Irène

OK--must confess that I have not seen the entire movie; only saw the last 40 minutes or so, and look forward to getting to see the whole thing soon (which is why I didn't vote yet, though what I saw of it would rate an eight or nine). It is one of those sweet, charming (without cloying--it has some wit to it) movies RKO did so well (Ginger Rogers' 5th AVENUE GIRL is another I recently saw--thank goodness for Turner Classic Movies).

Towards the end of this movie, Ray Milland's character discovers Anna Neagle's Irene dancing by herself, lost in thought and emotion. He and we watch, unperceived by Irene, and the dance was an unexpected delight. While the choreography could have used more variation (certain moves are repeated too much, and some of them have her shoulders up more than is ideal), Anna N. proves herself a graceful, expressive dancer; I hope to see more of her dancing, if it exists in films. The beginning of the dance also uses subtle slow-motion to good effect, which it occurred to me I haven't seen often, if at all, in musicals from this era. I wonder why that wasn't used more, as it would seem to be a relatively easy effect to employ. Anyway, I recommend IRENE, and look forward to taking my own recommendation to see the rest of it soon.

"Irene" is very entrancing screen version of Joseph Tierney and Harry McCarthy's 1919 stage musical, glossily directed and produced by Herbert Wilcox. I happened to catch it the other night, and I loved it. I was entranced by the charm of the actors -- and the songs, while not first-rate, are quite pleasing. Anna Neagle stars as whimsical Irish sales girl Irene O'Dare who is introduced into Long Island's high society culture, and becomes infatuated with two suitors, Ray Milland and Alan Marshall. Billie Burke plays their mother who becomes impressed with Irene, turns her into a celebrity sensation in "Madame Lucy" dress collection. May Robson is very memorable as the irrepressible Granny; so is Roland Young as Milland's partner in business. The highlight is the sumptuous ball sequence shot in Technicolor, "Alice Blue Gown", where Irene, dressed in blue, is waltzing with Milland in a very tuneful number. The other songs include, "You've Got Me Out on a Limb", "There's Something in the Air", "Worthy of You", and "Irene". Enjoyable stuff.

This is the film version of a play that premiered more than twenty years earlier (1919), and boy does the story show its age! The title character is so good-golly-gosh wholesome you'll either want to laugh or just haul off and smack her. This being my first introduction to Anna Naegle, I can only hope it was the character and not a limited acting range. She's the anti-femme-fatale, and that could not have been good for her career in the coming years in Hollywood.

That being said, it's not such a bad little film with pros like Ray Milland and Billie Burke in the cast. The opening credits with marionettes flipping cue cards is cute, but it sets a more comedic tone than this film can deliver. I will say it is fun checking out the fashions of the era, not to mention the interior designs, and the story touches on class differences without the film really making any kind of statement about them. It may be a little too-cute for its own good, but it's worth a look if you're curious.

Don Marshall (Ray Milland) is rich...really, really rich. And he's met a nice young lady, Irene (Anna Neagle) and wants to see her happy and successful. So, he buys a fancy fashion studio and gets her hired as one of their models...and she has no idea that Don is helping her not that he is 'Madame Lucy', the 'lady' who owns the shop! Soon, Irene goes from a poor working girl to the rage of society, as there is a mix up and folks think she's related to some rich O'Dare family back in Ireland. In the meantime, one of Don's friends, Bob (Alan Marshall) has also fallen for Irene. Who will end up with her at the end?

This is a mildly enjoyable comedy-romance. Nothing stands out other than the acting, though the film is an enjoyable time-passer. Nice...but that's about it.

Very glad I caught this old-timer. I am a fan of musicals, especially good ones, and this one was good. It is also old and was on Broadway in 1926, according to the website. According to Maltin, most of the music of the original has been left out, but what remains was very good; The title song, "Alice Blue Gown" and especially a number I never heard of before, "You've Got Me Out On A Limb", a lame title but very tuneful. The 'Alice' number was done several times, including a jitterbug version by an all-black ensemble, which was bizarre. The plot, in a nutshell, was a lovers triangle, between Ray Milland, Anna Neagle and Alan Marshal and they were ably supported by some of Hollywood's best second line actors, May Robson, Roland Young and Arthur Treacher among them. It is a musical with some light comedy and the whole effect was enchanting, to dust off an old-fashioned word. Do yourself a favor next time it's on - it's worth your time if you're a fan of 'charming old musicals'.