IMDb RATING
6.6/10
4.2K
YOUR RATING
Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.Two playboys try to forget previous romances in Singapore - until they meet a beautiful dancer.
- Awards
- 3 wins total
Elvia Allman
- Homely Girl
- (uncredited)
Johnny Arthur
- Timothy Willow
- (uncredited)
Bobby Barber
- Man Hit with Soap Suds
- (uncredited)
Monte Blue
- High Priest
- (uncredited)
Harry C. Bradley
- Secretary
- (uncredited)
Don Brodie
- Fred
- (uncredited)
Arthur Q. Bryan
- Bartender
- (uncredited)
James Conaty
- Yacht Party Guest
- (uncredited)
Carmen D'Antonio
- Native Girl
- (uncredited)
Paula DeCardo
- Native Dancing Girl
- (uncredited)
Jimmy Dime
- Sailor in Saloon
- (uncredited)
Featured reviews
Avoiding arranged marriages, shipping heir Bing Crosby (as Joshua "Josh" Mallon) and carefree pal Bob Hope (as "Ace" Lannigan) run away to Singapore. They swear off work and women, and then find both in pretty native Dorothy Lamour (as Mima). Eventually, the men begin falling in love with Ms. Lamour, and she likes them both. They work out attractions while getting into local trouble. This was the first in an initially unplanned series of "Road to
" pictures starring Mr. Hope and Mr. Crosby, with Lamour adding the necessary sex appeal. Proving himself handy with a bull whip is handsome young Anthony Quinn (as Caesar). The pleasant soundtrack hit is Crosby's "I'm Too Romantic". An obvious screen chemistry multiplied the co-stars' individual appeal.
***** Road to Singapore (3/14/40) Victor Schertzinger ~ Bing Crosby, Bob Hope, Dorothy Lamour, Anthony Quinn
***** Road to Singapore (3/14/40) Victor Schertzinger ~ Bing Crosby, Bob Hope, Dorothy Lamour, Anthony Quinn
Bing Crosby, Bob Hope and Dorothy Lamour may never have been the Nelson Eddy and Jeanette MacDonald of the 1930s and 1940s Hollywood musicals, but anything they ever recorded during this period was better than any of the painful operetta stuff of the latter screen duo. Brilliant songs are featured once again, including `Too Romantic' and `The Willow and the Moon'.
ROAD TO SINGAPORE essentially is a romantic comedy with mass complications of playboys with serial patty-pan punching techniques, cheating people with soapsuds cleaner and both falling for Dottie. The slapstick gags featured are not as hilarious as the definitive film of the series, ROAD TO MOROCCO, but due to the enormous success of SINGAPORE, the trio's comedy skills allowed for a continuing series in which the progressing films became zanier.
Generally good direction, an agreeably funny script and a supporting cast headed by Charles Coburn only amounts to part of the fun.
However, once again Paramount, and in a more generalised context, Hollywood itself, displays its lack of understanding for foreign culture. Singapore, or the island in question, which isn't actually Singapore, looks like an extremely undeveloped Malaysia. The natives don't actually convince one of being native, nor do any of the ceremonial activities trick for one second.
Dorothy Lamour, although an exquisitely beautiful actress, does not resemble an islander native, although it isn't exactly her fault.
In the same manner, some people may find this film offensive, or any of the ROAD films because they are not a true representation for any culture. But most movies made during this period simply didn't have much regard to exact details of foreign lands. And in such a brilliant comedy, it doesn't really matter.
Rating: 10/10
ROAD TO SINGAPORE essentially is a romantic comedy with mass complications of playboys with serial patty-pan punching techniques, cheating people with soapsuds cleaner and both falling for Dottie. The slapstick gags featured are not as hilarious as the definitive film of the series, ROAD TO MOROCCO, but due to the enormous success of SINGAPORE, the trio's comedy skills allowed for a continuing series in which the progressing films became zanier.
Generally good direction, an agreeably funny script and a supporting cast headed by Charles Coburn only amounts to part of the fun.
However, once again Paramount, and in a more generalised context, Hollywood itself, displays its lack of understanding for foreign culture. Singapore, or the island in question, which isn't actually Singapore, looks like an extremely undeveloped Malaysia. The natives don't actually convince one of being native, nor do any of the ceremonial activities trick for one second.
Dorothy Lamour, although an exquisitely beautiful actress, does not resemble an islander native, although it isn't exactly her fault.
In the same manner, some people may find this film offensive, or any of the ROAD films because they are not a true representation for any culture. But most movies made during this period simply didn't have much regard to exact details of foreign lands. And in such a brilliant comedy, it doesn't really matter.
Rating: 10/10
"Road to Singapore" was the beginning of the "Road" pictures that teamed Bob Hope, Bing Crosby, and Dorothy Lamour together in a series of films. In this one, Bing is the heir to millions but escapes the rich life and a fiancé and winds up in Singapore with Hope. There they meet Lamour, who is escaping her obsessive dance partner (Anthony Quinn). Both guys fall for her.
There are some hysterical scenes in this film, the best being the feast that the three attend toward the end of the movie. Hope and Crosby have obvious chemistry, and in later films, this would lead to more hijinks. Have to add that the young Bob Hope was pretty darn cute. Crosby sings beautifully, as does the exotic-looking Lamour. According to Lamour's autobiography, they apparently had a blast making these films. It shows.
There are some hysterical scenes in this film, the best being the feast that the three attend toward the end of the movie. Hope and Crosby have obvious chemistry, and in later films, this would lead to more hijinks. Have to add that the young Bob Hope was pretty darn cute. Crosby sings beautifully, as does the exotic-looking Lamour. According to Lamour's autobiography, they apparently had a blast making these films. It shows.
I love the "Road" series (I've seen all except "Zanzibar"), and I'm glad that someone saw the potential to become a great series that "Road to Singapore" had. I might not have seen this potential from the first film; the jokes were weaker and sparser than some of their later work. But many of the jokes were funny, and they even worked some drama in there, something missing from their later films; you can decide for yourself if this is a good thing or a bad thing. It's worth checking out, but see "Morocco" and "Utopia" first (and maybe "Zanzibar").
The first "Road" picture remains, in my opinion, about the best. While there's not quite as much zaniness as the rest of the films in the series, there is a solid story, and a surprisingly good bit of acting by Bob Hope in the film's more serious scenes. Plus the soundtrack has a lot of entertaining music to offer, especially "You're Too Romantic." Lots of fun from beginning to end!
Did you know
- TriviaAfter Fred MacMurray and George Burns turned down the chance to make this film, producer Harlan Thompson offered it to Bob Hope and Bing Crosby. Thompson had seen the pair clowning on the Paramount lot, and it seemed to him that they got along well.
- GoofsIn one of the opening shots of the ship coming into port, the smoke from factories along the shore is moving backwards into the smokestacks.
- Quotes
Joshua 'Josh' Mallon V: If the world was run right, only women'd get married.
Ace Lannigan: Yeah. Hey, could they do that?
- ConnectionsFeatured in Bing Crosby and Fred Astaire: A Couple of Song and Dance Men (1975)
- SoundtracksFaithful Forever
(1939) (uncredited)
Music by [Ralph Rainger] and [Leo Robin]
Played in the score during Josh's engagement party
- How long is Road to Singapore?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Road to Singapore
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 1.37 : 1
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