There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his li... Read allThere's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.
Kathryn Crawford
- Helen Whitney
- (as Katherine Crawford)
Gale Storm
- Mary Phillips
- (as Gail Storm)
Lassie Lou Ahern
- Nightclub Performer
- (uncredited)
Jack Chefe
- Apartment House Manager
- (uncredited)
Donald Curtis
- Reporter
- (uncredited)
Dorothy Granger
- Showgirl
- (uncredited)
Lloyd Ingraham
- District Attorney Fowler
- (uncredited)
Ralph Peters
- Reporter
- (uncredited)
Featured reviews
A cadaverous H.B. Warner hovers on the fringes of this crime thriller which boasts better-than-average production values for a Poverty Row production but plods along at a dreary pace.
Having seen H. B. Warner as a character player in dozens of films, i was pleasantly surprised to see him starring in this crime-exploitation film about the white slave trade. I was also deeply impressed with his ability to carry the complex role of a poetic, philosophical police captain on the verge of retirement with such presence during the course of what otherwise would seem to have been destined to be a routine crime drama.
Alas, being a post-code movie, the white slave trade aspect of the plot is only understandable as a subtext, but there are plenty of other intriguing moments in the movie that will make B-film enthusiasts sit up and say, "Wow." For me, the gymnastic dance featuring a pair of uncredited twin teen girls was one such moment. Where did they FIND such unusual talent? Who were those young, incredibly athletic, giggling twins? We'll probably never know.
And then there was the scene in which H. B. Warner, previously seeming to be frail, distracted, and ready for the scrap heap of life, suddenly LEAPED INTO THE AIR and jumped into his bed feet first! What the heck!? That was truly replay-worthy.
This is not a great film, of course, but since it is available at bargain prices, old film buffs will certainly get their money's worth if they take the time to seek it out and watch it.
Alas, being a post-code movie, the white slave trade aspect of the plot is only understandable as a subtext, but there are plenty of other intriguing moments in the movie that will make B-film enthusiasts sit up and say, "Wow." For me, the gymnastic dance featuring a pair of uncredited twin teen girls was one such moment. Where did they FIND such unusual talent? Who were those young, incredibly athletic, giggling twins? We'll probably never know.
And then there was the scene in which H. B. Warner, previously seeming to be frail, distracted, and ready for the scrap heap of life, suddenly LEAPED INTO THE AIR and jumped into his bed feet first! What the heck!? That was truly replay-worthy.
This is not a great film, of course, but since it is available at bargain prices, old film buffs will certainly get their money's worth if they take the time to seek it out and watch it.
City of Missing Girls is an interesting post-Hays Code mystery film. It verges on exploitation subject matter but seeing as it was made after the stringent Code censorship rules you could be forgiven for not even noticing. The story is basically about an unscrupulous club-owner who sends show-girls off to lives of prostitution. Pretty racy stuff for the times but the vice material is only ever really alluded to. This was seriously taboo material in the 40's hence this enforced approach.
The film itself is an efficient enough, if unremarkable, example of genre film-making of the time. The focus is strictly on the mystery side of the story, with thrills and suspense almost completely absent. Still it's worth checking out as something of a curiosity piece, seeing as it was quite unusual in the 40's for such a standard mystery film to incorporate any exploitation material at all. So at the very least this movie has this one unusual angle to differentiate it from most of its peers.
The film itself is an efficient enough, if unremarkable, example of genre film-making of the time. The focus is strictly on the mystery side of the story, with thrills and suspense almost completely absent. Still it's worth checking out as something of a curiosity piece, seeing as it was quite unusual in the 40's for such a standard mystery film to incorporate any exploitation material at all. So at the very least this movie has this one unusual angle to differentiate it from most of its peers.
Dull but well acted story of young women that have turned up missing that have one thing in common - they have been attending the Crescent School of the Arts in pursuit of getting into show biz. I enjoyed watching a young John Archer, pretty Astrid Allwyn, crusty HB Warner, and devious Phil Van Zandt give their all in what had to be a pretty inexpensively made film. Also look for Herb Vigran, who amazingly was unaccredited, as one of Phil Van Zandt's henchmen. This an okay time waster but don't seek it out.
This is a very low budget B picture which is saved from being a waste of time by surprisingly good acting. The film is 98% shot in a studio with the most basic possible sets. The film did provide an opportunity for Gale Storm, aged 19, to appear in her third feature film (she started in movies only the year before). She would later become famous in America and become something of a 'national treasure' in the hit television series MY LITTLE MARGIE (1952-1955), in which she played Little Margie. Since the series ran to 126 episodes, there was no one in America who had not seen her and taken her to their hearts by the time that was over. And from 1956 to 1960 she continued to ride on her wave of national popularity with her own series, THE GALE STORM SHOW. This film featured H. B. Warner, a well-known and solid performer of the old school, as a police captain, and an extremely lively and cheerful Astrid Allwyn, who does a very good job at holding the film together and keeping us interested. She plays very well against John Archer, as there is chemistry in their jokey romance. The film is a mystery, in that several young girls from the city have disappeared, and no one can trace them. Two have been found dead, so that there is obviously something sinister going on. Whodunnit and who is doing it? That's what everyone wants to know. But it is not easy to find out. A rainy afternoon film.
Did you know
- TriviaThis film received its earliest documented telecast Saturday 5 August 1944 on New York City's pioneer television station WNBT (Channel 1). Post-WWII television viewers got their first look at on the East Coast Wednesday 29 December 1948 on WATV (Channel 13) (New York City), and on the West Coast Wednesday 4 May 1949 on KPIX (Channel 5) (San Francisco).
- Quotes
King Peterson: Do you mind if I smoke?
Assistant D.A. James J. Horton: I don't care if you burn.
- ConnectionsReferenced in Le flingueur (1972)
Details
- Runtime
- 1h 14m(74 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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