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Mad Youth

  • 1939
  • Approved
  • 1h 16m
IMDb RATING
4.9/10
318
YOUR RATING
Mad Youth (1939)
Watch Official Trailer
Play trailer1:03
1 Video
15 Photos
Drama

A rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prost... Read allA rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.A rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.

  • Director
    • Melville Shyer
  • Writer
    • Willis Kent
  • Stars
    • Mary Ainslee
    • Betty Compson
    • Willy Castello
  • See production info at IMDbPro
  • IMDb RATING
    4.9/10
    318
    YOUR RATING
    • Director
      • Melville Shyer
    • Writer
      • Willis Kent
    • Stars
      • Mary Ainslee
      • Betty Compson
      • Willy Castello
    • 19User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:03
    Official Trailer

    Photos14

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    Top cast26

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    Mary Ainslee
    Mary Ainslee
    • Marian Morgan
    Betty Compson
    Betty Compson
    • Lucy Morgan
    Willy Castello
    Willy Castello
    • Count DeHoven
    Betty Atkinson
    • Helen Johnson
    Tommy Wonder
    Tommy Wonder
    • Harry
    Lorelei Readoux
    • Beth
    Margaret Fealy
    Margaret Fealy
    • Helen's Grandmother
    Donald Kerr
    • Taxi Driver
    Ray Hirsch
    • Jitter Bug
    Patti Lacey
    • Jitter Bug
    Eugene Taylor
    • Jitter Bug
    Caren Marsh
    • Jitter Bug
    • (as Aileen Morris)
    Maxine Taylor
    • Jitter Bug
    Pearl Tolson
    • Jitter Bug
    Monte Collins
    • Stewart - Singing Bridge Player
    • (as Monty Collins)
    Brooks Benedict
    Brooks Benedict
    • Party Guest
    • (uncredited)
    Steve Clemente
    Steve Clemente
    • Knife-Thrower in Club Act
    • (uncredited)
    Glen Dennison
    • Jitter Bug
    • (uncredited)
    • Director
      • Melville Shyer
    • Writer
      • Willis Kent
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews19

    4.9318
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    Featured reviews

    7AAdaSC

    Mad, just so mad

    Nothing really mad going on here at all, of course, apart from the heavy-handed moralizing as delivered by gigolo Count Willy Castello which will have you laughing out loud. And that is the point of these type of films - they are unintentionally hilarious in parts. It's what makes them good entertainment.

    The story starts with Betty Compson (Lucy) phoning up for an escort as usual. On this evening she gets Willy Castello and she is not shy in coming forward! She takes him home where they meet up with her daughter Mary Ainslee (Marian). Big mistake. Castello takes a shine to the daughter and they start dating behind the mum's back. Ha ha. This must have happened so many times in real life. Well, the youth party and dance away but there is a new storyline introduced when Ainslee's best friend Betty Atkinson (Helen) absconds from home in response to an advert. The reality is that she has become a prossie and Ainslee unknowingly gets caught up in her plight when she pays her a visit. We need a hero to come and save them.

    Meanwhile, Compson ends the film as she started it - by calling up an escort/gigolo to spend her evening with. She really has got life sussed. A good role model.
    5planktonrules

    For a sleazy exploitation film, this is a cut above the rest!

    This is a sleazy little film about "white slavery"--in other words, women forced into prostitution. While the budget was obviously very low and the production values low, this film actually was pretty watchable due to decent writing--as the plot often surprised me and wasn't completely telegraphed (something usual for the genre). Oddly, while the writing isn't bad, portions of the film look like a second-rate talent show, as various acts (some good, some bad) parade through two scenes that are largely irrelevant. In the first one, there are two excellent jitterbug dancers (this makes sense at a "wild party") and a drum major (huh??!?!). Later, it's pretty much the same.

    The plot itself concerns a very vain and stupid mother who is too busy running around with male escorts (the real type, not male prostitutes). Her favorite male escort begins dating her daughter on the sly and you assume he's up to no good--especially since she seems pretty "fast". However, where the film goes next and the actual character of this man was very unexpected--making this very low-budget film worth a peek. Aside from a few poor performances and the odd talent show portions, it's a pretty good suspense film about the seamier side of life.

    By the way, for an exploitation film, this one does NOT have any nude scenes--the plot is rather adult and there are some women in lingerie but that's really about all.
    6wes-connors

    In the Mood for the Forties

    Shapely sweater-clad Mary Ainslee (as Marian Morgan) enjoys wild nights partying while "lonesome" mother Betty Compson (as Lucy) prefers quieter evenings playing bridge with "dedicated and refined" gigolos like accented immigrant Willy Castello (as "Count" DeKoven). With her alimony check spent, Ms. Compson can't afford the extra charge for Mr. Castello's "love" on their first date, but future funds mean "necking" sessions. Then, when Castello meets Ms. Ainslee, both mother and daughter desire the same man. Are Castello's intentions good, or "strictly dishonorable?"

    "Mad Youth" takes an unexpected turn for a last act, after skirting with some actual depth. The performances of Ainslee and Compson become quite good, and intriguingly natural. It's nice to see women portrayed as interested in sex (for a change). After the rival mother and daughter share a marvelous scene, the story returns to its lurid roots. The dissolve and double exposures used for Ainslee's "drunk scene" and Compson's discovery of her daughter's diary are well done. The uninhibited dancing of Tommy Wonder and the "Jitter Bugs" is another highlight. Watch for the slinky blonde prostitute to stand in front of a revealing lamp, and one of the fighters to split his pants, in the film's final minutes.

    ****** Mad Youth (5/5/40) Melville Shyer ~ Mary Ainslee, Betty Compson, Willy Castello, Tommy Wonder
    3dwpollar

    Mediocre drama about a battling mother and daughter...

    1st watched 2/19/2007 - 3 out of 10(Dir-Melville Shyer): Mediocre drama about a battling mother and daughter over the affections of a gigolo named "Count." Advertised as an exploitation movie about the horrors of youth but instead it's just a run-of-the-mill romance where it just happens that the mother and daughter are the competitors. The mother is trying to live out her youth all over again by hiring young escorts to take her to wonderful places but one young suitor is more impressed with her daughter. After a spat, the daughter decides to move out and hooks up with an old friend of hers who happens to be trapped in a brothel. The "Count" then comes to the rescue and the rest is cinema history(kind of…)!! This is a very bland drama with professional dancing thrown in to keep us entertained around the silly story. The problem is that the dancing is better than the story, so I guess they should have made the movie around them instead of using them as window-dressing. Of course, that would have been a different movie but possibly a better one.
    5SnoopyStyle

    not good enough

    Lucy lives with her rich divorcee mother Marian Morgan. Marian hires male escort Count DeHoven, but he has a fling with Lucy instead. Lucy's friend Helen got kicked out of her home and intends to marry. Marian is tired of her daughter's partying and jealous of her youth. Marian sends her to live with her father. She heads off to stay with Helen instead.

    The filmmaking is poor. The acting is mostly stiff and average at best. I'm not sure about the intention. It is a B-movie. One can argue that it's better than most B-movies. That's not a high bar to clear. I am engaged enough to stay with the story and there are some fun dance scenes. In the end, this is not good enough.

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Orchestra and all acts by courtesy of La Golondrina Cafe, Los Angeles.
    • Quotes

      Count DeHoven: You mean to tell me you let your daughter go and visit Helen without even knowing where she lives?

      Lucy Morgan: Well, yes. She said she'd write in a few days.

      Count DeHoven: But all we know about Helen is that she ran away to marry a man she had never seen. A man she met through a matrimonial agency advertisement.

      Lucy Morgan: Yes, I... I guess that is so.

      Count DeHoven: Don't you know that some of those agencies are the worst kind of traps? That many of the customers are criminals, morons, white slavers, or people who are mentally or physically diseased?

      Lucy Morgan: Oh, I've never given it a thought.

      Count DeHoven: Oh, you American mothers, with your Bridge parties, and beauty shops, and your silly flirtations. Wasting your lives and neglecting your duties. Letting your children run wild for lack of sensible parental supervision.

      Lucy Morgan: Oh, you don't know American children. They're spoiled and disobedient, and drunken.

      Count DeHoven: Drunken? Yes, drunk with the exuberance of youth and sheer joy of living. There's nothing really wrong with the children of today. Nothing that proper environment and congenial home life wouldn't correct.

      Lucy Morgan: What do you expect us modern mothers to do?

      Count DeHoven: Quit trying to be butterflies. Get back to the business of being mothers, like your mother, and your grandmother, and generations of mothers before them.

    • Connections
      Edited into Confessions of a Vice Baron (1943)
    • Soundtracks
      I'd Rather Be a Bum on Broadway Than an Angel in the Sky

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    Details

    Edit
    • Release date
      • May 5, 1940 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Girls of the Underworld
    • Production company
      • Willis Kent Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 16m(76 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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