Une vie de lapin

The story is not exactly unfamiliar territory, and is occasionally predictable, but I thoroughly enjoyed The Heckling Hare and found it had a number of interest points. The animation is nice enough to look at, the backgrounds are audacious to watch especially, and the music is a lovely, rousing touch. One major point of interest are some very clever and hilarious sight gags, especially the lengthy fall down the cliff, and the dialogue is funny. Another point of interest is Tex Avery voicing the dog, I felt he did a very good job and his character was entertaining. But for me Bugs steals the show, arrogant and cunning, with excellent vocal work from Mel Blanc. Overall, hilarious and has a lot of interest, but not absolutely exceptional. 8/10 Bethany Cox

After watching a bunch of 1950s Bugs Bunny cartoons, it was shock to see him in this early 1941 effort. He looks different, with a more oblong shaped head (glad they changed that) and the artwork looks different (no complaints in that department with the nice watercolors- type look). The next thing I noticed was Bugs' voice. Even though it was the same Mel Blanc doing Bugs, the voice was deeper. Frankly, it didn't right, probably because most of us aren't used to seeing him and hearing him like this.

The story is one that was shown many times afterward except hunter Elmer Fudd was playing the role that a dog did in here, namely going after Bugs and the latter outsmarting him at every turn. The two animals making faces at one another was good, as were a few other comedy bits involving Bugs' ears or the dog's tail.

Bugs' rhetorical question sums it up best: "Let's see; what can I do to this guy now?"

Overall, a fair effort. I think these were better-written in the '50s, and what's with all the kissing? That's overdone.

This was an interesting episode, in the way that it is the earliest I have seen of Bugs Bunny where he is most like his later, fully developed self. He plays many gags that he plays in his most famous episodes and of course outwits the dog who is trying to catch him. I enjoyed the episode because these gags were done well, the dog was an amusing character (and not voiced by Mel Blanc, which is surprising, instead voiced by a Looney Tunes director), Bugs Bunny was amusing and the animation was good (the background animation was reminiscent of "Bambi).

There was one thing which slightly put me off the episode, which was the screaming of the dog and Bugs Bunny as they are falling from a high height at one point in the episode. In the era this episode was made, for some reason, you find the occasional long scene of screaming, or pain, which is not only boring but off-putting.

In this cartoon, a dog is sniffing along the ground, obviously hunting, when he realises he has passed a rabbit hole. He starts sniffing into the hole, Bugs Bunny popping up his ears to investigate the intruder and then going above ground through a different hole, while the dog digs a hole elsewhere. Sound familiar? Yes, if you are familiar with Bugs Bunny episodes where he is being hunted, the way Bugs Bunny constantly outwits the dog will be in no way a surprise to you.

I recommend this episode to people who like Bugs Bunny and the way he outwits people trying to kill him. Enjoy "The Heckling Hare"! :-)

8 and a half out of ten.

This short led directly to the exit of Tex Avery from Warner Brothers. Some sources say he was fired, others that he quit, but Leon Schlesinger's mistake was Avery's, animation's and MGM's gain. Avery did some fantastic work at MGM, animation gained from his influence on another studio and MGM gained by having the competition between Avery and Hanna and Barbera, which improved both teams. Avery's influence can be seen on the Tom and Jerry series in the mid to late 1940s and it's open to question whether Droopy or Screwball Squirrel would have developed at a crowded Warner Brothers. Who knows what would have developed (or not developed) at Warner Brothers had Avery NOT gone to MGM. Excellent short. Most highly recommended.

Tex Avery finally follows up 1940's "A Wild Hare" with a worthy sequel, in which a hunting dog is sniffing for some rabbit and comes upon a certain wabbit hole.

After seeing him in four previous films, the audience has become more familiar with Bugs, so Bugs naturally starts to confide in them with glances and asides ("What can I do t'dis guy next?"). It works better than when Cecil Turtle did the same kind of thing in the previous "Tortoise Beats Hare." We don't know this little green lizard...why should we trust him? Bugs, on the other hand, we know by now is all right...and we can definitely trust him.

Not to say that Bugs isn't sugar and spice, of course. He still has a cocky streak to him, and at the end of the picture even sasses the audience. Could Bugs be the first animated hero that shows contempt for the people rooting for him?

Mike Maltese introduces some great gags in this story, and it's only a shame that he didn't work on any more Bugs cartoons with Avery, as they could have come up with masterpieces.