Arènes sanglantes

"Blood and Sand" gave Rudolph Valentino one of the best roles of his career. It also established Tyrone Power as a star in Hollywood. Under Rouben Mamoulian's direction this film translates the novel by Blasco Ibanez into a Hollywood spectacle, so popular in the 40s. It is to Mr Mamoulian's credit, a film that paid attention to a lot of detail about the Spain of the beginning of the XX century.

The story presents us Juan Gallardo, a poor lad from the provinces, who became the greatest matador of his time. He goes from poverty to a life of luxury; a life for which he was ill prepared for. In fact, Juan never learned to read! It's a story of how someone overcomes difficult obstacles to attain fame and notoriety, only to be defeated by those same ambitions when the matador throws everything away in order to pursue a society woman, forsaking the decent wife that adores him.

Tyrone Power in the film was still a bit rough in the acting department, as well as in the cosmetic adjustments that all stars go through. Compare his smile here with later films: major dental work had not been performed yet!. Tyrone Power embodied the best of what a screen idol possessed. He had enormous charisma and no matter who he plays against, his presence is larger than that of the leading lady.

Linda Darnell was very effective as Carmen, a woman in love with the matador. Rita Hayworth's beauty doesn't come across as well here as in other films. Ms Hayworth was more of a siren in the movie. The first rate cast that was assembled is excellent. Anthony Quinn, Lynn Bari, J Carrol Nash, George Reeves, Alla Nazimova, John Carradine, just to name a few, shine in the background of this film.

'The Mark of Zorro' and 'Blood and Sand' confirmed Rouben Mamoulian's enduring concern with drama conveyed through movement of characters and camera... The former was a rousing, deliciously ironic swashbuckler; the latter an adaptation of Ibañez's story about a simple country boy whose success as a matador leads him into temptation and towards a violent early death... Rudolph Valentino had scored one of his biggest success with 'Blood and Sand' in 1922, and the same story served as a Tyrone Power vehicle nineteen years later...

Color, and Mamoulian's almost choreographic direction, turned the motion picture into an exquisite melodrama, where all the passes and swirls of the bullring were vividly depicted: The parade of the bullfighters and their entourage, the race of the vicious predator into the arena, the matadors flashing their yellow and pink capes...

Rita Hayworth blood-red lips and scarlet fingernails, contrast the cool colors of her Spanish mansion, and show her off to glittering advantage...

In her sensuous screen Pasadoble with Anthony Quinn, she looks sensational in her rose evening gown, symbolic of the Spanish bullfight flavor...

The arrogant and passionate dance, based on Flamenco dancing that characterizes the man as the matador and the lady as his red cape, is performed with style and surety... The colors, rose and green, are blended to perfection with the amazing prowess of an appealing couple in tune with the balanced perfection of shapes and the sweeping movements of Rita Hayworth...

Quinn is perfect for redoing old Valentino roles... He always demonstrated his grace and remarkable agility on the dance floor... This sequence remains one of the movie's best remembered moments...

Mamoulian begins the film with a 30 minute prologue, establishing the characters ten years before the main narrative...

Juanillo, just a little boy with fire, vigorously illiterate but possessing his father's passion for bullfighting, is seen by night currently taking the bullfighting world by storm... Not least for his exceptional brave and agile style of fighting but also for his age... Juanillo adores the art of bullfighting... Hr runs off to Madrid with his boyhood friends, Manolo, Nacional Pablo and La Pulga...

After winning a certain reputation as a 'flat-footed novillero,' Juan (Tyrone Power) returns years later to Seville to marry his childhood sweetheart, Carmen Espinosa (Linda Darnell - a voluptuous beauty with perfect complexion), and brings her to live in his luxurious home where he has installed his mother (Alla Nazimona) and his sister, Encarnacion (Lynn Bari).

Then he goes on to become the 'first matador in Spain' showing his individual personality by the combination and variations of his passes... Juan brings the bull past his body with the elegance of a premier ballet dancer, making it seem effortless and beautiful...

As his popularity climbs Juan's entourage of hangers-on increases joining his boyhood friends Nacional (John Carradine), Manolo de Palma (Anthony Quinn), La Pulga (Michael Morris), Pablo Gomez (Charles Stevens), Sebastian (William Montague), and his loyal dresser, Garabato (J. Carrol Naish) who left the ring just as he came in to it, 'without a peseta.'

But all is not so perfect in the ranks of Juan's cuadrilla... Nacional is anxious to leave bullfighting for politics, and Manolo, jealous of Juan's success, wants to make his own name in the ring... And then there is the on-going feud Juan has been engaging in with Natalio Curro (Laird Cregar), the famous bullfight critic who had insulted the memory of his father...

When Juan established himself as Spain's most important matador, Curro opportunistically affirms: 'At last Sevilla has a matador. The greatest matador of all history. The first man of the world. The day he was born, there was salt in the air, a great quantity of salt.'

And at one of Juan's 'great afternoon', we are introduced to the stunning Doña Sol des Muire (Rita Hayworth) whose chief passion is bullfighting and, in particular, handsome matadors...

The torrid Spanish beauty had little difficulty, in luring the new risen star away from his home...

Falling under her tempting beauty, Juan begins an affair with her at the expense of both his faithful wife and his career... His skills as a matador go downhill and his bad attitude loses him all his once loyal friends...

'Blood and Sand' is sensitively directed by Mamoulian and might be considered one of the greatest examples of Technicolor film-making... The film won an Oscar for Best Color Cinematography, and was nominated for Best Interior Set Decoration...

Exciting and colorful rendition dealing with rise and fall of a bullfighter with the seductive Rita Hayworth who was catapulted to stardom and her unfortunate conquest , Tyrone Power . This one concerns the tragic rise and fall of Juan Gallardo (Tyrone Power) and the women he loved , inside and outside of the bullfighters ring . This yarn talks about a sender labourer who wishes to achieve a big hit as a matador . Along the way he finds distresses , penury , great successes and a Femme Fatale . In spite of opposition his mother (Alla Nazimova) Juan wants to be Torero and escapes with his friends El Nacional (John Carradine) and Manolo de Palma (Anthony Quinn) to the Big City . He meets the attractive bombshell Doña Sol (Rita Hayworth ) , half Spanish, half American , but he marries his loyal bride Carmen Espinosa (Linda Darnell) . Juan on the verge of super-stardom risks it all when he falls under the spell of a seductive woman , forsaking his first love . Later on , bullfighter Gallardo celebrates triumphs but leaves his wife and falls for his lover , Doña Sol , turning from the faithful Carmen who nevertheless stands by her man , as he continues to face real danger in the bullring. He , then , risks and destroys his one opportunity for fame when Doña Sol lets him down . Things go wrong when a friend dies by a ¨Cornada¨ or goring . You Haven't Seen Tyrone Power Till You've Seen "Blood and Sand" . All the fiery romance ! ..the colorful spectacle ! .. the dramatic adventure of Blasco Ibanez' Immortal Novel of the Men Who Face Death in the Arena and the Women They Love!

This classy 1942 picture is considered to be the best version , stunningly directed by by Robert Mamoulian with big name cast , such as : Tyrone Power in the film that made him a great star , Linda Darnell , Anthony Quinn and standing out Rita Hayworth , primarily for her dancing and charming acting ; including the new brilliant Technicolor technique . Spectacular film with plenty of drama , passion , bullfighting , a triangular love story and tension at the plaza . Written by prestigious Jo Swerling and well based on the novel by Vicente Blasco Ibáñez . The film gives a real description about ¨Bullfighting art¨ with a veritable explosion of color and spectacle , as the bull is released into the ring , where he is tested for ferocity by the matador and Banderilleros with the magenta and gold Capote . Interpretations from the main and support cast are stunning . As Tyrone Power gives a nice performance as the matador becomes famous and then falls for a socialite and he is torn between two women . Alongside Rita Hayworth who delivers enough sexiness and seductiveness , while Linda Darnel is fine as the faithful and understanding wife . Support cast is pretty good , such as : Anthony Quinn, J. Carrol Naish , Lynn Bari , John Carradine , Laird Cregar , Monty Banks Monty Banks , George Reeves , Pedro de Cordoba , Fortunio Bonanova , Victor Kilian , among others . Cameramen Ernest Palmer and Ray Rennahan painted this movie in the new technicolor technique which makes it a veritable explosion of spectacle and color . Adding a sensitive and evocative musical score from Alfred Newman and uncredited David Buttolph . The motion picture lavishly financed by Darryl F Zanuck was competently directed by Robert Mamoulian . It obtained big success at the international box office and being praised by reviewers and audience .

The homonymous novel by Vicente Blasco Ibáñez , about illiterate Juan Gallardo who rises meteorically to fame and fortune in the bullfight arena only to sow the seeds of his own fall , has been adapted several times : 1916 silent first rendition by the same author Vicente Blasco assisted by cinema pioneer Ricardo Baños . 1922 recounting by Fred Niblo with Rudolph Valentino , Nina Naldi , this film made Rodolfo a star who catapulted him to stardom . A silent comical parody title ¨Bull and sand¨ (1924) by Mack Sennett . .This hit led to a Mexican Parody ¨Ni Sangre Ni Arena¨ by Alejandro Casona with Cantinflas . ¨Sangre y Arena¨ by Javier Elorrieta with Christopher Rydell , Sharon Stone , Ana Torrent . And this this film Blood and Sand (1941) is considered to be the best one . These films are interesting for people who actually enjoy the 'art of bullfighting' .

Tyrone, Anthony, Linda and Rita to name a few await you here in this classic heart-moving story of a boy who wants to grow up to be a man by being a Matador i.e. the best there ever was. That's the intrigue and we are also entertained as we watch childhood friends grow up together into adulthood too. Then there is love both the carnal and the heartfelt. Throw in some poverty, poor boy makes good and you have a decent story to tell. Every time I watch these rags to riches to rags again movies I always wonder why these people don't put something away when on top? Surely what goes up must come down not to mention bad luck and how about early retirement too? That's what hooks you! Its when they don't do it or something goes wrong that you now become a part of the movie world wondering if that could happen to you and how would you handle it? This is called entertainment and they pull it off nicely here. There is a eating scene or two so prepare to eat while watching and of course have a tasty drink and some snack for later. Blood and Sand is an appropriate name for the bullfighter game...

Uneducated peasant Juan Gallardo rises to fame and fortune in the bullfight arena. From here he falls for the socially active Dona Sol; thus breaking the heart of his childhood sweetheart Carmen. Nevertheless she stands by her man as he continues to face danger in the bullring, but ego and love will give Juan his biggest fight of all.

This remake of the 1922 silent Rudolph Valentino picture is certainly a lavish production, the colour cinematography by Ernest Palmer & Ray Rennahan rightly won the Academy Award, and it's directed with adroit skill by Roublen Mamoulian. The story is a great one as well, following the rise of Gallardo (a solid if too staid Tyrone Power) is always intriguing, and it's watching his constant battle with his emotions that is the film's drawing card. However, there can be a case made for the film resting too much on its dialogue driven laurels, for far too many times I personally found myself hankering for an up turn in pace to help emphasise the emotional nature of the characters.

The cast do OK without really excelling, Rita Hayworth looks gorgeous and a fine career blossomed from here on in, while Linda Darnell as the other love interest glides nicely from scene to scene. Anthony Quinn takes the best supporting honours, where his Manolo is vigorous with a cheeky glint in the eye, whilst sadly John Carradine is underused and his Nacional is not fully fleshed out until its far too late.

It's at times sexy (damn flamenco always a winner to me), it's got guts, and it looks absolutely gorgeous, but it's not quite the whole classy package it could have been. 7/10