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6.8/10
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Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.
- Nominated for 3 Oscars
- 4 wins & 3 nominations total
Frederick Worlock
- Dr. Heath
- (as Frederic Worlock)
Featured reviews
This version of the classic "Dr. Jekyll & Mr. Hyde" story is more slow-moving and psychological than most. Rather than emphasizing the more horrific elements of the story, it relies on a good cast to bring out the ways that the characters and their relationships are affected by the doctor's weird experiment. It's not the version to watch if you are looking for excitement or horror, but as a more psychological approach it mostly works.
Spencer Tracy plays the dual leading role, and does pretty well at creating two distinct personalities - the transformation uses only minimal special effects, and relies on Tracy to make the characters convincing. Lana Turner and Ingrid Bergman work well as Beatrix and Ivy, and the rest of the cast members are also all very good. What the film lacks in excitement it makes up for in making Dr. Jekyll's world believable.
If you're already familiar with the story in its more horrific versions, this would be worth a look if you're interested in a different take on it. It's probably not the place to start, though, if you don't yet know the story.
Spencer Tracy plays the dual leading role, and does pretty well at creating two distinct personalities - the transformation uses only minimal special effects, and relies on Tracy to make the characters convincing. Lana Turner and Ingrid Bergman work well as Beatrix and Ivy, and the rest of the cast members are also all very good. What the film lacks in excitement it makes up for in making Dr. Jekyll's world believable.
If you're already familiar with the story in its more horrific versions, this would be worth a look if you're interested in a different take on it. It's probably not the place to start, though, if you don't yet know the story.
This version of the Stevenson classic story doesn't hold a candle to the 1931 version but it has a lot to recommend on its own. The main complaint about it is that it doesn't feel like a horror film but more a psychological drama or thriller. Spencer Tracy's Hyde is less monsterish than Fredric March's. But this is more in keeping with the story they wanted to tell with this version, which is a focus on the psychological rather than the physical. Still, Tracy does a good job.
Ingrid Bergman and Lana Turner were originally cast in the other's part but switched to offer Bergman a chance to play against type. This works to great effect, in my opinion. Turner is a sweet, lovely angel here. A far cry from the glamorous femme fatale we think of her as today. As for Bergman, her sexy performance as Ivy is the standout of the film. One of my favorite roles of hers. The movie's a bit slow and probably won't please monster fans but it's a good movie with fine performances and nice direction. It really only suffers by comparison. Judged on its own merits it's very entertaining.
Ingrid Bergman and Lana Turner were originally cast in the other's part but switched to offer Bergman a chance to play against type. This works to great effect, in my opinion. Turner is a sweet, lovely angel here. A far cry from the glamorous femme fatale we think of her as today. As for Bergman, her sexy performance as Ivy is the standout of the film. One of my favorite roles of hers. The movie's a bit slow and probably won't please monster fans but it's a good movie with fine performances and nice direction. It really only suffers by comparison. Judged on its own merits it's very entertaining.
Spencer Tracy is magnificent in this, doing Mr Hyde basically with changes in behavior and agility rather than heavy make-up. He scared me to death when he vaulted over a railing and down a couple fo flights of stairs.
This is more of a thriller than a horror movie and done long before it became fashionable to throw tons of money and big-name performers at horror classics in order to produce blockbusters that were once just silly.
This supposedly cleaned-up version has Hyde asking Ingrid Bergman if she likes him because he's a little bit Jeckyll or Jeckyll because he's a little bit Hyde.
So many people are fussing that this movie turns the prostitute into a bar maid. Folks, in that part of London at that time, bar maids WERE prostitutes.
I find any moster more scary with no facial hair or deformities added. This Mr Hyde could well exist in real life. In fact, he DOES exist in real life. Once in a while we manage to prove it and put him in prison.
This is more of a thriller than a horror movie and done long before it became fashionable to throw tons of money and big-name performers at horror classics in order to produce blockbusters that were once just silly.
This supposedly cleaned-up version has Hyde asking Ingrid Bergman if she likes him because he's a little bit Jeckyll or Jeckyll because he's a little bit Hyde.
So many people are fussing that this movie turns the prostitute into a bar maid. Folks, in that part of London at that time, bar maids WERE prostitutes.
I find any moster more scary with no facial hair or deformities added. This Mr Hyde could well exist in real life. In fact, he DOES exist in real life. Once in a while we manage to prove it and put him in prison.
Set in Victorian England in 1887, a wealthy doctor by the name of "Dr. Jekyll" (Spencer Tracy) has begun experimenting on animals to determine if it is possible to separate good qualities from those determined to be bad. When he discusses his research at a dinner party his ideas are met with a great deal of consternation, especially on the part of his fiancé's father, "Sir Charles Emery" (Donald Crisp). In fact, Sir Charles is so concerned that he decides to take his daughter, "Beatrix Emery" (Lana Turner) with him out of the country in order to separate the two and give him some time to think about whether the wedding should go forward or not. In the meantime, Dr. Jekyll has grown frustrated with the progress of his research and decides to administer his experimental concoction on himself. Suddenly he turns from a charming and considerate person into a malevolent being called "Mr. Hyde". To make matters worse, with Beatrix gone he sets his sadistic sights on a young barmaid named "Ivy Peterson" (Ingrid Bergman) to satisfy his brutal and abusive nature. Now, rather than detailing the entire plot I will just say that the director (Victor Fleming) does an excellent job of capturing the dark and gloomy ambiance that this movie depends upon. And while both Lana Turner and Ingrid Bergman turn in very good performances, it is Spencer Tracy who really makes this film so successful. Definitely recommended for fans of classic horror.
I had the fortune of seeing BOTH this version and the 1931 Frederic March version only about a week apart. Because of this it gave me an excellent chance to compare and contrast them. And it also gave me a chance to see that the two films were extremely similar--so similar that the later MGM film seems more a remake of the 1931 film and not an adaptation of the original book. There was much more similarity between the movies than the book. And, while they both are good, I would definitely say that I preferred the earlier version.
Since the 1931 film was made during the so-called "Pre-Code" era before the guidelines of the production code governing morality in pictures was enforced, it is a more "earthy" and sexually charged film. In this earlier version, March develops the chemical formula simply out of curiosity and a desire to "sow wild oats" without detection. In other words, since Mr. Hyde looked more like a half-man/half-chimp, he could whore around without getting caught or ruining his reputation. The 1941 version had much nobler intent, as nice-guy Dr. Jekyll created his elixir in order to separate the good and evil aspects of our personalities so we could live purer and more wholesome lives without our subconscious evil desires impeding us! In addition, since the 1931 version was pre-Code, it tended to show more skin and imply more about sex, whereas the 1941 version showed Hyde more as a sadist. In general, the 1941 version was a little bit tamer and more "family-friendly", though I think both are fine for older kids.
There were a few negatives I noticed in this otherwise well-made film. One was that Hyde looked almost exactly like Dr. Jekyll. This MIGHT have been a daring and intelligent way to take the movie (though certainly NOT in keeping with Robert Lewis Stevenson's book)--showing the "monster" as looking like a sloppy man, but a man nevertheless. However, this makes no sense, as Ingrid Bergman (the woman Hyde desires) already met Dr. Jekyll BEFORE meeting Hyde and yet couldn't see that they were the same guy! At the very least, she should have thought they were brothers! But, to go to Dr. Jekyll and complain about how abusive Hyde was just seemed silly.
Also another quibble is with the choice of Ms. Bergman as the earthy barmaid (in the 1931 version, she seemed more like a prostitute than a member of the working poor). Changing her part a bit wasn't the problem, but that Ingrid sounded like a Swedish lady trying to sound Cockney--which is what she was! At times, she forgot the accent altogether and at other times she just sounded kind of weird. She was a wonderful actress, but the casting decision was dumb.
As far as Tracy goes, he was fine as Jekyll, but there were times when it was obvious that you were watching a stuntman instead of Tracy. The scenes just weren't done very well and you can't blame Tracy for this but the director. Just watch the scene in the hallway after Hyde's confrontation with Bergman--it's pretty obvious that the guy jumping about isn't Tracy and it doesn't look much like him.
One observation about Tracy. I've recently read a biography about him and choosing him to play the lead was pretty interesting because in real life, Tracy definitely had a "Jekyll and Hyde" personality. When he was sober (which apparently wasn't often enough), he was a sweet guy, but when he drank he was abusive and very reminiscent of the dreaded Hyde. I wonder if anyone at the time noticed this.
Since the 1931 film was made during the so-called "Pre-Code" era before the guidelines of the production code governing morality in pictures was enforced, it is a more "earthy" and sexually charged film. In this earlier version, March develops the chemical formula simply out of curiosity and a desire to "sow wild oats" without detection. In other words, since Mr. Hyde looked more like a half-man/half-chimp, he could whore around without getting caught or ruining his reputation. The 1941 version had much nobler intent, as nice-guy Dr. Jekyll created his elixir in order to separate the good and evil aspects of our personalities so we could live purer and more wholesome lives without our subconscious evil desires impeding us! In addition, since the 1931 version was pre-Code, it tended to show more skin and imply more about sex, whereas the 1941 version showed Hyde more as a sadist. In general, the 1941 version was a little bit tamer and more "family-friendly", though I think both are fine for older kids.
There were a few negatives I noticed in this otherwise well-made film. One was that Hyde looked almost exactly like Dr. Jekyll. This MIGHT have been a daring and intelligent way to take the movie (though certainly NOT in keeping with Robert Lewis Stevenson's book)--showing the "monster" as looking like a sloppy man, but a man nevertheless. However, this makes no sense, as Ingrid Bergman (the woman Hyde desires) already met Dr. Jekyll BEFORE meeting Hyde and yet couldn't see that they were the same guy! At the very least, she should have thought they were brothers! But, to go to Dr. Jekyll and complain about how abusive Hyde was just seemed silly.
Also another quibble is with the choice of Ms. Bergman as the earthy barmaid (in the 1931 version, she seemed more like a prostitute than a member of the working poor). Changing her part a bit wasn't the problem, but that Ingrid sounded like a Swedish lady trying to sound Cockney--which is what she was! At times, she forgot the accent altogether and at other times she just sounded kind of weird. She was a wonderful actress, but the casting decision was dumb.
As far as Tracy goes, he was fine as Jekyll, but there were times when it was obvious that you were watching a stuntman instead of Tracy. The scenes just weren't done very well and you can't blame Tracy for this but the director. Just watch the scene in the hallway after Hyde's confrontation with Bergman--it's pretty obvious that the guy jumping about isn't Tracy and it doesn't look much like him.
One observation about Tracy. I've recently read a biography about him and choosing him to play the lead was pretty interesting because in real life, Tracy definitely had a "Jekyll and Hyde" personality. When he was sober (which apparently wasn't often enough), he was a sweet guy, but when he drank he was abusive and very reminiscent of the dreaded Hyde. I wonder if anyone at the time noticed this.
Did you know
- TriviaDue to the Hays Code, much of the film had to be watered down from Docteur Jekyll et Mr. Hyde (1931). The character of Ivy Peterson had to be changed from a prostitute to a barmaid.
- GoofsAfter attacking Ivy in her room, Jekyll runs away from her house. As he approaches a carriage, his hat flies off and he keeps running around a corner. In the next shot, from the other end of the corner, his hat is securely on his head.
- Quotes
Mr. Edward Hyde: As you were leaving the room, you turned at the door, didn't you? And you said, "For a moment, I thought..." What did you think? What did you think? Did you think that Dr. Jekyll was falling in love with you? You, with your cheap little dreams? Or did you think, perhaps - that in him, you saw a bit of me, *Hyde*?
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in You Can't Fool a Camera (1941)
- SoundtracksSee Me Dance the Polka
(uncredited)
Music and Lyrics by George Grossmith
Additional Lyrics by John Lee Mahin
Sung by Alice Mock in the "Palace of Frivolties" show
Reprised by Ingrid Bergman
Whistled by Spencer Tracy (whistling dubbed by Robert Bradford)
Details
Box office
- Gross US & Canada
- $3,924,000
- Gross worldwide
- $5,125,180
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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