Irène

Don Marshall (Ray Milland) is rich...really, really rich. And he's met a nice young lady, Irene (Anna Neagle) and wants to see her happy and successful. So, he buys a fancy fashion studio and gets her hired as one of their models...and she has no idea that Don is helping her not that he is 'Madame Lucy', the 'lady' who owns the shop! Soon, Irene goes from a poor working girl to the rage of society, as there is a mix up and folks think she's related to some rich O'Dare family back in Ireland. In the meantime, one of Don's friends, Bob (Alan Marshall) has also fallen for Irene. Who will end up with her at the end?

This is a mildly enjoyable comedy-romance. Nothing stands out other than the acting, though the film is an enjoyable time-passer. Nice...but that's about it.

Very glad I caught this old-timer. I am a fan of musicals, especially good ones, and this one was good. It is also old and was on Broadway in 1926, according to the website. According to Maltin, most of the music of the original has been left out, but what remains was very good; The title song, "Alice Blue Gown" and especially a number I never heard of before, "You've Got Me Out On A Limb", a lame title but very tuneful. The 'Alice' number was done several times, including a jitterbug version by an all-black ensemble, which was bizarre. The plot, in a nutshell, was a lovers triangle, between Ray Milland, Anna Neagle and Alan Marshal and they were ably supported by some of Hollywood's best second line actors, May Robson, Roland Young and Arthur Treacher among them. It is a musical with some light comedy and the whole effect was enchanting, to dust off an old-fashioned word. Do yourself a favor next time it's on - it's worth your time if you're a fan of 'charming old musicals'.

The musical Irene opened in 1919 and was revived in 1973, starring Debbie Reynolds.

The basic story is the same as in this film, and similar to the 1926 film of the same name.

Irene O'Dare (Anna Neagle), on an errand for her employers, goes to the home of Mrs. Vincent (Billie Burke) and meets Don (Ray Milland), a friend of Mrs. Vincent's son Bob (Alan Marshal).

Don suggests that she try out as a model in the "Madame Lucy" dress shop. For good measure, he invests in the shop himself. However, Irene isn't sure she wants the job after the store manager makes a pass. Don fires the manager and puts in another one, Smith (Roland Young), who visits Irene at her home and asks her to work for him.

Irene is a smash hit as a model, and Smith assigns her the most beautiful gown to wear at Mrs. Vincent's charity ball. Unfortunately, some Irish stew wrecks it. Irene goes anyway, wearing a stunning blue gown that belonged to her mother, and knocks everyone's socks off.

A guest at the ball, Princess Minetti, believes Irene is related to one Lady O'Dare, and Irene doesn't correct her.

Smith decides Irene is perfect for a publicity campaign to put the dress shop on the map. He sets Irene up in a Park Avenue suite, passing her off as the niece of Lady O'Dare. This way, she will be invited to social functions and wear the shop's beautiful gowns.

When a jealous fellow model tells a newspaper columnist that Irene is really shanty Irish, all hell breaks loose.

This is a nice musical, and Anna Neagle is lovely. She was an enormous stage and screen star in Britain and even has a street named after her. She did musicals and drama up until 1985. For 15 years, she was in the top 10 of biggest British box office stars. In this she dances, sings, and acts beautifully and looks wonderful in all of the gowns.

Good cast, well directed, a pleasant musical, and a good chance to see Anna Neagle, a British treasure.

The music and dance of this musical comedy are well integrated with the story so I never got the feeling it stemmed from a 1919 show; the writers must have modified it considerably to avoid the "bursting-into-song" syndrome that was prevalent at the time, and which always bothers me. The actors are fun to watch, and some of the songs, headed by "Alice Blue Gown" are very memorable. I got a big kick out of the spoof of the Alice-Blue-Gown rage that was sweeping the country. It comes in the form of a movie called "Rex Gordon's Moviebone News" (a take-off on Movietone News, for those who are too young to know) which all the principals watch in a packed movie theater. In that film, we are treated with very heavy-set Hattie Noel in her Alice Blue Gown strutting her stuff, while other black actors and actresses, some in similar gowns, sing and dance. Three of the singers were The Dandridge Sisters, which included Dorothy Dandridge, a very pleasant surprise. The whole sequence was a pleasure to watch, despite the little screen time given to the Sisters.

Watching this delightful movie I was captivated by the beautiful Anna Neagle. While watching the early part of the movie and appreciating more and more the beauty of Miss Neagle, and the beautiful dresses she was modeling, I wished that this was a movie that they would convert to Technicolor. Lo and behold suddenly the movie becomes Technicolor and the vivid red hair and Alice blue gown come alive. Her graceful movements in the dancing and modeling are memorable. I have seen some comments that her dancing was not first class but I do not recall a more alluring dance than her solo dance on the patio near the movie's end. Unfortunately at this time the movie has reverted to black and white but this detracts little from the beautiful Anna. Of course the music is dated but this movie taken as a whole is a musical comedy classic.