Half a Sinner

Comedy noir would seem to be a contradiction in terms, but there are in fact movies in this vein that deserve serious attention, particularly The Ladykillers (1951). A much lesser entry, however, is Universal's 1940 release, Half a Sinner, in which a none-too-flatteringly photographed and costumed Heather Angel is pursued not only by comic cops and comic crooks but by smiling bland man, John King. The second last of over 400 films (many of them shorts) directed by comedy giant, Al Christie, this Trouble with Harry/Midnight Manhunt effort is somewhat repetitious but pleasant enough to talk during and even come late for. The players do what they can with their something-borrowed (cf. the overcoat device in Manhattan Melodrama), something-thin material, but only Clem Bevans, Tom Dugan, William B. Davidson and ever-reliable Constance Collier really shine.

Prim and proper schoolteacher Anne Gladden (Heather Angel) is a paragon of virtue and discipline. One day, Anne realizes that she's 25 years old and fears she'll die a dull "old maid".

So, ditching her spectacles, Anne buys some flashy new clothes and sets out on an adventure. Within seconds, she gets mixed up with gangsters, auto theft, murder, and a police manhunt!

In the middle of all this, romance blooms between Anne and a man in need of a ride. It's too bad that Anne and her new boyfriend have no idea what they've been carrying around in the car's back seat!

The chase is on!

HALF A SINNER is a fast-moving, zany comedy full of wacky situations, kooky characters, and Snappy dialogue.

Highly entertaining...

Part film noir, part mystery, part thriller, part adventure and all comic romance, Half a Sinner is a 1940 charmer which is worth seeing.

Fred Jackson (screenwriter) and Al Christie (Director/Producer) teamed up in 1940 to bring a clever Dalton Trumbo story about a schoolteacher on the run to the screen. Both Jackson and Christie had been successfully making films since 1912 - including a great deal of B and B+ comedies such as 1937's Wells Fargo. Christie's experience shows in this well-directed and well-shot melange of genres, but unfortunately, Jackson appears to have had some difficulty working with Trumbo's material. At home in comedy, Jackson appears to have grafted most of the film's humorous elements onto characters Larry Cameron (John King) and Mrs Breckeridge (Constance Collier). Collier (Rope, The Perils of Penelope) is as superb as usual, but King is monotonous and awkward.

The plot, and Angel's charismatic performance and likable character are what make this film fun and worth a look.

Miss Gladden is a mid-twenties school teacher who fears becoming an old maid. Her solution to this is to go seek adventure in the local park. Doesn't sound promising, but her good looks attract the unwanted attention of a thug. Panicking, Miss Gladden (Angel) drives off in the thug's sedan - which, of course, had been previously stolen and has a body rolled up in a rug in the backseat. Miss Gladden is oblivious about all of this. Pursued doggedly by a motorcycle cop and some fairly inept gangsters, Miss Gladden eventually picks up a man (King) in the street who claims car trouble. Car trouble indeed. Noticing the body, Larry Cameron remarks that he is also in the game. What game? Well, that becomes the mystery which makes the movie worth watching so you won't get it out of me. Many viewers will figure it out about halfway through, and most will continue watching anyway just to see how the truth is eventually revealed.

Halfway a Sinner is a fun little romp. Suspension of disbelief is most definitely required - but it is facilitated by Heather Angel's superb performance, strong Trumbo storyline, and the good humor (not laugh-out- loud comedy) of the film.

I'm sure this little comic piece was never meant to be taken seriously. It involves a snowball effect caused by a young schoolteacher out on a lark. She ends up with a car carrying a body and evidence against a crime boss. It's a series of escapes and puzzled cops, running back and forth, chasing the young woman and her wealthy handsome new acquaintance. The police are good hearted buffoons. The crooks are silly and pretty ineffectual. There are some narrow escapes, but no one ever seems to get all that flustered over the events. Reality takes a holiday in this one and that's OK. It's just so darned tongue in cheek and over the top that we never really feel much for the plight of the characters.

Spring fever hits school teacher Heather Angel hard. She buys a nice frock and silk stockings, and walks to the park. She's enjoying herself until gangster Henry Brandon tries to pick her up. She sees his gun, panics, knocks him down, and steals his car. She doesn't notice the stiff in the back, but Brandon's boss wants the body dumped and his overcoat returned, so off they go. The appearance of John 'Dusty' King in the car puts them off. Hardly surprising given that he confesses to Miss Angel that he's a hardened criminal.

It's directed by Al Christie, who'd been in the motion picture racket since 1909. He mostly produced and directed for his own company with brother Charles, particularly short comedies. The coming of sound had made those less profitable, so he did this one for Universal, using some of their contract stars, and some people he'd known for a long time. The script is good enough, but the leads seem to be speaking their lines too fast for any impact, and some of the characters (like Clem Bevans) look interesting, and then disappear. Most of the real fun is delivered in the second half by Constance Collier, as a snooty busybody who takes a shine to the youngsters. The result is an okay little film that takes only an hour.