The Ghost Comes Home

... and if you've never heard of him then you know how well that went. Well, not everybody could be Van Johnson!

MGM certainly put a pretty good effort into this one, putting their better character actors and actresses in leading roles here, and in 1940 MGM had some of the best supporting actors around. It is all about a hapless pet shop owner, Vern Adams, who actually buys more animals than he sells who has an opportunity to sail to Australia and help an old friend divvy up half a million dollars for the town he is from. Before he leaves, he is talked into buying ten thousand dollars in travel insurance from one of his boarders.

Well, Vern is as bad a traveler as he is a businessman, and he winds up in jail in New York City for two months through a series of unfortunate events and never gets to travel to Australia. In the meantime the rich friend dies without making provisions for the town, but worse, the ship Vern was going to sail on sinks with no survivors. Vern's family naturally thinks he died and cashes in the life insurance policy, which certainly improves their lives - this was like two hundred thousand dollars back in 1940. But then "the ghost comes home" and the family realizes the insurance company will want their money back and they've already spent it. How does this work out? Watch and find out.

This has a fairly clever plot and pretty good acting. If you are a fan of the MGM formula and MGM stars - even the smaller ones - it is probably worth your time. Morgan is great as always as the befuddled "ghost" and Billie Burke excels as his dizzy but disappointed wife. Ann Rutherford is the Adams' daughter who fears she may have to marry the son of the town banker if she wants to get dad out of this insurance mess, and John Shelton plays the guy she really loves and the one who saves the day.

The problem is, Shelton just has no screen presence, nothing to make you remember him because he is oh so good or oh so bad. In the looks department he is dead average. Because he is at the center of the plot, I think he sinks the film by at least a star. You give the same role to every man James Stewart, and this film would have worked, but by 1940 Stewart was too big of a star to be in a B film like this. With Donald Meek in an uncharacteristically sinister role that is truly a delight.

The Ghost Comes Home is mainly of interest for the presence of those Wizard Of Oz cast members Frank Morgan and Billie Burke. Morgan plays his usual henpecked milquetoast character who usually can't get a word in edgewise at home.

Morgan signed an MGM contract in 1935 and did the vast majority of films for that studio from then on in. They divide into two parts, those for whom he's in support of some of their top stars and B films like this one where he's the lead.

Morgan is his usual befuddled self with wife and kids and a pair of sponging brothers-in-law operating a pet store that barely makes ends meet. meet. One day he receives a trans-Pacific call from Australia and it's from a school days friend Richard Carle who struck it rich in the land down under. Come on down says Carle, he's making out his will and wants some advice on who in his old home town should benefit.

So it's off to New York where he manages to walk into a nightclub brawl and does 60 days of municipal hospitality. He misses the boat and it gets sunk with all on board lost. His family thinks him dead and they cashed in on a $10,000.00 insurance policy. Think of that in today's dollars and they came into quite a windfall.

Knowing that if he's seen the whole family is in trouble, those who've walked all over him all these years. Especially those two sponges Nat Pendleton and Frank Albertson. The worm does turn.

Of course there's been fraud committed, unintentional but still fraud. How it all gets resolved is for you to watch the film. But it has a lot to do with traveling bandleader John Shelton who came through Morgan's small town and got involved with daughter Ann Rutherford.

Also in this cast are again a lot of familiar character players like Donald Meek, Hobart Cavanaugh, and a slew of others that make watching films of this era such a joy.

A nice product from MGM's B picture unit.

This fairly standard piece of situation comedy would be most appealing to fans of Frank Morgan, who is charming in his role. There is a curious appeal in seeing The Wizard of Oz married to Glinda the Good Witch, but unfortunately Billie Burke is in only a few scenes.

The script has some funny lines, and I'd be intrigued to find out how much of the dialogue was contributed by screenwriter Richard Maibaum, who wrote a lot of the James Bond movies.

Geez, this comment sounds much more lukewarm than I actually feel about the movie. Morgan is delightful and I enjoyed the time I spent watching the film...to about the same degree that I'd enjoy three good TV sitcoms.

Austrian director Wilhelm Thiele is not a notable name in the pantheon of great directors, most of his work was in German language films and he would probably be best known for a brace of Tarzan films in his Hollywood career, not comedy. But he does a very good job of marshalling a first rate cast here in a fun, quickie film version of an adapted stage play. Frank Morgan is the nice, but befuddled and bewildered pater familias at the heart of the story. So valuable was he to MGM, that he was given a lifetime contract! Just the year before, of course, he had memorably played the title role of The Wizard of Oz and interestingly Billie Burke had played Glinda, the good witch, in the same movie, they are reunited in this offering and work well together. Morgan brings his trademark milquetoast character back to good effect here but also is hugely enjoyable when a twist makes him a tongue in cheek, stern authoritarian. His daughter, played by Ann Rutherford is paired with John Shelton to provide the romantic interest and rather than being dull or insipid they spar wonderfully and strike comedic sparks off each other. Rutherford, in particular, is a marvellously spunky ingenue. But this is a cast that bats all the way down and character actors have a field day here; Reginald Owen is great fun as a musician who assumes a disguise, Donald Meek, a delight as a slimy and unscrupulous banker and Nat Pendleton as a lazy lunk and Renie Riano as a tomboyish suitor to him, provide an enjoyably off centre 'romance'. Even Richard Carle in a brief, one scene cameo, makes his Mark as "Old Fishface". Highly recommended to lovers of silver screen comedy.

Frank Morgan reunites with Billie Burke---not long after "The Wizard of Oz"---to play a married couple in this attempt at screwball comedy that falls short due to a script that lurches from scene to scene.

The story revolves around a misunderstanding. Everyone thinks Vern Adams (Morgan) died in a sea tragedy. His unexpected return launches a series of deceptions that create a hectic pace but few genuine laughs.

The colorful cast is worth seeing, however. Especially Ann Rutherford, between Andy Hardy films, who plays the Adams' daughter. Unfortunately, she is underused despite her strong contribution to the film's only romantic storyline.