Les Raisins de la colère

"The Grapes of Wrath" was a huge novel so it only made sense to turn it into a feature motion picture. The result is one of the greatest films ever produced. Oscar-nominee Henry Fonda, his mother Jane Darwell (Oscar-winning) and their family have had it in the Dust Bowl. Thus they decide to leave the midwest of our nation's Great Depression and go to California. The film is an intensely dramatic affair that is first-rate in all cinematic departments. John Ford won his second Best Director Oscar with this movie and the landscape of the late-1920s and early-1930s has never been captured more fully. Excellent film-making. 5 stars out of 5.

Classic Hollywood films that tried to tackle important issues or answer big questions, typically were cheesy and hard to take seriously. They had gratuitous overacting, fake "Hollywood" dialogue, and just general over dramatization. Since these films are typically over-dramatized in this way, their attempts at having a deeper or meaning or some sort of a message are ruined. But not all classic Hollywood films fall into this abyss of clichés. And the ones that don't are still remembered and cherished to this very day, films like Mr. Smith Goes To Washington, or Modern Times, or 12 Angry Men, faced serious social issues at the time and succeeded. Films like these are unforgettable and in many ways life changing, and John Ford's Grapes of Wrath is one of these precious films.

As I'm sure you all already know Grapes of Wrath is an adaptation of the John Steinbeck Pulitzer Prize winning novel of the same name, that was published only a year before the film was first released. The novel is one of the greatest of the 20th Century, and I highly recommend that you should check it out. The film and the novel are both about Tom Joad, (played by Henry Fonda, who collaborated with John Ford several times.) who returns to his family's home in Oklahoma after spending 4 years in prison, but unfortunately by the time Tom Joad makes it out of prison, the country has fallen into the Great Depression. And the Joad family were unfortunately sharecroppers, so of course the bank repossessed there home and land, and the Joad family are forced to head west to California to look for work. But as they get closer and closer to California things begin to seem hopeless as they learn the truth about what is going on out in the west.

If I were to choose one word to describe The Grapes of Wrath it would be haunting, so many scenes and lines of dialogue send shivers down your spine and make tears grow in the back of your eyes. I won't spoil any of these fantastic moments, but dear god the combination of John Steinbeck's masterful writing and the actors's somber performances combine to make these scenes and lines of dialogues absolutely devastating, you will be thinking about them for weeks after you watch the film. The cinematography (done by the legendary Gregg Toland, who also was the cinematographer for Citizen Kane.) is also outstanding. Shots of the deserted houses in Oklahoma, the wide open road on highway 66, and the overcrowded filthy slums of California, all give The Grapes of Wrath a bleak depressing atmosphere.

Every single actor in the film gives it his/her all, Jane Darwell won the Oscar for best supporting actress for her role as Ma Joad, and Henry Fonda was nominated for best leading actor. And while these two performances are just perfect, every single roll in the film no matter how small is also perfect. (well, except for some minor child-actor roles.) John Ford is an excellent actor director though, so this should come as no surprise. John Ford also won the Oscar for best director, this was his second Oscar (his first was for The Informer.) and it is well deserved, each scene is meticulously crafted to dig real deep into the audiences emotions and not in a way that feels cheap by exploiting the audience or something. No instead of going for cheap shallow emotions the way an Oscar-bait movie would, Grapes of Wrath instead has characters that don't even feel like characters that are going through actual struggles, there is no cheap manipulation in this film. It is 100% genuine.

John Ford was a strange person for 20th century fox to pick to direct The Grapes of Wrath, because he was politically conservative and the book/film supported several liberal political ideas like strikes and unions. But John Ford was definitely the right choice. (see what I did there.) Grapes of Wrath was one of the few American films that was allowed to be released in the Soviet Union,it was only allowed because it supported pro-communist ideas. But it eventually had to be pulled from The Soviet Union when Soviet audiences saw that even dirt-poor begging Americans could still afford cars. In 1989 The Grapes of Wrath was one of the first 25 films to be added to the national film registry, alongside films like Citizen Kane, Vertigo, and Casablanca. And it deserves its spot there, Grapes of Wrath has become the definitive Great Depression film, and should be viewed by everyone.

9.5/10

It's difficult on a first viewing of "The Grapes of Wrath" not to be somewhat disappointed with it. So much of Steinbeck's beautiful novel is left out of the film, and it's hard to see his story and characters wedged into the "gee whizz" style of film-making so prevalent at the time. But once you get beyond a comparison of the movie to the book, you begin to realize that John Ford created a beautiful piece of work of his own, and the film inspires a great deal of admiration, and deserves credit for its gutsiness at tackling a story that wouldn't have gone down smoothly with film executives at the time.

Of course the most controversial parts of the book are left out (like its final image, for example), but Ford still managed to work around the constraints forced upon him to fashion a hard-biting film. Henry Fonda is perfect casting for Tom Joad--never have his otherworldly eyes been used to greater effect. And Jane Darwell is pitch-perfect as Ma Joad--she captures the tough-as-nails dignity that the character has in the novel. The whole movie is lit by expert cinematographer Gregg Toland, who uses shadow and reflection to cast a ghostly pall over everything. Indeed, much of what Ford wasn't able to include in the film as words he communicates instead through images, and isn't that what a good book-to-film adaptation should do? One of those films that feels ahead of its time.

Grade: A

This movie is so real..at least to this person, who lived these things that happened in the movie. I will tell a short version of my personal life to let you know how it affected me from my own experience of growing up in the Thirties

I think their must have been more then one car because ours was full of stuff in the back seat, clear up almost to the roof. Frankie, Bill and me (my brothers) all was on top of the stuff in the back seat, had to stay lying down was not enough room to set up. What I remember most about the trip was it was awful hot when we went through Arizona and we had not much water, the water we had was in a canvas bag, hooked to the front bumper to help keep it cool. We did not get much because dad was saving it for the car when the car got to hot. Mom told us to suck on pebbles, and we did. It was a bad time every where. No jobs or anyway to make any money.

We were going to California because their was suppose to be some picking work their, after we got to California we saw miles of potatoes all loose piled up high my guess would be about six feet high, they had put lime or something that looked like lime it was a white powder to keep people from taking them to eat.

We found a place to pick plums that they used to make prunes and we lived in a Quonset hut made of corrugated metal setting on a concrete slab. The public toilets were near were we stayed, Joe and his wife (Family friends)had their own Hut…this was the time that dad & Joe would sell tickets for people to watch them box each other in a ring at the recreation hall on the property. Also they joined a baseball team and played baseball, dad played left field. We got to watch them play for free.

Seems like Frankie and I played together a lot don't think Bill did because he was still a baby his self, Doris and Dorothy (my sisters) was still crawling so Bill could not have been very old at that time. Frank & I would go pick up plums off the ground and we would bring them home, Doris and Dorothy would set in the box and eat them. You can guess what they would look like when mom and dad got home, their was no air condition back then so they would take a hose and squirt water on the tin Quonset hut to try and cool it off some, I know when we went west we looked like those grapes of wrath folks in the movie.

That area was the first time I ever saw a frog walk, it was to hot for them to hop, when they tried to hop their bellies would touch the ground ( gravel) and would burn them, any way that's what we thought at that time. I saw the movie of Grapes of wrath a long time ago, and I remember it so well, I cried most of the time it was on because it reminded me of the hard time we all had back then, I was born in Oklahoma and it was just a terrible time in the late thirties I would love to see the movie again, its to me a history of my family, I am 71 1/2 years old now and still remember it very clearly.

Gene McDaniel

This classic adaptation of "The Grapes of Wrath" features a fine cast as well as a skillful production headed by director John Ford. Henry Fonda and Jane Darwell are well-remembered for their roles, which are among the defining roles in their careers. The only limitations that it has come from the original novel, with its heartfelt but sometimes contrived story.

Besides Fonda and Darwell, the supporting cast features plenty of good supporting players, including Charley Grapewin and John Carradine. All of them make their characters come alive believably. They also fit together well and complement one another's performances, which accentuates the themes involved in the struggles of the Joad family.

For all that the Steinbeck novel is so revered, and for all that his story is an often compelling depiction of its characters, with whom many in the era could identify, it would have been better if it had not been so heavy-handed. Even given that the times were bad, more balance in the characters outside of the family, and in the Joads' experiences, would have made it an even better story. Certainly, this is barely even noticeable when compared with the stories in many present-day movies and novels, which often dispense with any attempts at plausibility.

And that does not stop this adaptation from being a worthwhile and often moving film. Ford clearly appreciated the potential in the material, and he and the cast work together to make each character count, and to give meaning to each scene.