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6.8/10
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Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.
- Nominated for 3 Oscars
- 4 wins & 3 nominations total
Frederick Worlock
- Dr. Heath
- (as Frederic Worlock)
Featured reviews
This is a thoughtful interpretation of the Stevenson story but is very rarely emotionally engaging. The theme seems to be sexual repression, with Hyde coming from Jekyll's repressed lust. As Hyde takes over we witness some extraordinary and very graphic Freudian imagery such as Bergman and Turner, naked, pulling a chariot containing Tracy and his whip, and Bergman being screwed out of a bottle by a corkscrew! Amazing. But the horror of the story is never realized and there is too much philosophical chat.
Tracy is terrific in the lead, but his make-up for Hyde is too subtle to be effective. The transformations require him to stand completely still which makes them a bit dull. The final transformation is quite an achievement however. Bergman could have been great but her attempt at a cockney accent seriously detracts from her fine emotional interpretation. Lana Turner is awful as Tracy's true love. But the rest of the cast is very strong - especially Donald Crisp.
The film also contains some fine Fleming touches, including his beautiful slow pans over magnificent sets and crowd scenes. The cinematography is excellent - make sure you don't watch the colorised version - and foggy Victorian London is recreated stunningly. This film never rises to the horror of the 1920 or the 1932 versions but still has much to offer.
Tracy is terrific in the lead, but his make-up for Hyde is too subtle to be effective. The transformations require him to stand completely still which makes them a bit dull. The final transformation is quite an achievement however. Bergman could have been great but her attempt at a cockney accent seriously detracts from her fine emotional interpretation. Lana Turner is awful as Tracy's true love. But the rest of the cast is very strong - especially Donald Crisp.
The film also contains some fine Fleming touches, including his beautiful slow pans over magnificent sets and crowd scenes. The cinematography is excellent - make sure you don't watch the colorised version - and foggy Victorian London is recreated stunningly. This film never rises to the horror of the 1920 or the 1932 versions but still has much to offer.
I just saw this movie for the first time a few days ago and really enjoyed it. I must say I was a little surprised by the bits of "erotic" imagery. I wonder what people thought of that back in 1941. The performances by Ingrid Bergman and Spencer Tracy were very good. Ingrid is mesmerizing and beautifully effervescent. Her strange accent though is at first hard to comprehend. (Is she supposed to be Swedish, Irish, Cockney or what?) It's also fun to see how they managed the special effects - if you look closely at any one of the action scenes involving Mr. Hyde, there are many very obvious stunt doubles and other endearing "mistakes". I also thought it had just enough philosophical underpinnings to make it not just a old fluff "horror" movie.
This version of the classic "Dr. Jekyll & Mr. Hyde" story is more slow-moving and psychological than most. Rather than emphasizing the more horrific elements of the story, it relies on a good cast to bring out the ways that the characters and their relationships are affected by the doctor's weird experiment. It's not the version to watch if you are looking for excitement or horror, but as a more psychological approach it mostly works.
Spencer Tracy plays the dual leading role, and does pretty well at creating two distinct personalities - the transformation uses only minimal special effects, and relies on Tracy to make the characters convincing. Lana Turner and Ingrid Bergman work well as Beatrix and Ivy, and the rest of the cast members are also all very good. What the film lacks in excitement it makes up for in making Dr. Jekyll's world believable.
If you're already familiar with the story in its more horrific versions, this would be worth a look if you're interested in a different take on it. It's probably not the place to start, though, if you don't yet know the story.
Spencer Tracy plays the dual leading role, and does pretty well at creating two distinct personalities - the transformation uses only minimal special effects, and relies on Tracy to make the characters convincing. Lana Turner and Ingrid Bergman work well as Beatrix and Ivy, and the rest of the cast members are also all very good. What the film lacks in excitement it makes up for in making Dr. Jekyll's world believable.
If you're already familiar with the story in its more horrific versions, this would be worth a look if you're interested in a different take on it. It's probably not the place to start, though, if you don't yet know the story.
This version of the Stevenson classic story doesn't hold a candle to the 1931 version but it has a lot to recommend on its own. The main complaint about it is that it doesn't feel like a horror film but more a psychological drama or thriller. Spencer Tracy's Hyde is less monsterish than Fredric March's. But this is more in keeping with the story they wanted to tell with this version, which is a focus on the psychological rather than the physical. Still, Tracy does a good job.
Ingrid Bergman and Lana Turner were originally cast in the other's part but switched to offer Bergman a chance to play against type. This works to great effect, in my opinion. Turner is a sweet, lovely angel here. A far cry from the glamorous femme fatale we think of her as today. As for Bergman, her sexy performance as Ivy is the standout of the film. One of my favorite roles of hers. The movie's a bit slow and probably won't please monster fans but it's a good movie with fine performances and nice direction. It really only suffers by comparison. Judged on its own merits it's very entertaining.
Ingrid Bergman and Lana Turner were originally cast in the other's part but switched to offer Bergman a chance to play against type. This works to great effect, in my opinion. Turner is a sweet, lovely angel here. A far cry from the glamorous femme fatale we think of her as today. As for Bergman, her sexy performance as Ivy is the standout of the film. One of my favorite roles of hers. The movie's a bit slow and probably won't please monster fans but it's a good movie with fine performances and nice direction. It really only suffers by comparison. Judged on its own merits it's very entertaining.
Set in Victorian England in 1887, a wealthy doctor by the name of "Dr. Jekyll" (Spencer Tracy) has begun experimenting on animals to determine if it is possible to separate good qualities from those determined to be bad. When he discusses his research at a dinner party his ideas are met with a great deal of consternation, especially on the part of his fiancé's father, "Sir Charles Emery" (Donald Crisp). In fact, Sir Charles is so concerned that he decides to take his daughter, "Beatrix Emery" (Lana Turner) with him out of the country in order to separate the two and give him some time to think about whether the wedding should go forward or not. In the meantime, Dr. Jekyll has grown frustrated with the progress of his research and decides to administer his experimental concoction on himself. Suddenly he turns from a charming and considerate person into a malevolent being called "Mr. Hyde". To make matters worse, with Beatrix gone he sets his sadistic sights on a young barmaid named "Ivy Peterson" (Ingrid Bergman) to satisfy his brutal and abusive nature. Now, rather than detailing the entire plot I will just say that the director (Victor Fleming) does an excellent job of capturing the dark and gloomy ambiance that this movie depends upon. And while both Lana Turner and Ingrid Bergman turn in very good performances, it is Spencer Tracy who really makes this film so successful. Definitely recommended for fans of classic horror.
Did you know
- TriviaDue to the Hays Code, much of the film had to be watered down from Docteur Jekyll et Mr. Hyde (1931). The character of Ivy Peterson had to be changed from a prostitute to a barmaid.
- GoofsAfter attacking Ivy in her room, Jekyll runs away from her house. As he approaches a carriage, his hat flies off and he keeps running around a corner. In the next shot, from the other end of the corner, his hat is securely on his head.
- Quotes
Mr. Edward Hyde: As you were leaving the room, you turned at the door, didn't you? And you said, "For a moment, I thought..." What did you think? What did you think? Did you think that Dr. Jekyll was falling in love with you? You, with your cheap little dreams? Or did you think, perhaps - that in him, you saw a bit of me, *Hyde*?
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in You Can't Fool a Camera (1941)
- SoundtracksSee Me Dance the Polka
(uncredited)
Music and Lyrics by George Grossmith
Additional Lyrics by John Lee Mahin
Sung by Alice Mock in the "Palace of Frivolties" show
Reprised by Ingrid Bergman
Whistled by Spencer Tracy (whistling dubbed by Robert Bradford)
Details
Box office
- Gross US & Canada
- $3,924,000
- Gross worldwide
- $5,125,180
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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