Emergency Landing

While you cannot blame the original film makers, the DVD copy of "Emergency Landing" was VERY rough--with a lot of choppy scenes and a scratchy print. I sure that looks like it comes from a '20 Movie Pack' for $5 by Mill Creek--which it did.

A very young and inexperienced Forrest Tucker stars in this film. While he later became a good supporting character playing various tough or gruff roles, here he just looks young and lost. I think casting him as the handsome hero was a bit of a mistake and Tucker's personality in the film does nothing to sell the material.

The film is about a radio control device for airplanes. I loved the crappy special effects when they tried it out on a model plane, as the plane made completely impossible turns and it made it obvious that it was on a wire. Well, apparently the US Army Air Corps is not the only group who want this ridiculous machine and 'the enemy' have sent out spies to steal it. Since the film came out just before the US entered WWII and this studio was afraid to make waves, they just used generic baddies and made them neither German nor Japanese.

There is a guy named 'Pedro' in the film who superficially looks a lot like Leo Carillo's 'Pancho' from "The Cisco Kid"--but Pedro is played in a much broader and cheesier manner. He's like a walking bad stereotype of a 1940s Mexican. I am sure many will cringe when they watch his antics. And, they might cringe when a lady automatically calls Pedro by name. He is surprised she knows his name and she responds "...every Mexican is named Pedro...or Pancho". Wow...how enlightened! But unfortunately, the non-Mexican characters aren't a lot better. Women whine, act petulant and cry, guys stare as if they can't stand the studio lights and the actors look mostly like they're in a high school play.

The bottom line is that the film is bad--really bad. The script, editing, direction by William Beaudine and acting are all uniformly bad. And, unfortunately, while the film is about spies, it's amazingly stiff and dull.

Let's not beat around the bush here. This film is chronic. Basically an inventor has invented a plane that can be controlled remotely and wants to sell it to some big wig with the help of his eight foot tall buddy, probably named buddy.

Basically, there's a point in this when you realise that absolutely nothing is going to happen for the duration of this film except romantic misunderstandings, a crappy battle of the sexes, some slapstick and a healthy dose of racism. Not much action until the last few minutes.

Jesus. Only saved from getting a one from the random appearance of Jimmy Krankie at the end.

Though I greatly dislike dogs (I'm a cat person), I have always admired their loyalty--definitely an underrated trait in the fickle, Johnny-come-lately environment of 2016 society. This film (which was titled 'Robot Pilot' in my Mill Creek 50-pack called 'Nightmare Worlds') started rather slowly, and I didn't think I was going to end up liking it. Though director Beaudine had made a ton of films (he has over 370 directing credits on IMDb), I had only previously seen his 'The Old Fashioned Way', from 1934 and starring W.C. Fields, which I had absolutely loved. So I was patient with it, even though Thornton Edwards' character 'Pedro' was crassly demeaning to Mexicans, and many early sequences that featured him were glaringly awful. I had also loved Evelyn Brent, who had IMHO been an outstandingly sexy and provocative presence in two of Josef von Sternberg's silent masterpieces ('Underworld' and 'The Last Command'), and it intrigued me to see her this much after those glory days.

I am glad that I stuck with the film. The last two-thirds more than made up for the picture's slow start, and ended up combining a then-topical plot line of enemy foreign agents stealing an experimental plane with a fun, enjoyable and entertainingly comical subplot 'morality tale' of the airplane manufacturer's spoiled daughter being made a prisoner for stealing gasoline and getting her comeuppance. Beaudine's taut direction cleverly brought together the disparate threads into a satisfying whole--and the hilarious ending made my belly ache from laughter. If you can handle B-pictures from the 30's and 40's and the aforementioned slow start, it's well worth your time and you won't be disappointed.

There is little to recommend this. It's a silly tale of some people trying to develop a remote control plane to be used in war. Most of it is a meaningless romance where spoiled people are holed up in the desert. One is trying to teach the others a lesson. Some gasoline is stolen, some bad guys come to mess things up, but mostly not a thing happens. There is a lot of screaming and pratfalls. The main character is pretty tiresome. The joke goes on and on and on. The plane, which should be the star of the show, is practically non-existent. It would be interesting to see what technology there was at the time. I'm sure the truth of that question would be much more interesting than anything that happens in this film.

Emergency Landing, a film I saw under the title Robot Pilot, is essentially a romantic comedy disguised by a story of war production of planes, an invention of a new navigational remote control system, and foreign spies and intrigue. Forrest Tucker , a very young Forrest Tucker, plays Jerry Barton, a pilot trying to convince a big airplane producer to see his friend's navigational remote control system. The test fails and Barton goes home with Doc - only to soon both become "wardens" to the pretty daughter of the fly tycoon and his sister Aunt Maude - for their complicity in stealing gasoline. You get then a bunch of scenes of the two- Tucker and the spoiled brat Carol Hughes fighting against each other only to fall in love and the same for Maude and the inventive Doc. As far as romantic comedies made on the real cheap, you could do far worse. Director William "One Shot" Beaudine has some skill with the camera and all of the actors are engaging - something you seldom see in these kind of movies. Tucker is amiable if nothing else, Hughes does a believable job, Emmett Vogan plays his part as Doc with great gusto, and Evelyn Brent does the best job as Aunt Maude with great style and a wonderful sense of humour. Even the worst actor, Thornton Edwards playing Pedro - a Mexican stereotype that would have every civil liberties group out against you today, has moments that are funny. The real problem with this film is that is is advertising to be what it is obviously not - a spy thriller or war picture or science fiction film even. It really is nothing close to any of those things. It is a simple little comedy that is cheaply made and has some good scenes working with the materials at hand. I was entertained at the very least although I was expecting something else. A minor bonus: Midget extraordinare Billy Curtis makes a brief cameo as a hard-dealing, justice-giving judge of the West. Funny and cute!