La chauve-souris du diable

The plot is pretty well laid out here already, so I'll just say that THE DEVIL BAT is one of the best Bela Lugosi poverty-row horrors. It was made for Producers Releasing Corp (PRC) in 1940. I think it's as good, perhaps better than any of the titles in his Monogram resume. In general, PRC delivered the goods with their horror pictures, and if what you're looking for is peak Bela madness- wild eyed and possessed, than DEVIL BAT will definitely satisfy. A sequel, DEVIL BAT'S DAUGHTER, came in 1946, and GEORGE ZUCCO starred in a remake, THE FLYING SERPENT, in 1946.

Bela Lugosi turns in a not-so-bad performance in a not-so-bad little B-movie.

Oh, yeah, it is schlocky as all heck. Mad scientist, big rubber bats attacking people wearing too much cologne, dumb comic-relief side-kick for a hero all too full of himself, the usual cops without a clue. Yes, as many clichés as can fit 70-odd minutes. But fortunately, the pacing is actually rather good - moments that look like they're about to slip into the snooze-zone somehow get saved by a fresh revelation, and we're onto the next scene.The acting is competent, the dialog is not painful, the camera and editing do what they have to do to get the job done - a workmanlike performance, but what more can be expected of a cheapie B-movie. If you enjoy B-movie thrillers, you won't be disappointed.

I always watch this Lugosi classic with affection, and I don't agree with its detractors. Here's another bit of harmless detective drama, unusual in the fact that the law teams up with reporters to solve a mystery (imagine that today). Inexpensively made to be sure, and with a sound track that turned up in later thrillers, "Devil Bat" is subtle humor mixed with the obvious. Is there any doubt as to the outcome? Dave O'Brien and Donald Kerr are delightful as the reporter-photographer team, respectively, and the casting is on the money. Except the big mystery for me is that the coroner shows up in the credits but not in the film! Go figure.

An inventor gets revenge on his treacherous employer and family by programming vampire bats to attack them.

Wow, those devil bats look more like eagles than little flying mammals. I thought they might have to get a fighter plane to knock them down. Still, this is a tightly scripted, more believable than most, horror film. Sure, it's got its hokey elements; plus, it's a PRC production meaning the exterior sets are about ten-feet by ten-feet. But at least, Lugosi doesn't have to mug it up all the time. In fact, his nice guy is pretty persuasive, even if he's got his mad scientist moments. Good thing Dave O'Brien's around. He's really lively, more than expected for such a cheapo. And please, I'm lusting after the maid, Yolande Donlan. I can see why ace filmmaker Val Guest scooped her up for his prestige productions. Anyhow, this is a better than average little thriller that understandably led to several sequels. Thanks to the movie, however, I won't be using shaving lotion unless the window's closed and I'm going to bed.

Bela Lugosi stars in this piece of 40s horror cinema. At times the acting is pretty hammy (the guy playing the photographer got a little annoying as did the reporter) and the budget had to have been really low. However, it is kind of fun to watch. Lugosi gives a good performance (he's pretty much the glue holding this picture together) and the story isn't that bad.

Lugosi is Dr. Caruthers who is working for a cosmetic company. For years the company (owned by two families) has been making millions from his formulas but only giving him a stipends as their chemist. Caruthers hatches a diabolical scheme to get rid of the family members using a giant mutant bat that goes crazy over a curious sent that he discovered in Tibet (it seems that every thing that was mystic in the 40s came from somewhere in the Himilayas or central Asia). He uses this scent in a shaving lotion that he has his unfortunate victims test. After the first murder, a Chicago news paper dispatches a reporter and photographer to cover the story. From there, the reporter develops a love interest with the daughter of the cosmetic magnate.

It's pretty easy to follow, and has all the predictable 1940s plot turns. There's a lot of problems that are pretty easy to forgive in the film because it was made in the 1940s and on a very limited budget. All in All, Lugosi fans are the real winners in this one. He gives a solid performance. It's too bad that his career didn't go very far after this one.