La Reine des rebelles

"What's a legend?" a little girl asks her grandfather at the start of Belle Starr. "A legend is the best part of the truth," he answers before explaining the legend of the famed female outlaw. I love everything about this western, including the thoughtful, touching script. The scenery is great, the story is exciting (especially for those who don't know about Belle Starr), and the acting is top-notch. How many times are you going to see Randolph Scott cry in one of his westerns? I've seen fifty of his movies and only seen tears three times.

Gene Tierney is a vision, so delightful, vivacious, and beautiful it's no wonder she was a top tier actress for the next ten years. This was only her third movie, but her screen presence feels like she's a Hollywood veteran. She's wild, tough, yet remarkably feminine. When you watch her in this movie, you realize what a crying shame it was that she wasn't discovered just one year earlier to play Scarlett O'Hara. She plays a Southern belle turned outlaw in this western, angry because her family lost everything in the Civil War. Teamed up with fellow outlaw Randolph Scott, they fall in love.

Dana Andrews is a military man on a mission to catch the bandits. But as soon as he sees how beautiful Gene is, he falls for her, too! Including Louise Beavers as the "Mammy" role (since she's a superior actress than Hattie McDaniel, she could have easily been in the 1939 classic), and Shepperd Strudwick, Elizabeth Patterson, and Chill Wills in the supporting cast. I highly recommend this classic. It's not often there's a female lead in a western, and Gene Tierney is fantastic.

That's an actual line of dialog from the script. Really.

The Belle Starr story, never actually told in the movies (partially because the real story isn't that interesting..) is told here in early Hollywood color and all the vim and vigor with which they revered the South. The plot hook is that one of the aforementioned "darkies" actually tells the fable as the narrator. Without spoiling the movie, Belle and her husband continue fighting after the War Against Treason, using those traditional Civil War Southern values of robbery, assassination, treason and protecting known criminals to keep Missouri safe for, well,the same people it was safe for before the War. Hey, it works in the movie.

The point made by vitaleralphlouis in his review is well taken. How dare we criticize Hollywood for showing how a loving mammy would help keep Belle safe, or that another "darkie" (their word, not mine) shows Belle's antagonist how disgusting he was. We all know that negroes formerly held as slaves had nothing but love for their former (or in this case present) slaveowners.

This is a classic example of a movie obviously made with care, but looked at today 99% of its viewers would wonder what was in the coffee they served at the story-pitching conference. Because even as a joke, this kind of movie could never be made again, and if there's one good thing you can say about Hollywood, that's it.

Oh, and by the way: a moment of silence for black actors like Louise Beavers who could only find work like this in her era.

BELLE STAR should have a disclaimer at the start. Any resemblance between the people portrayed here and the real life characters is strictly coincidental. Furthermore, someone should have told LOUISE BEAVERS that she is no substitute for HATTIE McDANIEL.

The film reeks with what it portrays as Southern charm, including the heavily accented Miss Tierney who struggles with what was supposed to be a star-making role. Fortunately, she's surrounded by a couple of pros: RANDOLPH SCOTT as her husband Sam Starr and DANA ANDREWS as a Yankee who finds himself enamored of her while chasing the outlaw woman in a series of melodramatic skirmishes that seem like throwaways from GONE WITH THE WIND.

Gene Tierney never did receive good reviews for her early films and BELLE STAR is no exception. Furthermore, the Technicolor needs restoration if this ever goes to DVD.

Summing up: A slow paced account of Belle Star's criminal career with a miscast and sophisticated Gene Tierney playing the outlaw in a below par performance that never strikes the necessary spark.

Tierney does fine opposite an uninspired Randolph Scott as the fiery Belle Starr. Her scenes with Andrews have far more electricity and pick the film's pacing up midway through. A veteran supporting cast gives their all for the cause, or is that causes? The movie, of course, takes generous liberties with actual history, but that's part of the fun in this one.

The start of this film sums it up best. The free slave telling the little girl about the legend of Belle Starr. This absolute legendary cast delivers a wonderful tale. Gene Tierney and Rudolph Scott are amazing and deliver absolute award-worthy performances.