La Maison des 7 péchés

Both Marlene Dietrich and John Wayne are at their physical peak in 'Seven Sinners', a South Seas island romp that concludes with one of the most colorful barroom brawls in movie history. Dietrich is a Sadie Thompson kind of character, island hopping as she is deported from one tropical island to another--always attracting a bunch of attentive admirers with a knack for inciting riots. It's a film that's briskly entertaining from start to finish.

Dietrich has never been more appealing, gorgeously gowned and photographed to advantage whether appearing in skin-tight glittering gowns or sporting lacey parasols or wearing a sailor's uniform. She projects the same sort of character she played in 'Destry Rides Again'. John Wayne is young, handsome and earnest in one of his earlier roles. James Craig can be spotted briefly as an admiring ensign. Mischa Auer and Oscar Homolka have some colorful supporting roles, but the most enjoyable member of the cast is Billy Gilbert as the night club owner who sees trouble brewing the minute Dietrich shows up at his tavern.

Breezy entertainment with a couple of good songs done in the stylish Dietrich manner.

"Seven Sinners" is a decent, light-hearted comic romp, first and foremost a vehicle for Marlene Dietrich, with John Wayne as a co-star. Dietrich plays "Bijou", an entertainer at the title island nightclub who is always being deported from various islands because trouble tends to always follow in her wake. (Such as the barroom brawl that plays out behind the opening credits.) Here, Bijou is wooed by an easygoing Navy captain named Dan Brent (The Duke), just one of the people who's fallen under her spell. The latest trouble arises in the form of a character named Antro (Oskar Homolka), a smooth yet menacing type.

The first-rate supporting cast also includes Albert Dekker as an initially gruff ships' doctor, Broderick Crawford as a well-intentioned lug, the luminous young Anna Lee as the governors' daughter, Mischa Auer as a magician who has a tendency to steal anything that isn't nailed down, Billy Gilbert as harried nightclub boss Tony, Samuel S. Hinds as the governor, and Vince Barnett as a bartender, et al. The Duke is quite engaging, and he and Dietrich do make a good pair. Basically, this very lively comedy does showcase the sexy Dietrich very well, giving her the opportunity to belt out a few numbers.

Overall, "Seven Sinners" offers nothing really substantial, but it IS entertaining to watch while it lasts; it's Homolka who injects tension with his mere presence. You just KNOW that this character is going to be a real problem. Crawford and especially Auer tend to steal the show whenever Dietrich is not around. This may not be the best team-up of Dietrich and The Duke, but it delivers undemanding fun for a little under an hour and a half.

Six out of 10.

An American drama; A story about a saloon entertainer banished from various American protectorates in the Pacific, who uses her femme-fatale charms to achieve her aims including wooing a Navy officer in a South Seas gin joint. This is an enjoyably exotic adventure with raffish comedy, romance and glamour. The film's enduring strength is confined to how Marlene Dietrich thrives as the flamboyant torch singer and scarlet woman. Dietrich satirises the Shanghai Lil stereotype sirens of Far East showbusiness past with aplomb and humour. The young and handsome Naval Lieutenant playing amorous to her is John Wayne, who smooches up to create some nice chemistry. Broderick Crawford, Mischa Auer, Samuel S Hinds, Reginald Denny, and Oscar Homolka all give fine supporting performances. The production standards are good. The sets are reminiscent of film director Josef von Sternberg's films. The atmosphere of a cheap, evil island cafe is captured well. The bar-room finale is preposterous but the rumbustiousness and playful excess the audience experiences from the beginning was energy that had to go somewhere, so the film going out like a thermobaric implosion seemed like a fitting fortissimo coda.

It's not wonderful but it is fairly good especially of course that Marlene Dietrich is more than okay with the wonderful costumes, even if she is best as a sailor, and the songs are fine. John Wayne had dozens of small parts through the 20s and many westerns during the 30s and in this one he is really good and is so fresh you might have thought he hadn't already made almost a hundred films before this. I really like Broderick Crawford and he is splendid in this funny and chasing around and brawling all the time with looking after Dietrich. There is enough going on without noticing that there isn't really any story.

Its fun and spunky enough, but it has the schizophrenic feel of a "B" film with "A-list" actors. It was made by Universal, which had taken a chance the year before, and cast Dietrich in "Destry Rides Again" following her inclusion in the famous "box-office poison" list. Wayne was just transitioning from shoestring Republic Pictures; he had made zillions of minor films, and his career was just starting to take off. Dietrich often seems to be in a different film altogether; the way she looks and acts goes way above what the material calls for - she was always extremely conscious of her "look" and image. Her musical numbers are fun, especially the awesome nightclub number in Navy uniform drag - who else could pull THAT one off so successfully!