Espionne à bord

"Contraband" is a Powell/Pressburger collaboration, and a lot of the techniques they use are reminiscent of later films, such as the 49th Parallel and "The Red Shoes."

The story concerns a Dane, Captain Anderson (Conrad Veidt) on a freighter that is stopped for inspection by a British warship. He asks for passes for himself and his first officer, but when he is ready to leave, he finds that the passes have been stolen by two passengers, Mrs. Sorenson (Valerie Hobson) and Mr. Pidgeon (Esmond Knight). He rows to shore and finds Mrs. Sorenson and decides to stick to her like glue. Before long he's involved with a German spy ring.

This is a good film with both Veidt and Hobson giving wonderful performances. They have good chemistry and the script gives them the opportunity for some repartee.

The background of the movie is interesting. One message was to to elicit compassion from the Scandinavians, as they emerge here as the heroes. Obviously it was before Denmark was invaded, and the British hoped to have their help.

The last scenes are quite exciting. This doesn't come up to a 39 Steps but it's still enjoyable.

... from British National Films and director Michael Powell. Danish merchant ship's Captain Andersen (Conrad Veidt) is irritated enough when his ship is ordered into dock for inspection for contraband by British authorities. It only gets worse when two passengers, Mrs. Sorensen (Valeriea Hobson) and Mr. Pidgeon (Esmond Knight), sneak off the ship. Captain Andersen tracks them down through the darkness of London in an enforced blackout, only to end up targeted by a Nazi spy ring.

There's a light-heartedness that runs through this entertaining thriller. Veidt, cast against type, is good as the put-upon ship's captain that just wants to get back home. Hobson is excellent as the mysterious Mrs. Sorensen. Some of the comic relief bits with Hay Petrie in a dual role can get a bit long, but it's not too awful. Contraband was the original British release title, which was changed to Blackout for the US market, as well as having 12 minutes shaved off the running time.

Just watched this on TCM, where it appeared in their day-long tribute to Veidt - parenthetically, their August programs featuring one actor per day have unearthed some marvelous stuff (eg, early Ann Dvorak). TCM aired it as "Contraband", the original British title - and it's a very British piece indeed. The plot is complex & often nonsensical, but I don't think one ever watches Michael Powell films for tidy screenplays. Veidt and Hobson encounter one another on his ship, and then whiz across London, first pursuing/eluding one another, then working together to undo a German spy ring. Much hugger-mugger, with a multitude of British character actors working in blackout darkness and then brightly-lit, often chaotic interiors (train compartments, restaurants, ship's lounges, nightclubs, elevators ....) Veidt and Hobson are charming in tandem, with a grownup sexual tension that for this viewer was a striking contrast to the more standard youthful leads of that time (and ours). As other commenters have noted, the filmmakers include a subtle thread of delight in bondage, mild fetishism, etc (eg,Hobson's shoes & feet during her captivity). Ah, the British. Clearly made on a budget, the entire production nonetheless looks & feels terrific - gritty shipboard all-male scenes, a couple of nightclub production numbers that have to be seen to be believed, a swell Art Deco townhouse - and underneath it all, maneuvering through the London blackout as a necessary given, a condition of life that the Brits seem to take for granted as the darkest days of the war approach. I had never seen Veidt so sympathetic - here a memorable leading man, versus his more well-know villains..And I was until now unfamiliar with Hay Petrie, here in a double role as Veidt's shipboard second-in-command, and that character's brother, a volatile (& hilarious) Danish restaurateur (don't ask!) All in all - a delight.

This is a follow-up to THE SPY IN BLACK (1939) - utilizing the same director, writer and stars - and even better! It's described as a Hitchcockian comedy-thriller - though still every bit an "Archers" product - which only goes to show that the Master Of Suspense lost something by going to the US (the English films being more deliberately stylized); the second of 5 collaborations by the Powell/Pressburger team designed as propaganda for the war effort - each more ambitious and uncharacteristic of the typical British effort than the one before!

It's fast-paced and plot-packed, with several marvelous suspense scenes, but also excellent characterization all around - and a splendid cast: Conrad Veidt and Valerie Hobson are supported by a wonderful dual role from Hay Petrie, Esmond Knight, and even early villainous turns by Leo Genn and Peter Bull (dubbed "The Brothers Grimm" by Veidt's Captain Hans Andersen!) - with bits by Torin Thatcher and an especially nice one involving Bernard Miles; The Archers also take care to provide the chief villain (played by Raymond Lovell) with a speech impediment - though not as a means of ridiculing him.

The London locations (shot by the great Freddie Young) are superbly deployed - given an extra Expressionist edge by being largely set during a blackout (actually, the film's title in the US). The Archers would come to be known for their occasional drop in taste, already evident here in an interracial cabaret number entitled "White Negro"! The terrific climax involves a chase intercut with a free-for-all.

I had long wanted to purchase the R1 DVD but kept postponing it due to the utter lack of extras and the prohibitive price (only managing to get it through Deep Discount's recent sale on Kino products!); still, the transfer is disappointing (and yet the only way the film is available for the moment!): bright, soft and probably PAL sourced (given that the running time is only 87 minutes against the official 92 - the sleeve notes thus making the mistake of stating that it's 8 minutes, rather than 12, longer than the version originally shown in the US!).

Conrad Veidt and Valerie Hobson had appeared together with surprising effect in 'The Spy in Black'. They were reunited in this splendid comedy thriller with a Hitchcockian mode the following year.

Lots of action and wry humour, with a pleasing spy story set in a London blackout. Hobson plays a spy who needs to get information to the Admiralty. To do this, she steals the landing pass of the ship's skipper (Veidt) whilst the ship is in harbour for a contraband check.

Veidt follows her to London where they encounter a Nazi spy ring intent on obtaining this information. They are tied up, but Veidt escapes, and with the help of fellow Danes (Veidt is Danish in this film, and a good guy!), foils the plot.

Funny, charming, sexy and thrilling (with just a little bit of bondage!), and with a great chemistry between the two stars.

Great fun!