There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his li... Read allThere's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.
Kathryn Crawford
- Helen Whitney
- (as Katherine Crawford)
Gale Storm
- Mary Phillips
- (as Gail Storm)
Lassie Lou Ahern
- Nightclub Performer
- (uncredited)
Jack Chefe
- Apartment House Manager
- (uncredited)
Donald Curtis
- Reporter
- (uncredited)
Dorothy Granger
- Showgirl
- (uncredited)
Lloyd Ingraham
- District Attorney Fowler
- (uncredited)
Ralph Peters
- Reporter
- (uncredited)
Featured reviews
Having seen H. B. Warner as a character player in dozens of films, i was pleasantly surprised to see him starring in this crime-exploitation film about the white slave trade. I was also deeply impressed with his ability to carry the complex role of a poetic, philosophical police captain on the verge of retirement with such presence during the course of what otherwise would seem to have been destined to be a routine crime drama.
Alas, being a post-code movie, the white slave trade aspect of the plot is only understandable as a subtext, but there are plenty of other intriguing moments in the movie that will make B-film enthusiasts sit up and say, "Wow." For me, the gymnastic dance featuring a pair of uncredited twin teen girls was one such moment. Where did they FIND such unusual talent? Who were those young, incredibly athletic, giggling twins? We'll probably never know.
And then there was the scene in which H. B. Warner, previously seeming to be frail, distracted, and ready for the scrap heap of life, suddenly LEAPED INTO THE AIR and jumped into his bed feet first! What the heck!? That was truly replay-worthy.
This is not a great film, of course, but since it is available at bargain prices, old film buffs will certainly get their money's worth if they take the time to seek it out and watch it.
Alas, being a post-code movie, the white slave trade aspect of the plot is only understandable as a subtext, but there are plenty of other intriguing moments in the movie that will make B-film enthusiasts sit up and say, "Wow." For me, the gymnastic dance featuring a pair of uncredited twin teen girls was one such moment. Where did they FIND such unusual talent? Who were those young, incredibly athletic, giggling twins? We'll probably never know.
And then there was the scene in which H. B. Warner, previously seeming to be frail, distracted, and ready for the scrap heap of life, suddenly LEAPED INTO THE AIR and jumped into his bed feet first! What the heck!? That was truly replay-worthy.
This is not a great film, of course, but since it is available at bargain prices, old film buffs will certainly get their money's worth if they take the time to seek it out and watch it.
Saccharine Story of Sex-Trafficking behind a "Training" School for Show Business Female Wannabes.
Veiled with Double-Talk and Innuendo to Keep the Code-Police at Bay.
There's a Reference to even High-School Girls as Victims.
The Scantily-Clad "Girly" Scenes are Vapid, Hardly Titillating Dance Numbers with the Performers so Heavily Dressed as to be Ridiculous.
The Mystery Part isn't much of a Mystery.
It's a "Go-Through-The-Motions" Motion Picture.
With a Lead Female Reporter, Named "Page", (Astrid Allwyn) so Bright-Eyed and Giddy as to be Distracting.
Silent-Movie Star H. B. Warner Milks His Age as a Police Inspector that is the Butt of Many Barbs about Retiring.
Phillip Van Zandt is a Slimy King-Pin Named "King" and Steals His Scenes with His Dark Good Looks and Evil Persona.
Not a Bad Movie but it Lands with a Thud, sorta Like the Leading Man John Archer.
No Spark, the Film just Begs for Something, Anything to Light a Fire Under the Damp Dramatics.
Veiled with Double-Talk and Innuendo to Keep the Code-Police at Bay.
There's a Reference to even High-School Girls as Victims.
The Scantily-Clad "Girly" Scenes are Vapid, Hardly Titillating Dance Numbers with the Performers so Heavily Dressed as to be Ridiculous.
The Mystery Part isn't much of a Mystery.
It's a "Go-Through-The-Motions" Motion Picture.
With a Lead Female Reporter, Named "Page", (Astrid Allwyn) so Bright-Eyed and Giddy as to be Distracting.
Silent-Movie Star H. B. Warner Milks His Age as a Police Inspector that is the Butt of Many Barbs about Retiring.
Phillip Van Zandt is a Slimy King-Pin Named "King" and Steals His Scenes with His Dark Good Looks and Evil Persona.
Not a Bad Movie but it Lands with a Thud, sorta Like the Leading Man John Archer.
No Spark, the Film just Begs for Something, Anything to Light a Fire Under the Damp Dramatics.
Girls are going missing and a DA and veteran cop team up to expose the rackets that are set up to lure young girls in to a life of shame.
This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.
How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.
I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.
5 out of 10
This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.
How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.
I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.
5 out of 10
This is a very low budget B picture which is saved from being a waste of time by surprisingly good acting. The film is 98% shot in a studio with the most basic possible sets. The film did provide an opportunity for Gale Storm, aged 19, to appear in her third feature film (she started in movies only the year before). She would later become famous in America and become something of a 'national treasure' in the hit television series MY LITTLE MARGIE (1952-1955), in which she played Little Margie. Since the series ran to 126 episodes, there was no one in America who had not seen her and taken her to their hearts by the time that was over. And from 1956 to 1960 she continued to ride on her wave of national popularity with her own series, THE GALE STORM SHOW. This film featured H. B. Warner, a well-known and solid performer of the old school, as a police captain, and an extremely lively and cheerful Astrid Allwyn, who does a very good job at holding the film together and keeping us interested. She plays very well against John Archer, as there is chemistry in their jokey romance. The film is a mystery, in that several young girls from the city have disappeared, and no one can trace them. Two have been found dead, so that there is obviously something sinister going on. Whodunnit and who is doing it? That's what everyone wants to know. But it is not easy to find out. A rainy afternoon film.
"A string of mysterious deaths and disappearances of young women have all been traced to a drama school, where all the girls were students. The district attorney suspects the school may be a front for a prostitution ring and sets out to investigate it. After the D.A. is blackmailed into dropping the investigation, a female reporter decides to go undercover to learn the truth," according to the DVD sleeve's synopsis.
Writer/director Elmer Clifton manages to squeeze a few drops of blood from this stone. A scene between villain Philip Van Zandt (as King Peterson) asking "Do you mind if I smoke?" and hero John Archer (as Jimmy Horton) replying "I don't care if you burn" piques interest. Mr. Clifton and H.B. Warner (as "Mac" McVeigh) were bigger names during the silent film era (look for Walter Long, also).
Mr. Archer was a fine actor, who did not get the parts he deserved; and it shows, in this film. Teenage Gale Storm (as Mary Phillips), who unexpectedly became a 1950s TV and rock 'n' roll era recording star, is irresistibly cute; she, and brief pair of vivacious dancing girls, give the film some much-needed oomph. In spite of some strengths, "City of Missing Girls" remains oblique and recumbent.
**** City of Missing Girls (3/27/41) Elmer Clifton ~ John Archer, H.B. Warner, Gale Storm
Writer/director Elmer Clifton manages to squeeze a few drops of blood from this stone. A scene between villain Philip Van Zandt (as King Peterson) asking "Do you mind if I smoke?" and hero John Archer (as Jimmy Horton) replying "I don't care if you burn" piques interest. Mr. Clifton and H.B. Warner (as "Mac" McVeigh) were bigger names during the silent film era (look for Walter Long, also).
Mr. Archer was a fine actor, who did not get the parts he deserved; and it shows, in this film. Teenage Gale Storm (as Mary Phillips), who unexpectedly became a 1950s TV and rock 'n' roll era recording star, is irresistibly cute; she, and brief pair of vivacious dancing girls, give the film some much-needed oomph. In spite of some strengths, "City of Missing Girls" remains oblique and recumbent.
**** City of Missing Girls (3/27/41) Elmer Clifton ~ John Archer, H.B. Warner, Gale Storm
Did you know
- TriviaThis film received its earliest documented telecast Saturday 5 August 1944 on New York City's pioneer television station WNBT (Channel 1). Post-WWII television viewers got their first look at on the East Coast Wednesday 29 December 1948 on WATV (Channel 13) (New York City), and on the West Coast Wednesday 4 May 1949 on KPIX (Channel 5) (San Francisco).
- Quotes
King Peterson: Do you mind if I smoke?
Assistant D.A. James J. Horton: I don't care if you burn.
- ConnectionsReferenced in Le flingueur (1972)
Details
- Runtime
- 1h 14m(74 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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