Third Finger, Left Hand

"Third Finger, Left Hand" is an outstanding comedy film that stars Myrna Loy and Melvyn Douglas with an excellent supporting cast. Everyone gets in on the humor. Most notable about this comedy is its original and novel plot of a career-seeking woman faking that she is married. The whole idea is to keep suitors away so that she can establish herself and be a success in the business world as the publisher of a woman's magazine.

Loy's Margot Sherwood says she's married to a guy named Tony Merrick. He's a globe-trotting character in some business that we never learn about. Margot met him in Rio de Janeiro where she went for a vacation a year ago. She fell for him in one night and they got married. So, when she came back to New York with a ring on the third finger of her left hand, the wolves stayed away. Only a couple of amorous characters continue to pursue her. They think she should divorce her uncaring husband who stays away. But her ploy at least keeps the boss away, Mr. Russell. And, Margot becomes friends with the boss's wife, instead of another ex-female manager of her husband's magazine. Previous female managers lasted no longer than a few months because of Mr. Russell's attention.

Meanwhile, arriving in New York by ship from Europe, is globe-trotting artist Jeff Thompson, played by Douglas. The meeting of the two lead characters aboard ship begins a hilarious love triangle that involves the third lead, Lee Bowman, as Philip Booth. And, that anchors this comedy that moves between riotously funny scenarios, to hilariously corny and funny scenes.

The original plot has a first-rate screenplay that is filled with witty dialog and funny exchanges. The film has a wonderful cast of well-known and supporting actors. Felix Bressart is superbly funny as August "Gussie" Winkel. Donald Meek, whose last name describes his physical build and usual character persona, is completely out of his familiar character. His Mr. Flandrin is a high-falutin art dealer who barks out orders and scowls at anyone who gets in his way. Bonita Granville is very funny as the teenage sister of Margot, Vicky Sherwood. And, Raymond Walburn's smile alone invites smiles, as he plays Margot's father, Mr. Sherwood. And, there are more.

One can imagine how this will turn out - as do most comedy romances. But, in getting to that point, this film has some different angles and twists that make it quite original. And, it's that originality - with these actors - that makes the film so funny.

A very humorous thread runs through much of the film. It has to do with the State of Ohio - especially its name. Jeff is from Wapakoneta, Ohio, and he likes his home state very much. He's looking forward to returning home to resume his painting career. After traveling around the world and bringing back a large portfolio of professional paintings to sell in New York, he is anxious to return to the sanity of Ohio. He doesn't want to spend more than one night in the cockeyed big city.

The thread that gets repeated several times is an old song about Ohio. The chorus reads, "What's round on the ends and high in the middle? It's o-HI-o." He hums and sings a couple of lines at different times. The railroad porter sings the song, and by the end of the movie, Margot is humming it.

In one scene toward the end, some hometown folks recognize Jeff. When they strike up a conversation, Margot elbows her way between Jeff and a reverend. She butts into the conversation with a street lingo that leaves one in stitches. Loy is superb at this and it reminds one of a similar scenario carried out by Irene Dunne in "The Awful Truth."

Well into the 21st century, "Third Finger, Left Hand" stands the test of time well. It's a very funny story that people of all ages should enjoy. It's truly one of the great comedies at the close of Hollywood's golden era.

Here are some favorite lines. See the Quotes section under this IMDb Web page of the film for many more laughs.

Jeff Thompson, "Tell the folks your idea for doing my den, angel." Margot Sherwood Merrick, "Well, uh, I want to do it very simply. Uh, just a short flight of steps and a gallows. That's the theme. It's going to be very modernistic." Jeff, "She has the most unconventional ideas."

Mr. Sherwood, as the last dinner guest leaves, "Such a lively woman." Jeff Thompson, "Yeah. So interested in other people's lives." Margo Merrick, "And with nine of her own to live."

Jeff Thompson, "When you do get married, you certainly won't need any practice hen-pecking." Margot Merrick, "I'm not hen-pecking." Jeff, "Listen, my Aunt Edith killed my Uncle John hen-pecking. I oughtta know a hen-pecker when I hear one."

Mr. Flandrin, "Young woman, I can be just as unethical as you can."

Jeff Thompson, "Yes sir, you certainly put that over. You know, to look at your face, nobody'd ever think you were such a good liar."

Margot Sherwood Merrick, "Whadda ya think we're doin' in Niagara Falls - huntin' woims?"

Myrna Loy and Melvyn Douglas are fantastic, respectively, in this screwball comedy about a career woman with a phantom husband and the man from Wapakoneta, Ohio, who decides to fill-the-bill. The subsidiary roles are wonderfully taken as well. The only quibble I have with the movie is that it is a -wee- bit long for its material, but viewers looking for some light diversion will not be disappointed by this farcical laugh-romp.

While this comedy is about the romantic complications facing a woman executive and the artist who loves her, "Third Finger, Left Hand" provides a rarely seen dignified Black role. When first we see Sam (portrayed by veteran African American actor, Ernest Whitman) he is a train porter speaking in an 'uneducated' manner - employing the type of language structure used by script writers of the time to reinforce negative racial stereotypes. Later, however, a Sam is revealed to have taken college correspondence courses for years and to be someone quite knowledgeable in matters of Law: able to quote court rulings and present effective legal arguments on behalf of his client, the artist. Ultimately, Sam is the hero of "Third Finger, Left Hand", making it possible for the protagonists' love to triumph.

The story is fun even if predictable, but I have to wonder, what was Jeff Thompson (Melvyn Douglas) thinking? But I'll get back to that.

Margot Sherwood (Myrna Loy) is the editor of a magazine who has a fictitious husband - Tony Merrick - so that she won't get hit on by all of the men who work for the magazine back at a time when smoking and sexual harassment were acceptable in the workplace. It works, but then along comes somebody - artist Jeff Thompson (Melvyn Douglas) - that she would like to see romantically, so she goes out on the town without telling Jeff about the husband. Unfortunately, a drunken would be suitor is also out on the town too and mentions said husband. Jeff is shocked, and Margot explains it was an impulsive never consummated marriage that she intends to end in divorce, but that she cannot find Tony and he is in Argentina somewhere. Jeff uses his journalist contacts in Argentina - funny thing for an artist to have - and discovers there is no husband.

And that is why I ask, what was Jeff thinking when he barges into Margot's home and claims to be said husband? Her dad calls the press, because Margot's family is a prominent one it ends up in the newspapers, and he introduces himself to all of her friends. This could end several ways - For sure Margot is going to cool to him for doing this, maybe she might even announce he is a fraud - there is just no easy out. She does have a bit of fun at his expense when they run into his friends from Ohio and she does her best Jean Harlow as Jeff's saucy hard boiled wife, shocking the small town Ohioans.

So all of this is why Jeff is awful. Margot is awful because, to get out of this predicament legally, she convinces an attorney friend of hers that she is in love with him and would marry him if free of the pretend Mr. Merrick AKA Jeff, and to accomplish this she needs his talents as an attorney. The actors are what make this film, but it is really hard to look at them as nice people after all of the using that both leads do in service of the plot.

One thing nice about the old studio system - MGM had a deep bench of contract players in 1940, not the least of which is Felix Bressart and his homely puss, dishing out homespun compassionate advice in a great supporting role. Also possibly the earliest American film with an African American attorney as a plot device.

I suppose by 1940 the public and the critics just were used to seeing Myrna Loy with William Powell. At least that's what it said in the Citadel Film series book on Myrna Loy's films. In any event I think that the public and the critics gave short shrift to this film that had her co-starring with Melvyn Douglas. They have some funny moments together.

Third Finger Left Hand has Myrna Loy as a successful career woman a type that Katharine Hepburn and Rosalind Russell essayed in their sleep. It's curious because today this would be unthinkable, but to guard against both jealous wives and horny men both married and single, Myrna keeps a wedding ring in the proper place as the title indicates. It works maybe all too well as there are no men in her life nor prospects of same.

That doesn't deter free spirit itinerant painter Melvyn Douglas who in a hail mary type move pretends to be the husband she pretends she has. That makes it all real hard to explain to her family like her father Raymond Walburn, sister Bonita Granville, and young attorney Lee Bowman who would like to be the man in her life.

There are two really funny moments the first belongs to Myrna who when at Niagara Falls Douglas runs into some straight laced folks from his small Ohio hometown, Myrna turns the tables on him and with her impression of a gun moll really mortifies those poor people.

The second is when on a train Douglas drafts a Pullman porter played by Ernest Whitman as an attorney. Whitman actually has studied law and goes head to head with Lee Bowman and it's a draw.

Despite only so-so reviews Third Finger Left Hand is a real comedy gem and a great film credit for its stars.