Star Dust

Roland Young was riding the crest of his popularity in the "Topper" series of films, and he gives another of his trademark performances in "Star Dust." He happily moved into small character performances the following year, across from Ginger Rogers and Henry Fonda in the mega-hit "Tales of Manhattan," with such an extravaganza of talent that even stars like Young had comparatively minor roles. He was well into his fifties and glad to have steady work without the burden of full stardom.

By this time, 1941, the industry was in full swing, with A List superstars like Rogers and Bogart and Grant commanding enormous salaries thanks to their bankable box office appeal, and "Star Dust" shows the glow that surrounded the Hollywood Myth.

All of the studios had adopted Ginger's mother Lela's idea of in-house acting schools, and the new Hollywood actresses all worked in the stylized 'acting voice' that we hear in "Star Dust" from the very young Linda Darnell. The '40s crop of actresses all adopted this style of voice, from Lana Turner and Rita Hayworth, to Darnell and Tierney, Bergmann and Gardner, with the razor sharp diction and the slightly accented 'T's, a pseudo-dialect that was to hold sway all the way through Marilyn Monroe's era in the '50s, and in television right into the 1980s. The older '30s stars like Rogers and Stanwyck and Colbert maintained their more natural voices for the rest of their careers, and so it's a bit ironic to note that these actresses outlasted all but the biggest of the '40s group.

Look quick to see George Montgomery in a bit part here, early in his career. John Payne is terrific in this lighthearted role, a far cry from his amazing Noir characters a few years later. Fun movie!

A title which has often be used (with or without a hyphen)."Star Dust" depicts the rising of new stars and mainly the long road they have got to follow to hit the big time in Hollywood-although it is a short film and Darnell's and Payne's road does not seem a very rocky one.They make an attractive pair,a singing faux cowboy -actually a football player- and a young student who works as a waitress in a coffee shop and learns the algebraic (or trigonometric ? )formulas while serving the guests who sometimes are talent scouts ,Cinderella's good fairy.The best moment is the movie in the movie : Linda Darnell ,as if her life depended upon this screen test (and it did anyway) ,outdoes herself and is better than in the rest of the film.

"Star Dust" is the film that Linda Darnell watched on the night she was caught in the fire that would take her life the next day.

Darnell plays Carolyn Sayres, a young girl determined to get her chance in Hollywood when a studio agent (Roland Young) comes along looking for new talent. He rejects her because she's too young, but Carolyn forges a letter to the studio head and wins a screen test. On the train to Los Angeles, she meets a handsome football player (John Payne) who is also a fresh discovery. Once in Hollywood, they meet the third winner of a screen test, a talented singer (Mary Healy).

Little do any of them know that studio politics interfere with their chances, but the drama coach (Charlotte Greenwood) believes in Carolyn and finds a way to get her test before the head of the studio.

This film, the basic plot anyway, was remade years later as the awful "Dancing in the Dark," a musical starring Betsy Drake. "Star Dust" is much better, featuring the beautiful Darnell, handsome Payne and the magical singing of Mary Healy. It also has shots of Graumann's Chinese Theatre as Payne and Darnell see how their feet match up to stars' feet in cement.

Linda Darnell got a very early start in Hollywood. She was 15 when Fox wanted to sign her, but when they learned her age, they sent her home. When they found out that she'd won a contest with the first prize a contract at Universal, they brought her back out. She started out great guns, and then she got married. Zanuck, unable to promote her as a virginal ingénue, lost interest. Darnell returned a little later as sultry and sexy and played some of her best roles.

Sitting in her old secretary's house in Illinois at the age of 41, trying to do her taxes, and watching this film must have been an odd experience for Darnell, who by then had alcohol and money problems and was trying to make a comeback. It wasn't to be; she died in the hospital the next day. A sad end for the beautiful young woman of "Star Dust."

This is such a charming film. It concerns young hopefuls who want to get into Hollywood. The lead is played by Linda Darnell, and the script was written based upon what really happened to her only the year before. Both in real life and in this film's story, Linda was discovered by a travelling Hollywood talent scout (in reality she came from Dallas, in the film from the fictitious small town of Rockville, Arkansas). She then went to Hollywood, took a screen test, but was sent back home because she was discovered to be only 15 (but returned anyway). In the film, she is sent back home because she was 16 going on 17, precisely the age she really was when she made this film. I have already had occasion to praise Darnell's brilliant film debut (when she was 15 going on 16) the previous year, in HOTEL FOR WOMAN (1939, see my review). Darnell met with a terrible fate, however. In 1965, aged 41, she was sitting and watching this very film on television when a fire broke out in the house and she died of burns. The young male lead in the film is John Payne, aged 28. Payne was a very fine fellow, as I discovered the only time I met him. He and my mother had known each other in Virginia, though he was a few years older. She and I went to see him backstage at a play, where we had a jolly chat. He came from a wealthy background and had the easy and confident manner of someone who had been born with a silver spoon in his mouth. But he did not choke on the spoon, and instead became an excellent movie actor. I have always thought that he should have been in better films, but he was mostly a star of B pictures. By the time this film was made, he had already appeared in ten films in only four years. In this one he sings as well as acts. He and Darnell are summoned to Hollywood for screen tests at the same time and meet on the train. The other lead actors in the film are Roland Young, who plays the talent scout, and Charlotte Greenwood who plays his colleague. They are both superb, being the old pros that they were. I note that Darnell's biography on IMDb wrongly names her character in this film as Carolyn Ayres, whereas the correct name is Carolyn Sayres. The film was directed by Walter Lang, who is best known for WITH A SONG IN MY HEART (1952, about Jane Froman), CALL ME MADAM (1953), THERE'S NO BUSINESS LIKE SHOW BUSINESS (1954), and THE KING AND I (1956), all of which were smash hits. The 1950s were truly the glory days of Walter Lang, who retired in 1961 after having directed 66 films. Donald Meek plays a supporting role in this film and it is a serious part, unlike his usual whimsical ones. The film is romantic and full of youthful zest and hope. It makes a great change from gloom and doom, of which we have so much these days. One little touch amused me, namely that in order to demonstrate his small-town naivete upon arriving in Hollywood, John Payne pronounces the name of Charles Laughton as 'Charles 'Laffton'. Perhaps that was an in joke, since one thing Charles Laughton in person certainly was not was someone who could be described as a laugh a minute. He could be quite horrid. This film is very much a breath of fresh air, though very much an early forties film with all the manners and mores of those days, which seem so innocent today. How strange to think that only a year after this film was released, the world would be plunged into war and joie de vivre would dry up. This film was thus one of the last gasps of cheerfulness in the cinema before life became grim.

Linda Darnell wants to be discovered by a talent scout. Well, luck falls in her lap, when Roland Young, ex-silent screen star and now movie studio talent scout, enters her diner near a college campus looking for some fresh faces. Costarring John Payne and Charlotte Greenwood with a young George Montgomery and young Robert Lowery in bit parts and other recognizeable faces, this is a pretty enjoyable film with some upbeat songs near the beginning. If I have any major problems with it, it's that it's not funny enough or involving enough in the second half to really captivate the viewer's interest. But on the whole, it should please most viewers.

There are also two other things I wanted to comment on:

(1) This movie mirrors Linda Darnell's own career. And, maybe it was the inspiration for penning this movie. When Miss Darnell was first discovered, she was under age and the Fox executives were reluctant to put her under contract. That's all I really know. But, that happens to her character here, too. (Also, this was only her third film, her second being "Day-Time Wife," which I have also reviewed.)

(2) And, on a sad note, one night while visiting a friend, Miss Darnell was badly burned, when the house caught on fire and she never recovered. She had just watched "Star Dust" on TV that night.