Destin dans la nuit

A businessman's wife, without his knowledge, helps send him to prison to prevent him from being murdered by rivals. The plan backfires when he is sentenced to a ten year stretch.

Solid performance by George Raft as the husband and a typical tough girl performance by Joan Bennett as his wife. Some scenes were directed by Alfred Hitchcock but sadly the script, whilst containing some good dialogue, prevents this from being so much better.

If you can accept Raft's pitch to Bennett at the beginning of the movie, this is a pretty decent flic. Raft and Bennett eventually develop chemistry, and Lloyd Nolan is superbly understated as the rat. Pidgeon is not quite believable as the guy who almost gets the girl, and then finds a way to be there when Raft is no longer in the picture. It may not excatly be noir, but it is pretty good.

While Warner Brothers had nothing for George Raft to do they lent him in 1940 to Walter Wanger for an independent production that Wanger released through United Artists, The House Across The Bay. The bay is San Francisco Bay and the house is an apartment that Joan Bennett takes on Telegraph Hill that faces Alcatraz where Raft is incarcerated for what Al Capone was also there for, income tax evasion. Bennett still wants to feel somewhat connected to her man out on the island in the bay.

Right around this time Raft made the first of several career blunders in turning down some pretty good films, in this case it was High Sierra which certainly gave Humphrey Bogart a boost. So instead of doing High Sierra, Raft wound up in this rather unbelievable film.

For a guy who was supposed to be a smart gangster George Raft is one incredible fool in this one. He meets and marries Joan Bennett who was an entertainer at one of his clubs. When Raft gets shot at by some business competitors, he allows himself to take some lawyerly and wifely advice from Bennett and his lawyer Lloyd Nolan. Of course Nolan has an agenda all his own which not only includes taking Bennett from Raft, but also his money. Nolan tanks the defense and Raft winds up with ten years on the Rock for income tax evasion. I'm sure he and Al Capone must have commiserated some while there.

Bennett is loyal and true blue, but she's feeling a bit antsy and also attracted to aircraft manufacturer Walter Pidgeon whom she meets by accident. After that the plot takes some unbelievable turns.

Joan Bennett and her husband Walter Wanger were friends of George Raft, The House Across The Bay in fact was the third of four films she did with him. She also wrote the forward to George Raft's biography, The George Raft File. She described Raft as moody and temperamental and trying to break away from his gangster persona. This sure wasn't the film to do it. But that he was also a polished gentleman and proud of the fact he'd raised himself to stardom after a childhood in Hell's Kitchen in New York. She also said he was a marvelous dancer and that when Wanger and she were out on the town and met Raft at some nightclub, he would always ask Wanger for a dance with his wife. A good idea since Wanger later shot someone paying attention to Joan Bennett.

According to Bennett, Raft did walk off the film, but later did come back only to find that director Archie Mayo also walked off it just before shooting the finale. Alfred Hitchcock came in and shot the last scene with no credit as a favor.

Bennett and Raft and in fact all the cast have seen better days. They look bored with the film and Pidgeon loaned out from MGM as Raft was from Warner Brothers has little to do, but be a noble pal to Bennett. Lloyd Nolan always is good even in the worst films and Gladys George as the unofficial chairperson of a fraternity of visiting Alcatraz women is outstanding in the film. She's another one who always is.

Raft turned down High Sierra, The Maltese Falcon, and Casablanca all at Warner Brothers and instead wound up doing this. Well at least Humphrey Bogart made out fine in the deal.

Beautiful lounge singer Joan Bennett (as Brenda "Lucky" Bentley) marries racketeer businessman George Raft (as Steve Larwitt). The two are blissfully in love, but his criminal past spells T-R-O-U-B-L-E. Thinking prison will protect Mr. Raft from rival gangsters, Ms. Bennett helps the F.B.I. put him behind bars. But, she tearfully regrets it when Raft is sentenced to ten years at Alcatraz. The frame-up is engineered by Raft's sneaky aide Lloyd Nolan (as Slant Kolma), who wants Bennett for himself. She rejects Mr. Nolan and rents "The House Across the Bay" from Alcatraz, to be close to Raft. Enter Walter Pidgeon (as Tim Nolan).

Producer Walter Wanger does a wonderful job showcasing bride Bennett in this crime thriller. Bennett is stunningly presented, and acts well, too. Others in the cast are also very strong, but it would have been nice to tie Mr. Pidgeon's aviation character in with Raft's somehow - perhaps as a wronged business partner or old acquaintance. Boozy blonde Gladys George (as Mary) lends notable support. Director Archie Mayo and photographer Merritt Gerstad do an excellent job - the three prison meeting scenes are marvelously staged - with help from assistant directors Charles Kerr and Alfred Hitchcock.

******* The House Across the Bay (3/1/40) Archie Mayo ~ Joan Bennett, George Raft, Lloyd Nolan, Gladys George

Steve (raft) is a gangsta, who runs a speakeasy. But when he gets sent off to alcatraz, brenda (joan bennett) is determined to stick by him. Until she starts spending time with businessman tim nolan. So steve busts out. But where will they go? They have no money, no plan. No spoilers here. Lots of action in the first half. Big buildup, then an abrupt ending. All of sudden. It's watchable. Entertainment... from the film production code age. Lots of footage of san francisco, the bridges, alcatraz. Smaller roles for lloyd nolan, walter pidgeon, june knight. Directed by archie mayo. He had done petrified forest. Bennett would later marry producer walter wanger.