L'île des damnés

Island of Doomed Men (1940)

*** (out of 4)

Nice little "B" picture from Columbia has a secret agent (Robert Wilcox) convicted of a crime he didn't commit but it's all good because he gets sent to an island, which he was about to investigate. On the island he and other men are forced into hard labor by the wicked owner (Peter Lorre) but soon the agent and the owner's wife (Rochelle Hudson) have their own plans for escape. If you're a fan of "B" movies or Lorre then you're going to find a whole lot to enjoy in this fast paced thriller that is pretty much fun from start to finish. What works best here is of course the performance of Lorre who you just can't help but love to hate. He brings so much evilness to his character that there really isn't an actor in history who could do it better. That mono voice, the wicked eyes and the coolness of the evil has never been topped and it's a lot of fun to watch here. The island setting will remind one of THE MOST DANGEROUS GAME and the prison stuff is certainly ripe for something we'd have seen the decade earlier in various Warner films. Wilcox makes for a good, strong supporting player and we also have Don Beddoe and George E. Stone delivering good performances. Barton is best known for his future Abbott and Costello films but he does some nice work here and keeps the film moving at a very good pace. There are many good scenes here but one of the best has to be the scene where we learn Lorre's character is terrified of a little monkey owned by the cook.

Island Of Doomed Men has Peter Lorre in the lead as the lord and master of his own private island where he has convict labor assigned there and has them digging for diamonds.

It doesn't look like the men are finding a lot of diamonds, but Lorre is sure living well, complete with trophy wife in Rochelle Hudson.

In a rather stupidly handled plot Robert Wilcox plays a government agent sent to investigate. He's convicted on a real murder charge though. I attribute the clumsy handling to some bad editing.

Not a great picture, but Lorre carries the whole thing with a Doctor Moreau like character. He may not be doing experiments on animals, but he's sure getting his jollies.

Peter Lorre fans will like this.

The basic story of Island of Doomed Men seems to be based on the true story of Narvassa Island. The main difference was in real life, the men were mining guano, not diamonds and they were black contract workers from the Balitmore area, not paroled convicts. Like in the movie, the men were treated brutally like slaves. This eventually led to an uprising with several of the overseers murdered. Some of the black workers were then put on trial for murder but when the true story of what was allowed to occur was publicized, they were pardoned by President Harrison. Narvassa Island, located between Cuba and Haiti, was designated a wildlife refuge in the 1990s.

Island of Doomed Men is directed by Charles Barton, written by Robert D. Andrews and features cinematography by Benjamin Kline. It stars Peter Lorre, Rochelle Hudson and Robert Wilcox.

Federal agent Mark Sheldon (Wilcox), by a strange quirk of fate, is framed for murder and sentenced to serve time on the Pacific Island penal colony he was to investigate anyway! Once there he finds harsh conditions and the camp run by a sadistic task master named Stephen Danel (Lorre). Catching the eye and befriending Danel's beautiful wife, Lorraine (Hudson), herself a prisoner of Danel's tyrannical behaviour, Sheldon knows he must act quick if he is to survive the Island of Doomed Men!

Neither good nor bad, Barton's film is standard fare that features strong themes fighting to impact during the relatively short running time (just under 70 minutes). Much of it is a sweaty prison drama driven by Lorre doing another one of his insane antagonist portrayals. Within the narrative is sadism, spouse and animal abuse, bondage and corruption of power, but these are just shards of potency in an otherwise very talky piece. Performances around Lorre are adequate and Barton and Kline have a decent eye for mood via the black and white photography.

Not very memorable and not nearly as throat grabbing as thematics suggest it could have been, but enjoyable while it's on and certainly one for Lorre completists. 6/10

G-Man Robert Wilcox goes "undercover" as "Mr. Smith" to expose brutal conditions on an island -- somewhere in the Pacific Ocean? -- where paroled men perform slave-labor in a mine owned by Peter Lorre. In the process, Wilcox falls in love with Lorre's wife, Rochelle Hudson, who's just as much a prisoner on Dead Man's Island as he is. Timed to run just over an hour, this tightly-constructed B-movie is a fine example of its genre -- brisk, efficient, and always entertaining, though it does take awhile to actually reach the island in question. As expected, Lorre dominates the proceedings with one of his trademark performances in which he manages to be both creepy and cultured, smooth and sadistic. He even adds a homoerotic undertone to his scenes with Robert Wilcox, particularly the one in which he watches a shirtless Wilcox being bound to a post in preparation for a late-night flogging. "Don't overdo it, Captain," Lorre warns the man with the whip. "There's a lot Mr. Smith ought to tell me and he may want to tell me before you finish. Oh, and be sure that he's able to work tomorrow." Curiously, Lorre departs the scene before the whip starts cutting into Wilcox's back, but you can be sure he'll derive a great deal of pleasure in thinking over the young man's pain and suffering. Incidentally, this is one of the few movies, (along with "Damn the Defiant!"), in which two men are given separate floggings during the course of the story. Earlier in the movie, Lorre oversees the flogging of a prisoner played by Stanley Brown. It's Wilcox's flogging, however, that is of real interest. Along with Alan Ladd's meeting with a cat-o'-nine-tails in "Two Years Before the Mast," this scene qualifies as one of Hollywood's most memorable floggings of the 1940s and it ranks 16th in the book, "Lash! The Hundred Great Scenes of Men Being Whipped in the Movies." Wilcox, of course, looks much too strong, determined, and virile to faint dead away after just fourteen blows with a whip, but his loss of consciousness provides a convenient way for the scene to come to an end.