Vendetta

Two babies are born connected together in this film adaptation of Alexandre Dumas' story. But in order for them to live a fulfilling and healthy life, their father asks the attending doctor to separate them. They survive the operation and are taken away from the family estate, during a revolt in which the babies' parents are killed. Douglas Fairbanks, Jr. plays the twins and gives good, fleshed out performances as both brothers, as he tries to avenge his parents' death. Ruth Warrick, from All My Children and Citizen Kane, is very lovely as the love interest, who coincidentally is the object of desire of the bad guy, Akim Tamiroff, who killed Doug's parents. Despite Doug carrying the film and pulling off credible performances, it's really Akim as the villain who steals the spotlight from him, as he gives a very compelling and three-dimensional performance, making the character seem even more real to the viewer than anyone else. With the imagination and creativity of Alexandre Dumas, this is one film to discover today.

I saw the movie as a youngster and many times again as an adult. It was Great. Douglas Fairbanks Jr. played well in both roles as the twin brothers. Ruth Warrick was absolutely gorgeous as Countess Gravini. Akim Tamiroff was perfect as Baron Colonna and John Emery as his Cousin,Tomasso. J. Carrol Naish was wonderful as always as the caretaker of Brother Lucien, the almost bad brother. The old time actor H.B. Warner was excellent as the doctor who separates the twins at birth, and takes care of them as adults. The action was good and comical at times. The ending sword play was just fine and ended in a good conclusion. I highly recommend this movie.

Douglas Fairbanks, Jr. and Douglas Fairbanks, Jr. are "The Corsican Brothers" in this 1941 film also starring Ruth Warrick, H.B. Warner, Akim Tamiroff, Henry Wilcoxin and Gloria Holden. Based on the Dumas novel, it's the story of Siamese twins born to the Franchi family (incorrectly pronounced frahnchee instead of frahnkey throughout the movie) just as the Baron Colonna arrives to wipe out the family and take over Corsica. He believes the twins perished in the fire that destroyed their home and the rest of their family; however, the doctor who delivered them (Warner) escapes with them. He is able to separate them, and it is decided that for their own safety, he will raise one, Lucien, and the other boy, Mario, will be raised in Paris. Lucien, however, is the empathic twin, experiencing all of his brother's emotions before he even learns he has one. They meet when they are 21 and vow to get revenge on Baron Colonna (Tamiroff).

This is a very good movie, but the beginning scenes at Colonna's house contain some of the worst acting ever put on film. Apparently the guests at Colonna's house were extras found wandering the set that day and were given lines. Pretty appalling.

Fortunately, the rest of the film isn't like that. It's fast-moving, exciting, and brilliantly acted by Douglas Fairbanks, Jr. who should today be regarded as a much bigger star. Unfortunately, unlike his father, he was working at a time when there was just too much competition, and, like Brian Aherne, he just didn't get to appear in enough of the films remembered today. Handsome, athletic, with magnificent acting technique, Fairbanks creates two completely different characters in Mario and Lucien and has, of course, genetic ability with a sword. Whenever one reads about swordfights, the Tyrone Power-Basil Rathbone swordfight at the end of "The Mark of Zorro" is said to be the best. It's dear to my heart also, but Fairbanks and Tamiroff do a bang-up swordfight in this film. Tamiroff is a real buffoon as the villain - it's a great characterization - he doesn't seem to know he's an idiot. Ruth Warrick, Phoebe Tyler of "All My Children" is lovely as Isabelle, the object of Mario, Lucien and the Baron's affections.

Very enjoyable, if a little awkwardly filmed with dated effects.

Douglas Fairbanks, Jr.'s final film before enlisting in Uncle Sam's navy was The Corsican Brothers. It's the tale of the feuding houses of Franchi and Colonna who've got a thing going on Corsica that would outstrip what those Hatfields and McCoys are doing in the Appalachians in the USA.

Malevolent Baron Colonna and his brother Tomaso played by Akim Tamiroff and John Emery respectively launch a preemptive strike against the House of Franchi which has gathered to celebrate the birth of twin sons. However it turns out that the twins are Siamese twins. As the Colonna clan descend on the feasting Franchis and massacre all the adults, family physician H.B. Warner takes the twins and successfully separates them at birth. Family friend Walter Kingsford takes one twin to Paris and the other is given to Franchi family retainer J. Carrol Naish to raise deep in the Corsican woods.

Of course the twins grow up to both be Douglas Fairbanks, Jr. and when they are reunited, start their own reign of terror on the usurping Colonnas who at first can't figure out what's happening.

Alexandre Dumas, pere who wrote this novel was a very clever fellow indeed. Though the concepts of ego and id hadn't been invented by Sigmund Freud, Dumas was writing about man's dual nature seen in the characters of both Mario and Lucien Franchi.

Fairbanks in the difficult task of performing two separate characters does a magnificent job. He really does take on a whole different personality as the dashing Mario and the brooding Lucien. What drives them apart temporarily is that both fall big time for Ruth Warrick who if this film had been made at Warner Brothers, Olivia DeHavilland would have had the part.

The Corsican Brothers, though one of Dumas's minor works is brought to the screen with dash and aplomb. Enough swashbuckling action to satisfy that taste and some real good acting, especially by Douglas Fairbanks, Jr.

The Corsican Brothers" is a 1941 black and white adventure films from the Alexander Dumas novel (1844) of the same name. It was the 8th adaptation of the book to film, and would continue to be adapted including "Cheech and Chong's The Corsican Brothers" (1984) and "Start the Revolution without Me" (1970). This is probably the best of the serious adaptations, but that's not saying much. The acting, photography, and music are all very ordinary, with nothing noteworthy to remark on. The special effects (using Fairbanks as his own brother) are relatively poor, even given the date of the film.

If you like films about France in the pre-industrial age, my favorites are Marat/Sade (1967), Napoleon (1927), A Tale of Two Cities (1935), The Count of Monte Cristo (1934) and The Three Musketeers (1921, 1935).