Les déracinés

This film fits into an odd gap - in John Wayne's career, into the tenor of the times, into the evolution of cinema. But it's highly entertaining, at times visually spectacular, and really a lot better than it has any right to be.

The depiction of the Dust Bowl is remarkably strong. There's grit and dust in every shot. Many of the scenes are painted in strong, noir-ish tones. Against this backdrop, we have a solid little story about an Austrian doctor and his daughter finding a new new home. It could have been mere Hollywood fluff, but it all rings quite true. The touch of propaganda you might expect in a wartime production is restrained and palatable, with a positive focus on emotions rather than a negative one on ideologies.

All this is abetted by strong performances from the three leads. John Wayne is only about a year along from his breakthrough role in Stagecoach, and proves himself capable of surprising depths. He's as likable here as he's ever been, but also more human. And much more of an acting talent than we might usually give him credit for. This is one of those overlooked Wayne entries, like Island in the Sky, or Hondo, where you can really see how he earned his star billing. Sigrid Gurie is a perfect match. She runs a gamut of emotions, yet remains always appealing.

It's true that the second part of the story does cover some of the same historical ground as The Grapes of Wrath. But the two films don't really overlap. We have here a happier outcome, and much more of a small-scale adventure-drama than an allegorical social commentary. Obviously, this film isn't on the same level artistically as John Ford's masterpiece. But it's also far better than the mere B-movie it might have been.

If you're a fan of John Wayne, or have any affection for the workmanlike dramas of Hollywood's golden era, this film is going to be a very welcome discovery.

In a subdued and understated role, John Wayne is excellent.

Other commenters have placed the action in North Dakota and in Oklahoma, but I never heard a home stated. In fact, I thought the script specifically avoided mentioning one. (Maybe like the Simpsons' Springfield?)

The situation and the timing would seem to indicate Oklahoma, but in truth it really doesn't matter, and the film can be seen as somewhat of an allegory, as representative of the dilemma many poor farmers faced during the Dust Bowl and Depression days.

Regardless, it is worth saying again that John Wayne gave one of his best performances, that his character was a different one from what he so often played and he demonstrated that he was by gosh an actor!

The chief bad guy also stood out, and should have, being played as it was by the great Trevor Bardette.

The subplot, the almost thwarted love story, was poignant and timely, and there was a wonderful line spoken by the Wayne character: "We get all tangled up in other people's feelings and duties and obligations," a fact that gets so many people, and even nations, into trouble.

"Three Faces West" is a very good movie, with great direction, some superior camera angles, and possibly some great stock footage, as well as great acting, from Wayne to the atmosphere players.

All of that with an intelligent script makes it well worth watching.

An old fashion moral tale with sweetness. John Wayne gives a great performance, and Sigurd Gurie shines as the daughter of a Viennese Surgeon (Charles Coburn). The historical significance of this picture is accurate and compelling, though rather melo-dramatic. Ms Gurie gives a kind and sensitive performance in one of the finest roles of her brief career. The Oklahoma dust bowl is the setting for this early 20th century tale that keeps an eye on several moral issues. It tells the brave tale of poor farmers who were strongly bonded with "good honest sweat", and who face a decision to stick together and head west. Spencer Charters, playing the town veterinarian/comedian gives a fine performance as do many of the players in this one. Well worth a watch.

Three Faces West presents two stories, that of a highly respected elderly Austrian doctor (Charles Coburn) and his daughter (Sigrid Gurie) who have fled the Nazi regime and come to American seeking a place to practice medicine, and also that of a small dust-bowl town in North Dakota in need of a doctor which is personified by John Phillips (John Wayne) who is a farmer and community leader. Initially the doctor and more particularly the daughter are not prepared for the hardships they find and wish to leave but a growing romantic relationship brings everyone closer together. A story like this wouldn't be complete without some more obstacles, and in keeping with the two part tale we have two obstacles one for the budding romance and one for the struggling town.

The film is definitely very much about the message and it essentially has two messages to deliver, there is the message about tyranny and the sacrifices that may be necessary by those who oppose it and also that of the community and working together to overcome adversity. In light of the era that this was made it is not surprising to see such an approach. It is interesting from an historical point of view to observe the attitudes towards Nazi Germany in the United States of 1940 before they had entered the war.

Beyond the good performances from the three principles as well as Spencer Charters in the side kick role there is nothing particularly impressive about the production, but a well intentioned story coupled with an atypical role for Wayne and the interesting historical perspective on both the dust bowl and early years of WWII make this worthwhile viewing for me. It's interesting to note that Sigrid Gurie despite a solid performance would barely make a dozen films over her career. On the other hand Charles Coburn who played her father wouldn't make his first film until he was 56 and continued into his eighties, he also won and Oscar and was nominated for two more.

This is by no means a great movie, but not a terrible movie either. This really is an update of a frontier movie with some good ol' American spirit thrown in. This is basically the story of an Austrian doctor and his daughter who come to America seeking refugee from the Nazi's. Then end up in a small town who have farmed the land to death and who themselves are seeking new land to make their lives. John Wayne does his normal thing as the so called leader of the townsfolk dealing with conflict along the way, and also the inevitable love interest of the doctor's daughter. Plodding and really so much inferior to the similar 'Grapes of Wrath'. Not one for me to be watching again.