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Though Bette Davis dismissed this film as a piece of fluff it was an entertaining piece of fluff. For the one and only time in her career Davis entered the world of screwball comedy. This film is the sort of stuff that Cary Grant and Carole Lombard would have been right at home with.

Davis is paired for the second and last time with James Cagney. During the mid Thirties she and Cagney did a film called Jimmy the Gent which was not memorable for either of them. The Bride Came C.O.D. was far better material.

Davis is a young heiress who is being pursued by bandleader Jack Carson and columnist Stu Erwin who wants the story of their elopement. Cagney owns a small charter aviation company and the finance company man in the person of Ed Brophy is pursuing him. This is after Carson has chartered Cagney's plane.

Knowing that Davis's father Eugene Palette wants the marriage stopped at any cost, Cagney hits upon a mad scheme to kidnap Davis and fly her to Palette. He does it, but her antics forces a crash landing in the desert near a ghost town, inhabited only by Harry Davenport.

It gets pretty wild after that with everyone in the cast and his brother descending on that ghost town for their own agendas. Cagney and Davis worked very well with each other and Cagney was one of the few actors she didn't have a disparaging remark about.

It's entirely possible that players more experienced in the screwball comedy genre might have made The Bride Came C.O.D. a classic. But Cagney and Davis and the marvelous cast of some of the best supporting players around, made a pretty funny film in any case.

I can see why some people who admire the actor's dramas might complain. Gone with the Wind, it ain't. But it wasn't trying to be, and you do get a host of Hollywood legends, all in top form, doing exactly what they did best.

Airplane lovers will also appreciate the potpourri of period light passenger aircraft, and the scenery and sets are top notch.

The chemistry between Cagney and Davis is great, there's no scene stealing and it's just plain fun to watch. It's kind of sad to hear the treatment it received at the time from both the actors and critics. I wish they'd made ten more. Light-hearted and easy on the soul. One of my all time favorites.

Side note: I met Bette Davis in a store in Westport, CT and she quizzed me about a reversible blender we were both looking at. I was picking one up for my friend Mary. She was very nice--and smoking of course.

I quite liked THE BRIDE CAME C.O.D. It's an obvious riff on the screwball structure established by the much superior IT HAPPENED ONE NIGHT, but Cagney and Davis really make it so much better than it could have been without their personas and chemistry there to liven things up. If you love the Warner Bros. acting stable of this period, then you're in for a good time.

The plot isn't clever or original, but I laughed quite a lot. Considering how hard it is to get me to laugh aloud when watching a movie, that alone makes this an achievement.

When I watch a movie, I like to laugh, and that's why this is my favorite movie of all time.

It's the only pairing of James Cagney and Bette Davis, and the sparks do fly. You might call this a variation on the theme of "It Happened One Night." James Cagney plays a cargo pilot asked to aid in an elopement that would result in a disastrous marriage for an heiress. Her father offers him payment if he delivers her home unmarried. The ending is predictable, but the journey to it is not. Great fun.

Oh, I know there are so many other "important" and wonderful movies out there. I love a lot of them. But rarely has one tickled and surprised me the way this one did.

Let others favor the big famous movies. I'll take this little gem.

I'm surprised that more people haven't recognized its charm.

Bette Davis and Jimmy Cagney had been teamed once before in "Jimmy the Gent", also a comedy. That picture and this one are two of the relatively rare Bette Davis comedies. Jimmy the Gent was pleasant and fast moving, and featured the two stars relatively early in their career's. Here, they are both at the top of their game, and they elevate the mediocre material into something fast paced, fun, and easy to watch. It's a real pleasure to see two of the screen's greatest stars together. Nothing great, but definitely worth seeing for fans of the stars or of screwball comedies of that era.