The Get-Away

Pretty much a shot-for-shot remake of Public Hero #1. Because of this and the fact that it's more polished than the earlier film, this one's not as good. It's watchable but ultimately forgettable. The only thing noteworthy about it is that it's the film debut of Donna Reed. She's beautiful and the best part of the movie. Dan Dailey and Robert Sterling are bland. Charles Winninger and Henry O'Neill are enjoyable in supporting roles. If you haven't seen the original, you're likely to enjoy this one far more. I would caution you against reading too much about either film because there's a twist in the plot that is best left unspoiled. Chances are you've already been spoiled since all plot summaries, including TCM's, give it away. Still, I've left the plot out of my review just in case.

Anyone else realize that this is almost a shot-for-shot remake of "Public Hero #1" staring Jean Arthur and Chester Morris (1935)? With Lionel Barrymore playing the doctor and Joseph Calleia playing Sonny.

It also appears the same screenplay was used for both pictures as the writing credits overlap. Different directors though

Public Hero #1 (1935) : Directed by J. Walter Ruben. Writing credits: J. Walter Ruben story, Wells Root story, Wells Root screenplay

The Get-Away (1941) : Directed by Edward Buzzell , Richard Rosson (uncredited). Writing credits: W.R. Burnett screenplay, Wells Root screenplay, Wells Root story, J. Walter Ruben story

Having seen both pictures, I think the 1935 Jean Arthur/Chester Morris effort is the better of the two. Anyone who likes "The Get-Away' should checkout "Public Hero #1".

Wow! A preternaturally cute,just past teenage, Donna Reed in her first movie, emoting with all she had. Dan Daily-of all people-playing the heavy. A real menace. In an uncredited role, the immortal Veda Ann Borg.

The story is old. It had been done before and even more afterward, but who cares. It's a b-movie, but with MGM high production values. A dance hall scene seems to have hundreds of extras. So suspend critical judgment (and even basic intelligence) and sit back and have fun.

My favorite scene is when Dan Daily, hiding out and in disguise so that he would not be recognized, approaches Veda Ann Borg in a dance hall and asks to dance with her. What better way to deflect any attention to yourself than to dance with the showiest blond in Hollywood history?

Not a bad little film in many ways when you consider when it was made by MGM - clearly as the opener in a Double Feature Bill. The cast is surprisingly good with perhaps Dan Dailey as the standout, and playing the brother of Donna Reed and never able to go straight despite all her efforts. Robert Sterling goes over the top in his early scenes, but settles down as the story progresses. Charles Winninger as the drunken Doctor has some fine and not-so-fine moments in a major role, and it was great to see one of the good old B-players in Veda Ann Borg. The shoot-out near the end was ideal for a programmer and would have left audiences in those days in a good frame of mind for the Main Attraction

This is a good little crime movie that is often overlooked. It is not even rated in the Maltin book. But, if you enjoy movies with a nice simple plot about prisons, break-outs, federal agents chasing crime gangs, sister trying to save wayward brother, etc. you will like this film. Robert Sterling does a fine job and interacts well with Dan Dailey and Donna Reed. Dailey's role is that of a hard and tough criminal who resists all efforts to go straight. Donna Reed, as his long suffering sister does her best to reform him. There's a great shoot-out scene that will please action fans and the final ending is handled very well and contains real suspense.