There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his li... Read allThere's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.There's an epidemic of missing girls in the city. The new assistant district attorney has to figure out what's going on before he loses his job, especially with a nosy reporter making his life difficult.
Kathryn Crawford
- Helen Whitney
- (as Katherine Crawford)
Gale Storm
- Mary Phillips
- (as Gail Storm)
Lassie Lou Ahern
- Nightclub Performer
- (uncredited)
Jack Chefe
- Apartment House Manager
- (uncredited)
Donald Curtis
- Reporter
- (uncredited)
Dorothy Granger
- Showgirl
- (uncredited)
Lloyd Ingraham
- District Attorney Fowler
- (uncredited)
Ralph Peters
- Reporter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An assistant DA tries to track the whereabouts of missing girls, leading into a tangled web of corruption.
With that suggestive title and sleaze director Elmer Clifton, I was expecting maximum titillation. Well, there is some peek-a-boo at The Crescent School of Fine Art, where the half-clad dancers somehow manage to all be female. No doubt, if it weren't for the censors, the "school" would be called Gateway to Hookerland, but then this is a commercial product.
Not surprisingly, it is a cheap undertaking by quick-buck producers. Still, the cast is much better than the material, especially the sparkly Allwyn and the smoothly slick Van Zandt, who's especially impressive as an egotistical gangster. His sarcastic exchanges with DA Horton (Archer) may well be the film's dramatic highlight. These main players may not be exactly household names but they do lend edge to what could have been merely a listless payday. Impressive too is old-timer HB Warner who's about as relaxed before the camera as anyone I've seen. Still, it's a long way from Jesus in King of Kings (1927), a silent screen classic. I imagine he was added for marquee value. Then too, catch malt-shop Gale Storm in a small but appealing part.
Anyway, it's a rather complex plot so you may need to keep notes. Still, the large cast does about as well with the tacky material as can be expected, and is not without points of interest.
With that suggestive title and sleaze director Elmer Clifton, I was expecting maximum titillation. Well, there is some peek-a-boo at The Crescent School of Fine Art, where the half-clad dancers somehow manage to all be female. No doubt, if it weren't for the censors, the "school" would be called Gateway to Hookerland, but then this is a commercial product.
Not surprisingly, it is a cheap undertaking by quick-buck producers. Still, the cast is much better than the material, especially the sparkly Allwyn and the smoothly slick Van Zandt, who's especially impressive as an egotistical gangster. His sarcastic exchanges with DA Horton (Archer) may well be the film's dramatic highlight. These main players may not be exactly household names but they do lend edge to what could have been merely a listless payday. Impressive too is old-timer HB Warner who's about as relaxed before the camera as anyone I've seen. Still, it's a long way from Jesus in King of Kings (1927), a silent screen classic. I imagine he was added for marquee value. Then too, catch malt-shop Gale Storm in a small but appealing part.
Anyway, it's a rather complex plot so you may need to keep notes. Still, the large cast does about as well with the tacky material as can be expected, and is not without points of interest.
Saccharine Story of Sex-Trafficking behind a "Training" School for Show Business Female Wannabes.
Veiled with Double-Talk and Innuendo to Keep the Code-Police at Bay.
There's a Reference to even High-School Girls as Victims.
The Scantily-Clad "Girly" Scenes are Vapid, Hardly Titillating Dance Numbers with the Performers so Heavily Dressed as to be Ridiculous.
The Mystery Part isn't much of a Mystery.
It's a "Go-Through-The-Motions" Motion Picture.
With a Lead Female Reporter, Named "Page", (Astrid Allwyn) so Bright-Eyed and Giddy as to be Distracting.
Silent-Movie Star H. B. Warner Milks His Age as a Police Inspector that is the Butt of Many Barbs about Retiring.
Phillip Van Zandt is a Slimy King-Pin Named "King" and Steals His Scenes with His Dark Good Looks and Evil Persona.
Not a Bad Movie but it Lands with a Thud, sorta Like the Leading Man John Archer.
No Spark, the Film just Begs for Something, Anything to Light a Fire Under the Damp Dramatics.
Veiled with Double-Talk and Innuendo to Keep the Code-Police at Bay.
There's a Reference to even High-School Girls as Victims.
The Scantily-Clad "Girly" Scenes are Vapid, Hardly Titillating Dance Numbers with the Performers so Heavily Dressed as to be Ridiculous.
The Mystery Part isn't much of a Mystery.
It's a "Go-Through-The-Motions" Motion Picture.
With a Lead Female Reporter, Named "Page", (Astrid Allwyn) so Bright-Eyed and Giddy as to be Distracting.
Silent-Movie Star H. B. Warner Milks His Age as a Police Inspector that is the Butt of Many Barbs about Retiring.
Phillip Van Zandt is a Slimy King-Pin Named "King" and Steals His Scenes with His Dark Good Looks and Evil Persona.
Not a Bad Movie but it Lands with a Thud, sorta Like the Leading Man John Archer.
No Spark, the Film just Begs for Something, Anything to Light a Fire Under the Damp Dramatics.
Girls are going missing and a DA and veteran cop team up to expose the rackets that are set up to lure young girls in to a life of shame.
This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.
How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.
I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.
5 out of 10
This film is more a curiosity than anything. My guess it was cheaply made and ran on the exploitation circuit for years. The music isn't even stock music, but is supplied by an organ that pumps out bridges between scenes.
How best to describe this movie? Its the type of movie that insomniacs prayed not to find on the Late Late Show because it was just interesting enough to keep them awake while it un-spooled. It wasn't good enough to actually wake them up, but it wasn't bad enough to put them out, rather its a film of the twilight between asleep and awake.
I'm of a similar mind, its not bad, but its not good. Its the sort of thing that just is. If you should run across it on TV you might want to try it, but I can't suggest searching it out.
5 out of 10
A cadaverous H.B. Warner hovers on the fringes of this crime thriller which boasts better-than-average production values for a Poverty Row production but plods along at a dreary pace.
"A string of mysterious deaths and disappearances of young women have all been traced to a drama school, where all the girls were students. The district attorney suspects the school may be a front for a prostitution ring and sets out to investigate it. After the D.A. is blackmailed into dropping the investigation, a female reporter decides to go undercover to learn the truth," according to the DVD sleeve's synopsis.
Writer/director Elmer Clifton manages to squeeze a few drops of blood from this stone. A scene between villain Philip Van Zandt (as King Peterson) asking "Do you mind if I smoke?" and hero John Archer (as Jimmy Horton) replying "I don't care if you burn" piques interest. Mr. Clifton and H.B. Warner (as "Mac" McVeigh) were bigger names during the silent film era (look for Walter Long, also).
Mr. Archer was a fine actor, who did not get the parts he deserved; and it shows, in this film. Teenage Gale Storm (as Mary Phillips), who unexpectedly became a 1950s TV and rock 'n' roll era recording star, is irresistibly cute; she, and brief pair of vivacious dancing girls, give the film some much-needed oomph. In spite of some strengths, "City of Missing Girls" remains oblique and recumbent.
**** City of Missing Girls (3/27/41) Elmer Clifton ~ John Archer, H.B. Warner, Gale Storm
Writer/director Elmer Clifton manages to squeeze a few drops of blood from this stone. A scene between villain Philip Van Zandt (as King Peterson) asking "Do you mind if I smoke?" and hero John Archer (as Jimmy Horton) replying "I don't care if you burn" piques interest. Mr. Clifton and H.B. Warner (as "Mac" McVeigh) were bigger names during the silent film era (look for Walter Long, also).
Mr. Archer was a fine actor, who did not get the parts he deserved; and it shows, in this film. Teenage Gale Storm (as Mary Phillips), who unexpectedly became a 1950s TV and rock 'n' roll era recording star, is irresistibly cute; she, and brief pair of vivacious dancing girls, give the film some much-needed oomph. In spite of some strengths, "City of Missing Girls" remains oblique and recumbent.
**** City of Missing Girls (3/27/41) Elmer Clifton ~ John Archer, H.B. Warner, Gale Storm
Did you know
- TriviaThis film received its earliest documented telecast Saturday 5 August 1944 on New York City's pioneer television station WNBT (Channel 1). Post-WWII television viewers got their first look at on the East Coast Wednesday 29 December 1948 on WATV (Channel 13) (New York City), and on the West Coast Wednesday 4 May 1949 on KPIX (Channel 5) (San Francisco).
- Quotes
King Peterson: Do you mind if I smoke?
Assistant D.A. James J. Horton: I don't care if you burn.
- ConnectionsReferenced in Le flingueur (1972)
Details
- Runtime
- 1h 14m(74 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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