Wagon Train

I was amazed at the films excellent quality having been developed in 1940 when cinema production was in its early stages. Although only 59 minutes in length, Wagon Train utilizes every minute to wow its audience with action, adventure, comedy and romance. Tim Holt was just coming into his own as a bona fide film star of the time and he was competing for screen time with the likes of Roy Rogers and Gene Autry. I have always enjoyed the western genre and Tim Holt is a bona fide cowboy who shines bright on the big screen.

Wagon Train is a western that all can enjoy if you are a fan of the western genre. Decades later when color is added, and more sophisticated cameras and lenses, the westerns of the 1970s starring the likes of John Wayne, Clint Eastwood and Charles Bronson may have pushed films like this one, the 1940 Wagon Train to the back of the TV film shelves, but thank God for television stations such as TCM who will periodically honor the great western stars such as Tim Holt and allow us to watch such a film classic.

I give Wagon Train a solid 8 out of 10 rating. It may be a bit dusty, grainy and in black and white but for a near 80 year old film, it remains a classic in my books and is worth watching at least twice in one's lifetime.

Other reviewers have rehearsed the plot of Edward Killy's RKO B-Movie from 1940, so there is no need to tread over familiar ground. What is perhaps more intriguing is the way the film rehearses several themes characteristic of the western, which might tell us something about the way America viewed itself at that time. The film is awash with movement: the wagon train traveling across the plains, accompanied by riders; the perpetual threat of the bad guys wanting to stop the train; coupled with the subplot about a community's livelihood being threatened should vital food supplies not arrive. This draws attention to the idea of the pioneer spirit; the fact that, as a young country, the United States is perpetually looking to expand itself; it is never satisfied with staying n one place. WAGON TRAIN also embodies racial attitudes characteristic of that time: all the characters are Euros, save for one Mexican (Julian Rivero) who assumes a peripheral role as he is s seen entering the general store trying to buy some beans for his family. He cannot afford the exorbitant price; and hence throws them back in the seller's face. Native Americans are represented as savage; they destroy one settlement; and it is only because of our hero Zack Sibley's (Tim Holt's) cleverness that they allow him and his followers to pass through their territory unscathed. By contrast the 'good' white Euros are represented as strong yet fair, believing in the importance of group identity as a means to survive in an inhospitable landscape. The film packs a lot into its sixty-minute running time; comedy, adventure, even two songs (with music by Paul Sawtell). Not particularly memorable, perhaps, but an interesting historical document.

First of all there's a rolling Wild West context setting explanation before the picture begins and straight after that one character gives another a lengthy explanation of hero Tim Holt's past and character. After all that you don't need a crystal ball to see which way the picture will go and how it will climax and end, even down to some of the lesser details.

Baddies try to blacken Holt's good name and his food supply business, attempt to kill him and raid his wagon train to corner the market for themselves. It turns out Holt was after one of them anyway… Apart from the clumsy opening reveal it's all routine, competently handled fodder – plus a few nice songs, nice scenery nicely photographed, nice action, but you could seldom fault Holt in any of these oaters. It's an serenely enjoyable hour – if you like b Western films with a bit of atmosphere; if you know you don't and decide to watch it anyway kiss the hour goodbye!

Nothing especially dramatic or compelling here. A formulaic and predictable western with a meandering script and a distinct lack of character development, this picture tells its story and is over in an hour. It is loaded with non-sequiturs and loose ends which leaves the viewer scratching his head.

Nevertheless, the leads are attractive. Tim Holt gives a stalwart performance and Martha O'Driscoll is very pretty but is not given much to do. This is the sort of movie I probably would have liked a long time ago when I was a kid and didn't ask many questions. The action scenes were good and the second unit stuff was even better.

This picture was on TCM the other morning. It was a time-killer but did not break any new ground as far as the western genre is concerned. The kids won't notice, though.

Pecos businessman Matt Gardner is buying up freighters, or wagon trains of food supplies, at cheap prices through intimidation, and charging high prices by deliberately causing phony food shortages at his trading posts. The only one refusing to sell his supplies is Zack Sibley, who is dead set on maintaining his freighter business as well as tracking down his father's murderer, his ex-business partner. Gardner plans on eliminating any competition Sibley presents by sending his thugs to kill him and raid his wagon train.

Visually, this is quite impressive, the harsh, unforgiving land seems to envelope around the wagon train, lending some grit - there's an effective scene of a Comanche arrow hitting the wood and the scene quickly fades away. Next minute we see Holt riding into the burnt stage station.

A fairly entertaining RKO western that has the appeal of Tim Holt's youthful charm and his chemistry with Martha O Driscoll. There's some gorgeous location photography (It was filmed in Kanab, Utah and in Wildwood Regional Park in Thousand Oaks, California) and some good characterisation.