Le régiment des bagarreurs

It's 1917 and the United States is entering the Great War in Europe with guns blazing. Many young men (and, this being Hollywood, several decades from draft age) are recruited. Our boy from Brooklyn, wise-guy James Cagney (as Jerry Plunkett), looks like trouble from the beginning. He joins the mostly Irish Catholic "Fighting 49th" regiment. When the going gets tough, Mr. Cagney gets going – literally. As the fighting starts, Cagney realizes a man could get killed. He is no help on the battlefield, but kindly soldier priest Pat O'Brien (as Francis Duffy) provides cover for Cagney. Eventually, the cowardly Cagney's luck runs out and he must either find Christ and fight, lest he lose his spot in Heaven or on Earth...

This is an entertaining war story, with real characters giving he fictionalized Cagney story some substance. It promotes unity in the war effort and includes more realism than many propaganda films – specifically, the instances of US soldiers dying during battle is not minimized.

Cagney is engaging in the lead. His main support comes from Mr. O'Brien, who effectively manages the unholy wedding of Christianity and War. Of the many others in the cast, only a few get much script action. The best supporting part goes to Alan Hale (as "Big Mike" Wynn), who shows Cagney how to handle a mortar in a pinch. Apparently, Cagney was excused on mortar day, during training, but he's fortunately a quick study. Also getting a fair amount of screen time are stalwart George Brent (as "Wild Bill"' Donovan) and assimilated Sammy Cohan (as "Mike Murphy"). Good hokum from Warner Bros.

****** The Fighting 69th (1/26/40) William Keighley ~ James Cagney, Pat O'Brien, Alan Hale, George Brent

It's 1917. Brash troublemaking misfit New Yorker Jerry Plunkett (James Cagney) is training to be sent off to war. He's part of the 69th New York Irishmen. His bravado is first revealed to be false when he faints after getting a shot. It continues onto the battlefield. As he faces court-martialed, he is given a second chance.

This is a pro-military, pro-unity film as war looms for America. Cagney is a his tough guy persona but in this, he is shown to be a coward when real heat is applied. That's an interesting twist and that makes this interesting. He still gets his heroic redemption. In the meanwhile, it is a lot of sermons and good intention from Father Duffy. Overall, this does what it intents to do and it does it well.

THE FIGHTING 69th (Warner Brothers, 1940), directed by William Keighley, teams James Cagney and Pat O'Brien for the seventh time on screen. A fine pair of fine Irish actors who were reportedly best friends in real life, they were first united in HERE COMES THE NAVY (1934), followed by DEVIL DOGS OF THE AIR, THE IRISH IN US, CEILING ZERO (all 1935); ANGELS WITH DIRTY FACES and BOY MEETS GIRL (both 1938).

In THE FIGHTING 69th, which is based on a factual presentation of the 69th's war record and set during the World War, features O'Brien in one of his best roles as Father Francis Duffy (an actual character), with Cagney playing Jerry Plunkett (a fictional character) from Brooklyn, NY, who joins the regiment. At first he defies authority and feels the world revolves around him, but when it is time for him to go out and face real combat, he changes his tune after hearing the sounds of bombs, seeing the sight of dead bodies around him, and goes into hysterical outbursts, showing that not only is he just a coward, but the one responsible for the death of several of the men in his company. In true Hollywood tradition, coward redeems himself when given a second chance, thanks to the grace of Father Duffy.

Robert Osborne, host of Turner Classic Movies, where this war story is shown, comments that THE FIGHTING 69th was one of the biggest money makers of 1940. With an all-star cast of only male performers, it presents Warner Brothers veteran stock players as George Brent, Jeffrey Lynn, Frank McHugh, Alan Hale, Dennis Morgan and Dick Foran, many playing actual men of The Fighting 69th, especially Lynn as famous poet Joyce Kilmer. In spite of it being historically inaccurate, good acting, humorous moments (especially by McHugh) and serious battle scenes make this still worth seeing. Beware of shorter prints. Originally distributed to theaters at 89 minutes, Turner Classic Movies had acquired a latter reissue 79 minute copy that eliminated the introduction of the main actors as shown through scenes/or outtakes from the movie with their faces over the names and their acting roles, along with some early portions of the story, and the closing casting credits. In order to view the complete print from the 1940 print, a 1990s video copy from MGM/UA had to be purchased or rented. After many years of having the 79 minute print presented on TCM, a complete 89 minute copy finally aired Saturday, July 29, 2006. (****)

Hollywood released quite a few films with the Pat O'Brien, Jimmy Cagney pairing with the same general theme, one which I think is unfairly dismissed here as 'cliched'.

In each of these films, Cagney's character was an Irish ghetto hood, full of street values (toughness at all costs... taking, lying, and using ... physical aggressiveness ... resistance to authority or discipline ... contempt for 'chump' 'soft' moral values). He saw Pat O'Brien's character as 'soft' because he was a 'sucker' with all his 'morality' talk.

The redemption came when Cagney's character contrasted Father Duffy's steady courage under fire with his own terror. His street values taught him to respect courage. But he saw that his street values can teach him defiance but not serenity. Serenity comes from moral character and the street cannot teach you that. He saw that there is, as the song goes, more to being a man than just being macho. And there is a courage that has nothing to do with your fists.

That is a very, very important point.

Jerry Plunket is a street brawling, tough as boots rebel from Brooklyn, he has no time for the traditions of the all Irish 69th New York Regiment, and he has even less time for his army superiors. But as Jerry is about to find out, War has a knack of making or breaking a man...

It's not hard to see why "The Fighting 69th" was a very popular movie back on its release, coming out as America was about to enter WWII, the flag waving patriotism targeted its audience with gusto supreme and lashes of Irish sentiment. Furthering the cause was in having James Cagney in the critical lead role of Plunkett. Yet oddly, Plunkett is the made up character here, for the story is based on actual characters that the film wishes to honour. Father Duffy (Pat O'Brien) & Wild Bill Donovan (George Brent) being two highly respected men from this actual (and highly acclaimed) fighting unit.

The story follows a now well trodden path, brash cocky man learns lessons the hard way, is there to be redemption come the finale? Respect, bravery and indeed salvation are all given the once over by the makers here. There are few surprises but the film gets in there, does the job, and leaves without lingering either side of the good or bad fence. The direction from William Keighley is vigorous, and the supporting players are solid, if unspectacular (haven't we seen this O'Brien turn before?), but all and everything is second fiddle to the perfectly cast Cagney, bullish and stoic, his turn as Plunkett lifts the film above average, because without him the film would be instantly forgettable. 6.5/10