Invisible Ghost

I must say, I was a bit surprised after viewing "Invisible Ghost." It

could have been because of Bela Lugosi's sympathetic portrayal

of Charles Kessler, a warm and kind-hearted man, deeply

troubled by his wife's absence. Or ... it could have been Clarence

Muse, playing the black butler sans the usual comic relief.

Whichever way you look at it, "Invisible Ghost" is certainly worthy of

note. Too bad one has to rummage through so many bad movies

to locate the few really good ones. Here we have the late, great

Bela Lugosi, looking better than ever. His portrayal of a sympatheic

man under the control of powers beyond his comprehension is

somewhat of a diversion from previous characters. He's not

sucking the blood of beautiful ingenues. Nope. He's on a murder

rampage, suffocating his victims with a ... bedroom robe?

Okay ... a little quirky. What did you expect? Shakespeare?

What's impressive here is Mr. Lugosi's enormous acting talent.

Lugosi could express more emotion through a simple facial

expression than most actors could through an entire monologue.

He's an excellent example of a talented man giving a performance

greater than the movie itself deserves. No make-up effect or

computer generated effect could ever reproduce this. To this, I hold

Mr. Lugosi up next to Vincent Price ... as a man whose talents

barely reached the public surface. If only he were alive today and

making movies. No doubt he would have been treated with a great

deal more respect and admiration.

And so ... "Invisible Ghost" is a very good movie to enjoy. I was

lucky enough to purchase this along with seven other Lugosi films

in AMC's Monsterfest DVD collection. Pick it up if you get a chance.

It includes movies like "The Human Monster" and the amazing

"White Zombie." While some of these films were hits and others

were misses ... all feature the extraordinary presence of Bela

Lugosi ... certainly one of our greatest actors.

The best way to see this film is to catch an aged, scratched up print with bad sound on late night television. It seems to almost be made for that kind of antique, romantic creakiness.

Bela Lugosi plays a husband who murders his house guests overnight at the command of his hypnotist wife. The story isn't very well executed and is pretty ridiculous, actually, BUT what redeems the film and makes it very worthy of seeing is it's bizarre, ghostly atmosphere. The film is not about suspense, it's about mood. It's all about white figures moving around shadowy black backgrounds. It's about the interiors of the house looking like furnished crypts or like secret rooms not shown on the board of a Clue game.

This whole film is texture. It's very dream-like.

This is my favorite of Bela Lugosi's Monogram potboilers. This film is perfect in black and white because of the use of light and shadow as well as thunder and lightning in a creepy old house that has the feel of an old tomb. Throughout the film, the house setting with its weird shadows and spooky atmosphere sets the tone for the film

A series of unsolved murders take place in this old house and the authorities fail to close it up due to legal technicalities. From the beginning, one knows that the guilty party is Bela Lugosi under the bizarre hypnotic influence of his estranged wife. The story rolls on with additional murders and an innocent suitor being sent to the electric chair for a murder he did not commit. After a few more people bite the dust, the real murderer is uncovered in one of the most bizarre climaxes in "B" movie history.

Great late night fun.

Dan Basinger

The best quality this film possesses is a genuine creepy atmosphere. Especially good use of the weather (rain, stormy nights) enhances certain scenes particularly those in which Bela Lugosi's character Dr. Kessler is visited by his ghostly long-thought dead wife. Following this, Dr. Kessler is driven to unwittingly become a mad strangler. Just the result you'd expect?...no I didn't think so either.

Lugosi is actually quite good in the film and gives it his best effort. Also I felt Polly Ann Young, Betty Compson and Clarence Muse did fine jobs with what they had to work with.

The Inspector (played by George Pembroke) is an incredibly silly stereotype who comes across as thoroughly incompetent. However I did laugh when the visiting psychiatrist suggests it may be the Inspector who needs help.

If you haven't seen Invisible Ghost, I won't bother going into much of the plot. Most of it is silly and doesn't make much sense. Basically, the story involves a man who is driven to commit murder by seeing his supposedly dead wife. That's really all you need to know. And, it's not much of a spoiler as you discover most of this within the first ten minutes or so.

Lugosi is great as the mad killer. A really first-rate acting job that is by far one of his best from the Poverty Row movies he made (that I've seen). He does an excellent job of alternating between the kindly Charles Kessler and the mad killer. Clarence Muse is also a standout as the butler, Evans. Muse played Evans as smart, calm, strong, and nothing like the typical black character you find in a 40s horror/mystery movie. I call him the anti-Mantan.

Over the past few years, I've learned to enjoy the movies from the 40s that Monogram and others were putting out. Invisible Ghost is not the best of the bunch, but it's certainly not the worst. It's fun to watch if just to see Lugosi hamming it up. Just don't take these movies too seriously.