A rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prost... Read allA rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.A rich society mother hires a male escort, but he falls for her daughter instead. The mother-daughter conflict forces the daughter to run off to stay with a friend who is enslaved by a prostitution ring.
- Jitter Bug
- (as Aileen Morris)
- Stewart - Singing Bridge Player
- (as Monty Collins)
- Party Guest
- (uncredited)
- Knife-Thrower in Club Act
- (uncredited)
- Jitter Bug
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The story starts with Betty Compson (Lucy) phoning up for an escort as usual. On this evening she gets Willy Castello and she is not shy in coming forward! She takes him home where they meet up with her daughter Mary Ainslee (Marian). Big mistake. Castello takes a shine to the daughter and they start dating behind the mum's back. Ha ha. This must have happened so many times in real life. Well, the youth party and dance away but there is a new storyline introduced when Ainslee's best friend Betty Atkinson (Helen) absconds from home in response to an advert. The reality is that she has become a prossie and Ainslee unknowingly gets caught up in her plight when she pays her a visit. We need a hero to come and save them.
Meanwhile, Compson ends the film as she started it - by calling up an escort/gigolo to spend her evening with. She really has got life sussed. A good role model.
The plot itself concerns a very vain and stupid mother who is too busy running around with male escorts (the real type, not male prostitutes). Her favorite male escort begins dating her daughter on the sly and you assume he's up to no good--especially since she seems pretty "fast". However, where the film goes next and the actual character of this man was very unexpected--making this very low-budget film worth a peek. Aside from a few poor performances and the odd talent show portions, it's a pretty good suspense film about the seamier side of life.
By the way, for an exploitation film, this one does NOT have any nude scenes--the plot is rather adult and there are some women in lingerie but that's really about all.
"Mad Youth" takes an unexpected turn for a last act, after skirting with some actual depth. The performances of Ainslee and Compson become quite good, and intriguingly natural. It's nice to see women portrayed as interested in sex (for a change). After the rival mother and daughter share a marvelous scene, the story returns to its lurid roots. The dissolve and double exposures used for Ainslee's "drunk scene" and Compson's discovery of her daughter's diary are well done. The uninhibited dancing of Tommy Wonder and the "Jitter Bugs" is another highlight. Watch for the slinky blonde prostitute to stand in front of a revealing lamp, and one of the fighters to split his pants, in the film's final minutes.
****** Mad Youth (5/5/40) Melville Shyer ~ Mary Ainslee, Betty Compson, Willy Castello, Tommy Wonder
The filmmaking is poor. The acting is mostly stiff and average at best. I'm not sure about the intention. It is a B-movie. One can argue that it's better than most B-movies. That's not a high bar to clear. I am engaged enough to stay with the story and there are some fun dance scenes. In the end, this is not good enough.
Did you know
- TriviaOrchestra and all acts by courtesy of La Golondrina Cafe, Los Angeles.
- Quotes
Count DeHoven: You mean to tell me you let your daughter go and visit Helen without even knowing where she lives?
Lucy Morgan: Well, yes. She said she'd write in a few days.
Count DeHoven: But all we know about Helen is that she ran away to marry a man she had never seen. A man she met through a matrimonial agency advertisement.
Lucy Morgan: Yes, I... I guess that is so.
Count DeHoven: Don't you know that some of those agencies are the worst kind of traps? That many of the customers are criminals, morons, white slavers, or people who are mentally or physically diseased?
Lucy Morgan: Oh, I've never given it a thought.
Count DeHoven: Oh, you American mothers, with your Bridge parties, and beauty shops, and your silly flirtations. Wasting your lives and neglecting your duties. Letting your children run wild for lack of sensible parental supervision.
Lucy Morgan: Oh, you don't know American children. They're spoiled and disobedient, and drunken.
Count DeHoven: Drunken? Yes, drunk with the exuberance of youth and sheer joy of living. There's nothing really wrong with the children of today. Nothing that proper environment and congenial home life wouldn't correct.
Lucy Morgan: What do you expect us modern mothers to do?
Count DeHoven: Quit trying to be butterflies. Get back to the business of being mothers, like your mother, and your grandmother, and generations of mothers before them.
- ConnectionsEdited into Confessions of a Vice Baron (1943)
- SoundtracksI'd Rather Be a Bum on Broadway Than an Angel in the Sky
Details
- Release date
- Country of origin
- Language
- Also known as
- Girls of the Underworld
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 16m(76 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1