Murder Over New York

This film is about a deadly poison that is contained in small glass globes that is used to kill. This is apparently done to hide an espionage ring intent on stealing plans for a new American bomber. Now much of this plot was repeated in other Chan films, THE JADE MASK and THE DOCKS OF NEW ORLEANS. Additionally, it was first used in MR. WONG, DETECTIVE--all had the exploding glass globes--a plot element that obviously has been overused. It was interesting in MURDER OVER NEW YORK, but by these later films it was rather passé.

Fortunately, the rest of the film was fresh and the plot worked out very well--with a nifty conclusion where, of course, the culprit reveals himself. However, no plane could fly the way this one did--especially in 1940. Such extreme dives and rapid ascents were pretty silly out of this already obsolete plane.

By the way, in a small role as a porter you'll see Frank Coghlan Jr.--the same actor who played Billy Batson in the CAPTAIN MARVEL serial. According to IMDb, Mr. Coughlan is 93 years old and retired from the film industry.

This Charlie Chan mystery is a misnomer. There is no Murder Over New York, but not for lack of trying. And the attempt is made at the climax of the film so that Sidney Toler can get the murderer of three people to give himself away.

Toler and number two son Victor Sen Yung are in New York for a police convention and Toler runs into a former Scotland Yard colleague Frederic Worlock who is on the trail of an international spy. Later on Worlock is found dead. Two other murders are committed.

Note the presence of a lot of Hollywood's British colony here. Some are suspects, some are not. A whole lot of the cast has played villains in other films so that affords you no clue. The ultimate mastermind is someone who has played some incredibly slimy bad guys on screen.

Quite a curve gets tossed us toward the end as all the suspects are put in a plane and are meant to be killed. Of course they're not as Charlie Chan gets his man.

One of the best of the Sidney Toler Chan films.

Charlie Chan flies in to New York for the big police convention. His flight lands, he's greeted by old friend Inspector Vance (Donald MacBride), and who should come rushing out onto the runway but—Jimmy Chan?

Sidney Toler and Sen Yung are excellent as always as Pop Chan and Number Two Son. Jimmy, it turns out, has come to New York with a college buddy to see the World's Fair—he figured he could ask permission once he got there.

The Chans are soon on a case, this one jump started—as is frequently the case—by the murder of a fellow detective. Their investigation delves into the suspicious crash of a newly designed airplane, a deadly supply of poison gas pellets, and the usual assortment of suspicious characters.

Donald MacBride offers good support as the police detective who looks to Mr. Chan for guidance and is even impressed with Jimmy Chan's detecting abilities. (The elder Chan is dubious but resigned: "Aid from number two son like interest on mortgage…impossible to escape.")

Ricardo Cortez is an executive with the company building the new planes; Kane Richmond an engineer; Robert Lowery and Marjorie Weaver a frightened young couple; and Joan Valerie (who had just appeared in a different role in the previous Chan movie) an actress mixed up in it somewhere. —No shortage of familiar faces for B movie fans, that's for sure.

It's a nicely worked up plot, and the couple of action sequences are well staged and exciting. The series was really rolling along at this point—and this entry is no disappointment.

Charlie Chan (Sidney Toler) is headed to a police convention in New York City when he reconnects with an old colleague on the plane ride. The old friend is now working for British military intelligence in the war effort, and he tells Charlie that he's on the trail of saboteurs after bomber planes. When Chan's buddy ends up murdered, Charlie takes on the case.

This Chan entry, the last of four released in 1940, has a few unusual characteristics. The most obvious is dropping the "Charlie Chan" name from the title. In fact, even in the opening credits Toler's name is listed last. Director Lachman had helmed Charlie Chan at the Circus back in 1936, and his return to the series sees some distinctive visual touches, like a more mobile camera; heavy (if at times corny) use of shadows, with menacing disguised figures lurking behind our hero; and lots of close-ups of actors giving suspicious looks. It's enjoyable if one doesn't take it too seriously, but it can seem almost comical. The cast is good, although Cortez is wasted.

Though I have certainly seen more than my share of movies in my lifetime, I have to admit that "Murder Over New York" is my very first Charlie Chan movie. One reason why I put off seeing any Charlie Chan movies for a long time was that I found the idea of a Caucasian playing an Asian to be insulting. While I would have preferred an Asian to play Charlie Chan (and wished that Chan would have spoken fluent English), I have to admit that Sidney Toler gave a warm and likable performance as the detective. And I was pleased to see that his character was treated with respect and likability by his policeman peers and other characters. As for the rest of the movie, it's in large part a fairly standard 1940s murder mystery, but it does keep you guessing for a long time, and at 65 minutes it doesn't overstay its welcome. And in the end, it was entertaining enough for me that I will give another Charlie Chan movie a chance in the future should one cross my path again.