Drums of Fu Manchu

I saw this serial years ago. It was one of the first seen as a child of eight. It was unique. It fits of course, the formula of Republic Pictures Studios and was a welcome change to the many plots seen in those days, so often repeated and used over and over. Many suspenseful moments. We enjoyed going back the next week to the movie matinee. The swinging pendulum was a big part of the suspense as it got closer and closer. I searched for years to buy this for my collection and still don't have it. I was clearly one of the best saturday cliff-hanger serials.

I still enjoy Zorro's Fighting Legion and Perils of Nyoka more, but the story, acting and international atmosphere( the scene on the China Clipper is straight out of James Bond) make this serial a class A production. The final scene suggests a sequel as does the mystery of whether Fu Manchu's daughter was actually killed. But WW2 changed our racial profiling, shifting from China to Japan. No more Chinese bad guys, but Pearl Buck movies. But, if a Fu Manchu seemed far fetched at the time, 911 changed that. The Islamic world has several.This may actually be an insult to Fu Manch whose determination and sincerity almost arouse our admiration. Or maybe it is Brandon's brilliant acting.

THE DRUMS OF FU MANCHU is a classic Republic-era serial in which Nayland Smith and his co-horts do battle with the ever-fiendish Dr Fu Manchu and his endless 'dacoit' army. This overlong serial clocks in at no less than fifteen chapters (with the first chapter being particularly lengthy), meaning that it has a sluggish pace. The slow and repetitive nature of the production sees it pale in comparison to the likes of RADAR MEN FROM THE MOON, for example.

Still, fans of the era will find much to enjoy here, not least the endless fisticuff action between the good guys and the bad guys. Lengthy fist-fights are the order of the day here, along with shoot-outs and knife-throwing. At least a couple of henchmen are bumped off every chapter, while the action roves around the globe and takes place in planes, trains, cars, clifftops, and hidden underground temples.

The simplistic storyline sees Fu Manchu in search of the tomb of Genghis Khan, which is said to contain a magical artifact allowing him to control the whole of Asia. A white actor, Henry Brandon, plays the villain, and he looks very sinister; the rest of the cast are a little dull, though, aside from an ever-fun Dwight Frye in a minor villainous role. Come chapter seven or eight, I couldn't help but feel this was all very repetitive and dragged out; there are only so many times you can put up with Fu Manchu being captured and escaping, for example. Still, the cliffhanger scenes are ever fun, and it's still worthwhile escapism.

Dr. Fu Manchu is searching for the tomb of Genghis Kahn in order to obtain the conqueror's scepter, where Fu Manchu can become messiah of the numerous tribes in Asia, as prophesized, and then conquer the western world. Fu Manchu's eternal nemesis, Sir Nayland Smith, arrives in America to track down Fu Manchu and with the help of Dr. Petrie, Allan Parker (whose explorer father was killed by one of Fu's dacoits), Prof. Randolph, and Randolph's daughter Mary, and prevent the keys to the location of Khan's tomb from falling into the hands of Fu Manchu. A very good serial, helped out by directors Witney and English who took advantage from a larger Republic budget and great cinematography from William Nobles. Brandon is probably the best Fu Manchu seen on screen, but still couldn't capture the evil portrayed in the Rohmer novels. I don't understand why Republic decided to make Sir Nayland Smith older than he was in the books (as well as Dr. Petrie, limiting his role), but Royle is very good in the role. Kellard is listless at times as Parker. Franklin is at times unconvincing as Fah Lo Suee (using a thick city accent most of the time) and Walters is missing much of the times as Randolph. My real beef with this serial is when the serial shifts from Los Angeles (or San Angeles as pointed out in the serial) to the Asian hills of Branaphur, the serial starts to shift down in excitement and becomes a run of the mill Republic fare with nothing standing out. Still this is among Republic's best efforts of the 40's and worth watching. Rating, based on serials, 9.

Sax Rohmer, author and creator of FU MANCHU conceived the enduring Criminal Master-Mind aided by Super-Science. One whose ambitions ranged further then Sir Arthur Conan Doyles, PROFESSOR MORIARTY or later Norbert Jacques, DR. MABUSE. Continental, if not World conquest was his objective. His descendent's can be traced to Flash Gordon's THE EMPEROR MING along with Marvel Comic-Book Super-Villains THE MANDARIN and THE YELLOW CLAW. FU MANCHU's primary goal is to drive out "THE WHITE DEVILS" and reward his minions with their 'WHITE WOMEN'. Sounds like some current minority political opportunists or those athlete's with their 'White Trophy Wives'!

The best known version, THE MASK OF FU MANCHU, M.G.M. (1932) featured all these concepts since it was pre-code. Actor Boris Karloff firmly setting the pattern of how a would be Conquerer should act. DRUMS OF FU MANCHU, Republic (1940) continued in a somewhat toned down manner being a code film. Henry Brandon ably handled the role though barely recognizable under his make-up and altered voice. Unfortunately his supporting cast was not up too his level and the script stretched the serial three (3) chapters to many. Though as was typical of Republic product of the time it featured plenty of fast paced action.

This is still a enjoyable Serial but would not rate it as high as the FLASH GORDON franchise. Nor Republics best efforts like the ADVENTURES OF CAPTAIN MARVEL (1941), G-MEN vs THE BLACK DRAGON (1943) or THE MASKED MARVEL (1943). Our copy came courtesy of VCI ENTERTAINMENT. The DVD is satisfactorily remastered, but not restored. Some of the early chapters are very soft and the sound quality is uneven. It is obvious that original masters were not used or were in very poor condition. To see the difference, compare D.O.F.M. with their 70th Anniversary Edition of BUCK ROGERS, Universal (1939), which we rate the same. B.R. though went through a significant restoration and it shows it.