La malédiction

Doomed to Die (1940)

Oh boy, poor Boris Karloff. He's the star, and the one great presence, in this cobbled together movie, the last of Karloff's Mr. Wong movies. Someone edited the heck out of this one, and the complex plot gets hard to follow (and hard to believe!) in the hour it takes from start to finish.

That's not to say it's a bad movie. It's kind of fun, actually, and because so much is going on, you really have to pay attention, as the scenes keep changing and changing, and more and more characters appear and reappear. The plot itself is forced on things, with red herrings that are absurd and a huge disaster in the opening scenes that ultimately means little to the rest of it, or so it seems to me. There is deliberate comedy which is sometimes funny, and gives the movie an airiness that works pretty well.

Karloff, amazingly, plays a Chinese detective, and they do something to his eyes to make him more Asian, but otherwise he's very Karloff, which is good. There are some brief scenes in a so-called Chinatown, but nothing so colorful as, say, the end of "Lady from Shanghai." No, this is from a thoroughly B-movie series of six Mr. Wong films, all but one, with Karloff as Wong. There are at least two other series of films with Asian detectives, an interesting sub-genre, for sure. There are eight Mr. Moto films (with Peter Lorre) around the same time (late 1930s), and there are the almost countless Charlie Chan films (first in the earlier 30s with Warner Oland, and then the late 30s into the 40s starring Sidney Toler). All of these stars were not Asian, but that's the way Hollywood compromised its bigotry with its sense of what the mainstream American audiences wanted.

The thing that makes these Karloff films still watchable is their gritty urban settings, and the whodunnit quality that can hold even a mediocre movie together on a Sunday afternoon. "Doomed to Die" has some very dark night scenes (a third of the movie) and if they did that to save money on set design, that's fine with me because it makes them moody and inky. Nice.

Check out this rather nice Mr. Wong site:

cheddarbay.com/0000celebrityfiles/films/wong/wong.html

Take them for what they are and you might end up watching all of them!

As far as mystery B-movies go, you cant go "Wong" with this one. Karloff returns once again as the famous Chinese detective James Lee Wong to solve the murder of a shipping tycoon. What seems like an open and shut case to Capt. Street (Grant Withers) quickly becomes a web of deceit, lies and murder! I've only seen two Wong films, this and "The Fatal Hour", but I really enjoyed them both, largely due to Capt. Street and his "sidekick" reporter Bobbie Logan. The banter between them is cliché, but often pretty funny anyway. They have great chemistry together on screen. Karloff is, of course, great as Wong. I loved his entrances from the most unlikely places, such as windows or fire escapes. The plot was pretty straight forward, though it was full of red-herrings and false suspects that made the conclusion a bit hard to guess. Not that that's a bad thing mind you, I quite enjoyed the ending. To sum up, I recommend this as well as the slightly better "Fatal Hour" as two of the best mystery B-movies you'll find out there.

8/10

The Mr Wong series with Boris Karloff are not exactly great films(none are bad though) but they still make for decent entertainment, and Doomed to Die is no exception to that. In personal opinion it is one of the weaker entries in the series, the weakest being Mr Wong in Chinatown and the best being The Mystery of Mr Wong, but that is not knocking it really. It does get convoluted in places and plods a little towards the end, while the editing could have been smoother and Grant Withers seems to think that shouting equals good acting, in my book it's overkill and it's distracting. However, the sets and lighting do provide some good atmosphere, and as ever the music is eerie and jaunty. The story is routine and has convoluted moments in the second half around when Wong narrowly escapes being shot(the most suspenseful Doomed to Die gets), but on the most part it goes along at a snappy pace and you are kept guessing, the final reveal is unexpected and the perpetrator is fairly calculating, one you don't want to mess with. I also found much pleasure in the script, the banter between Marjorie Reynolds and Withers is deliciously witty and the police interrogations here are just as funny. The acting is fairly good, the support cast are more than competent but never really rise above being solid support. Marjorie Reynolds delights once again as the sassy reporter, her rapport with Withers does manage to gel. But the film belongs to Boris Karloff(the best make-up also of the series is in Doomed to Die), even if he doesn't exactly convince as a Chinese and Mr Wong is not one of his best roles admittedly he is still enigmatic and seems to be enjoying himself. Mr Wong has a fair sprinkle of fun moments that despite his late entrance ensures that his presence is a long way from a waste. All in all, unexceptional but still entertaining. 6/10 Bethany Cox

The routine plot unfolds in so obvious a manner that one loses interest in the outcome. The production values are on the same level as they were in the other Wong pictures in the...series, and the performances are on a par with the material. Most of the comedy is provoked by the bickering between a detective and a young girl who tires to outwit him.. Boris Karloff saves this picture and makes it into another great classic series.

Doomed To Die is the last film that Boris Karloff made for Monogram's Mr. Wong series. One more film was made with an actual person of Oriental descent playing Wong and that was Keye Luke.

The criticism of Mr. Wong is somewhat interesting. The criticism in fact of Charlie Chan and Mr. Moto was that these two clever detectives were constantly speaking in fortune cookie aphorisms which led to stereotyping of Oriental characters. James Lee Wong was only of partial oriental ancestry and it's made clear that he went to both Oxford and Heidelberg universities. Obviously the Oxford speech pattern is what took and we get the clear diction of Boris Karloff instead.

Wong's every bit as smart as Moto and Chan and he has to be here. It's your typical locked room mystery. Shipping magnate Guy Usher is concerned over both the shipboard fire of his vessel the Wentworth Castle and the romance between his daughter Catherine Craig and the son of rival shipper Melvin Lang. Usher is shot to death after a meeting with William Stelling, the fiancé of Craig and he's the only one in the room with the deceased.

Some Chinese government bonds were stolen during the fire and remember this film is made during the Chinese-Japanese War that predated the beginning of World War II. Those Kuomintang bonds are valuable and they're reason enough for arson and murder. A Tong leader, Richard Loo, is also killed before the case is solved.

Doomed To Die marked the farewell appearance of Marjorie Reynolds as well as Lois Lane snoop and scoop reporter girlfriend of police captain Grant Withers of the San Francisco Homicide Squad. A man never to proud to ask for the help of Mr. Wong. But in this case it turns out that Reynolds is a friend of Craig's and she brings Karloff and his super sleuthing skills to this case.

Doomed To Die is a bit more complex than the usual run of films from Monogram Pictures which didn't exactly invest to many production values in the Wong series. Not that they had much to invest. I do enjoy seeing Karloff in the role though, pity he didn't do more of them.