Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They... Read allJeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou join... Read allJeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louey to show her how to do scat singing. Memphis and Je... Read all
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Louey
- (as Rochester)
- Wolf
- (as Horace MacMahon)
- Leo
- (as Perry Botkin)
Featured reviews
Now despite the title of the film being 100% ridiculous, there is one other problem with the film. Most of the music is NOT the Blues but Dixieland--a much happier and bouncier variation on Jazz and the Blues. Now I don't mind this style of music--but this isn't the film's title! So is the film worth seeing? Well, yes--provided you don't take the film very seriously. The actors (Bing Crosby, Brian Donlevy and Mary Martin) are fine--but very white and middle-class. An enjoyable film but not at all a tribute to the black men who created this music. While the black men are mentioned (such as by using enlightened phrases like folks referring to it as 'darkie music'!), this is clearly a white-wash--though an enjoyable one.
Cute little tidbits included in the screenplay will make jazz historians chuckle, like when one band member breaks his bow and is forced to improvise by plucking the bass fiddle with his fingers. Fans of the original jazz and blues movement will enjoy seeing Jack Teagarden perform, as well as Eddie "Rochester" Anderson enjoying a pretty big part as Bing's loyal friend.
I'm not the biggest fan of jazz, but I thought this movie was adorable. It's light and fluffy, with only a little smidge of drama, unlike some musical biopics. With "Melancholy Baby", "After the Ball" and the title song, there are tons of toe-tapping numbers to get immersed in. A new song was written for the film, "The Waiter, the Porter, and the Upstairs Maid", and for me, it was particularly fun to watch. I'd heard the song a million times on my Bing Crosby Greatest Hits CD but never knew what movie it came from!
Did you know
- TriviaThough the movie is in black and white, in one scene, when Bing Crosby is singing "By the Light of the Silvery Moon" in a movie theater, a slide show being projected behind him is in full color, though Bing is still in black and white.
- ConnectionsFeatures L'or rouge (1925)
- SoundtracksThe Birth of the Blues
(uncredited)
Music by Ray Henderson
Lyrics by Buddy G. DeSylva and Lew Brown
Performed by Bing Crosby
Details
Box office
- Budget
- $857,283 (estimated)
- Runtime
- 1h 27m(87 min)
- Color
- Aspect ratio
- 1.37 : 1