • Shirley Temple
    • Herbert Marshall
    • Laraine Day
  • See production info at IMDbPro
  • IMDb RATING
    6.2/10
    547
    YOUR RATING
    • Director
      • Harold S. Bucquet
    • Writers
      • Mary C. McCall Jr.
      • Kay Van Riper
    • Stars
      • Shirley Temple
      • Herbert Marshall
      • Laraine Day
    • 16User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins total

    Photos2

    View Poster
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    Top cast22

    Edit
    Shirley Temple
    Shirley Temple
    • Kathleen Davis
    Herbert Marshall
    Herbert Marshall
    • John Davis
    Laraine Day
    Laraine Day
    • Dr. Martha Kent
    Gail Patrick
    Gail Patrick
    • Lorraine Bennett
    Felix Bressart
    Felix Bressart
    • Mr. Schoner
    Nella Walker
    Nella Walker
    • Mrs. Farrell
    Lloyd Corrigan
    Lloyd Corrigan
    • Dr. Montague Foster
    Guy Bellis
    • Jarvis
    Wade Boteler
    Wade Boteler
    • Policeman
    Charles Judels
    Charles Judels
    • Manager
    Else Argal
    • Maid
    Margaret Bert
    • Margaret
    James Flavin
    James Flavin
    • Moving Man
    Monte Collins
    • Moving Man
    Joe Yule
    Joe Yule
    • Sign Poster
    Fern Emmett
    Fern Emmett
    • Miss Bewley
    • (scenes deleted)
    Florence Bates
    Florence Bates
    • Woman Customer at Shoner's Store
    • (uncredited)
    Thomas F. Burke
      • Director
        • Harold S. Bucquet
      • Writers
        • Mary C. McCall Jr.
        • Kay Van Riper
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews16

      6.2547
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      Featured reviews

      jarrodmcdonald-1

      Temple takes role intended for Weidler

      One of the other reviews called this picture a weak vehicle for Shirley Temple. It's definitely not her best, but it's not terrible either. This said, I think she was wrong for the part-- which was given to her after her mother objected to Shirley being cast in a Wallace Beery film called BARNACLE BILL. Virginia Weidler, who had originally been cast as KATHLEEN, was pulled off this movie and paired her with Beery instead. Shirley then took over to do what her mother felt was material better suited for her. But it's really not a good vehicle for her, for a variety of reasons.

      I think the main problem is that Shirley looks too old. Virginia would have been more believable (with the braids, which were becoming a cliché by this point in her career). However, it certainly would have worked best with a young Margaret O'Brien. It really had to be someone very tiny and fragile looking, who desperately needed a new mommy to look after her. Laraine Day is fine in her role, Nella Walker as a battle-axe is very good, and I find Felix Bressart to be as charming as ever. However, as much as I enjoy Herbert Marshall, he is wrong for his part as daddy. It should have been someone like Walter Pidgeon.

      Overall I don't think the story is the issue-- it's the casting and how these roles were directed. By the way, when Shirley was signed by MGM, the first project the studio announced for her was an Andy Hardy picture. But probably Mama Temple vetoed that in a hurry-- no B films for her daughter, and no second fiddle to Mickey Rooney. Can you imagine her conversations with Mayer about that!
      8pipslost

      good for the younger crowd

      I first saw this film when I was about 13 and loved it then. It's a good film for the right age group. I was fascinated with the tricks Kathleen plays on her nurse, the strict household she lived in and how she gets away. It was also interesting to see the difference in the manners of the 40's. For example, Kathleen politely says "how do you do" to an adult she hates. She accepts a decision her father makes which she feels is unfair. I can see how this film might not be very interesting to an adult seeing it for the first time. But is good classic entertainment for the right audience. It's also great seeing Shirley in a role where she's not a sweet little tyke!
      6SnoopyStyle

      coming of age Shirley

      Kathleen Davis (Shirley Temple) is a smart 12-year-old living in a large mansion with her servants. With her beloved mother dead, she is in a constant battle with her nanny. Her father John Davis (Herbert Marshall) is always away at work. Her father brings home girlfriend Lorraine Bennett who suggests bringing in Dr. Foster to examine her. Foster suggests hiring psychiatrist Dr. Angela Kent (Laraine Day) to look after her for the summer before she goes off to boarding school. Kathleen takes a liking to Dr. Kent especially for her father to replace Lorraine.

      Shirley Temple is having trouble growing into her terrible teens. It's a tough thing to have an icon change in front of your eyes. That's the difficulty faced by an audience of her era. She's also stuck using the same acting tricks that had worked so well as a child actor. While it looks cute as a child, it looks like sentimental cloying as she gets older. I do have an issue with the dream dance sequence with full grown men. It has different meaning as she grows into a young woman. The other big issue is the lack of chemistry between the father and Dr. Kent. It's not enough for Lorraine to be a sneaky gold-digger. This has all the ingredients but the mixture is barely passable.
      7davecook5

      A pretty good movie

      I saw "Kathleen" thanks to someone who taped it off TCM.com then put it up on YouTube. It's still on YouTube if you're interested. It has never been released on DVD or VHS.

      In Shirley Temple's autobiography "Child Star", there's a photo of her on the set of "Kathleen" with bongos strapped to her waist. She's in a shell-shaped bandstand with other cast members performing a calypso number.

      She writes that the stage undulated (moved in a wave fashion), making it very difficult for the dancers to get the scene down right. Everybody had to stay late for constant re-shoots.

      So, in the movie from YouTube, the scene is not in there. There's just one song and dance routine but it's not a calypso with the bongos. The one from YouTube ran almost an hour and a half.
      5Doylenf

      Shirley as a pre-teen in weak vehicle at MGM

      'Kathleen' is a rather pedestrian take on Shirley's previous childhood vehicles. Once again, she has no mother, only a distant father (Herbert Marshall) engaged to a woman Shirley despises. When her behavior causes no end of trouble for her nanny, her father hires a young woman psychiatrist (Laraine Day) to counsel the girl. Naturally, he and Day fall in love and Shirley's problems end on a happy note. But none too soon.

      While Shirley herself is charming and poised as the unhappy girl, the script is a dreary thing with no one able to overcome the inadequacies of the slim story. Laraine Day is her usual charming self, Marshall is stuffy and aloof as Shirley's father and Gail Patrick has a totally unsympathetic role as "the other woman" eager to get her clutches on a rich husband.

      A musical sequence showing Shirley lending her voice to a dismal song is clearly dubbed and seems to belong to another picture, it's so out of whack with the rest of the film.

      Clearly disappointing and only interesting to see Temple as a maturing 12-year old and given some nice glossy MGM close-ups. Some good moments, but not enough and apparently MGM decided not to release this one to video, at least not as of this writing.

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      Storyline

      Edit

      Did you know

      Edit
      • Trivia
        A body double for Herbert Marshall was used in the scene where his character runs past Shirley Temple and up the stairs after Mrs. Farrell opens the box containing a firecracker. Marshall lost a leg in WWI and body doubles were always used whenever his character had to run or walk quickly up staircases.
      • Quotes

        Mrs. Farrell: If you were a nice girl with a nice clean mind, you wouldn't keep a diary.

        Kathleen Davis: You peeping Tom!

      • Connections
        Referenced in We Must Have Music (1941)
      • Soundtracks
        Around the Corner
        (1941)

        Music and lyrics by Roger Edens and Earl K. Brent (as Earl Brent)

        Played during the opening and closing credits

        Played on a music box several times

        Sung by Shirley Temple (uncredited) and chorus in a musical review during her daydream

        Played as background music often

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      Details

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      • Release date
        • January 22, 1942 (United States)
      • Country of origin
        • United States
      • Language
        • English
      • Also known as
        • Cathleen
      • Filming locations
        • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
      • Production company
        • Metro-Goldwyn-Mayer (MGM)
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        1 hour 28 minutes
      • Color
        • Black and White
      • Aspect ratio
        • 1.37 : 1

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