La tempête qui tue

This was certainly one of the most dramatic, stirring and memorable movies I have seen, and I watch A LOT of movies. It cuts deep by hitting close to home...the family, subtly inferring how even strong families with great values can be divided by changing ideas in politics or even religion. Before this movie, I wondered how Hitler could make everyone blindly follow him SO obsessively. What magic did Hitler have over these people? We saw MILLIONS in news clips with their arm in the air claiming "HEIL (sp?) Hitler!" After seeing this movie, I understand more. Not everyone agreed with Hitler's beliefs, but those who didn't were ostracized, imprisoned, beaten, or tortured. MANY WERE FORCED TO COMPLY, and immediately attacked if they didn't comply with the songs, the salute, or even spoke against Hitler. Europeans in the 30's didn't have the opportunity to move and get away from a dangerous environment the way we do now, and people then did trust the words of leaders more and follow more blindly. It was a different age; a different way of thinking, and someone was brave enough to make this movie to show how deep beliefs CAN tear families apart. Hitler had influence over a lot of the people, but promoted ideas such as violently cleansing the country of anyone who was different or who thought differently, so those who did follow Hitler bullied those who didn't. Some stayed strong with their own values and paid with their lives, others stayed strong by just faking submission, knowing that soon it would pass and they would live through it. There is not as much violence or other atrocities like new movies, but I would say "not for the (emotionally tender) faint of heart". It's a story of the Germans and how they were affected; no scenes of the holocaust here. Maybe because in 1940 so few people realized the horrors that were really going on, or maybe the filmmaker wanted to show the effect this had on the Germans, since little has been produced from that angle. If we don't study history, history will repeat itself, and I can easily see this situation happening again with other groups of people in the next few years. I actually feel privileged to have seen it, in order to understand politics and human nature and how Nazism could have affected people in WWII.

There are two things about THE MORTAL STORM that make it unusual. First, it comes from MGM, primarily known as the studio that produced glossy technicolor musicals. Secondly, the entire cast have roles that are unusual for their persona.

Take, for example, all American Robert Young and Robert Stack as dedicated Nazis. Or Frank Morgan as a German professor in a highly dramatic role. Or Bonita Granville in one of her first near-adult dramatic roles. Or Dan Dailey before he became known principally as a musical star. Like several other films of this period (Escape, Nazi Agent, To Be Or Not To Be, The Great Dictator, Berlin Correspondent), it treats the subject of the approaching storm of Nazism with both conviction and emotional power.

Tension builds once it becomes apparent that Margaret Sullavan (as Morgan's daughter) and James Stewart must leave their homeland to escape the Nazi menace that has slowly penetrated their village. The finale with the ski scenes of the two escaping down a mountain slope is played for maximum suspense as they flee to freedom in Austria.

Produced on a handsome scale with realistic looking winter locations and featuring splendid performances from Margaret Sullavan, James Stewart, Robert Young, Frank Morgan, Robert Stack, Bonita Granville and Maria Ouspenskaya, it is guaranteed to keep you absorbed until the very end.

Margaret Sullavan and James Stewart give their usual earnest performances but it's the superior script and Frank Borzage's expert direction that really counts here. Well worth viewing.

Powerful anti-Nazism, anti-fascism drama.

Follows the lives of a German family and their friends as Hitler comes to power in the 1930s, and the results of this change. Explores very directly the effects of Nazi rule, how freedoms are lost and the right to be different and think differently is destroyed. Shows very vividly the effect of group-think/mob-think and the cult of personality.

Yes, it was made during World War 2, so is to some extent a propaganda movie. However, the themes explored can be applied to any fascist country.

Can be compared to Charlie Chaplin's "The Great Dictator", which was released in the same year. While Chaplin used satire and comedy to mock the Nazis, this movie is pure drama, and stands alongside The Great Dictator in exposing the evil that was Nazism.

If you are a true fan of human drama and don't need high-tech or low-brow eye candy to entertain and move you than this film is a must see. Although it's hard to believe Jimmy Stewart as a German, (he makes no attempt at an accent) the story is utterly compelling. The movie is ell balanced with moments of suspense, romance, tension brutality, and levity. The most refreshing aspect is the lack of gratuitous sex and violence. I love watching a film that conveys violence, love and hatred without excessive or graphic images. It's set in a university town in the German Alps along the Austrian border. It chronicles the rise of the Nazi ethic as seen through the eyes of a Professor, his children and their friends. It gives raw insight into the indoctrination of Nazi youth. It is a great story of love, suffering and cruelty. You will not be disappointed.

Things we take for granted such as freedom to think as we believe and to express those thoughts were snatched away abruptly from the German people in 1933 when Adolph Hitler was "elected" chancellor of Germany. Freedom was replaced by the New Order and as most people know, millions of people were murdered simply because they didn't fit the racial "norms" or accept the dictates of what the government said one should believe,

It's 1933 and Professor Viktor Roth (Frank Morgan) lives with his wife, 2 step sons, daughter and young son in a comfortable home in a university town in the Alps. Although the word is never mentioned, it is clear Professor Roth is Jewish and his life becomes endangered when the Nazis take over. While his 2 stepsons join the party, as does Fritz, his daughter's fiance (played by Robert Young), his daughter and their old family friend Martin (played by Jimmy Stewart) defy the common tide and resist joining the party. And it is Jimmy Stewart who expresses it best - by saying freedom to believe as a person wants to is food and drink to him. And it turns out, it's food and drink to Freya Roth (played by Margaret Sullavan), the young daughter to whom he is attracted. She breaks her engagement to Fritz and escapes -- or tries to -- with Martin. He had already fled to still free Austria while helping a Jewish school teacher escape.

This movie says much about what we take for granted - the sacredness of the right to act, believe, speak and think as a person wishes to, unencumbered by government dictates or threats. These gifts are precious and we have no idea just how precious until they are threatened. If, God forbid, that should ever happen, it is only hoped we have the same courage as young Freya and Martin.

This movie is compelling in a quiet way. There are no shoot 'em ups, no gory prison or execution scenes, no barbarity is shown. But it is there nevertheless and perhaps that is what makes the viewer keep watching. The only drawback is that it was written in 1940 so viewers back then don't really know the ending because the war had another 4 y ears to go and victory was by no means certain in 1940. The U.S. hadn't entered the war yet but word was leaking out as to what was really going on in Germany at the time. It's a shame more people didn't listen and that more people didn't pay attention to the message delivered in such a subtle way in this movie.