André Hardy va dans le monde

Andy Hardy (Mickey Rooney) has been bragging again, claiming that New York debutante Daphne Fowler is somebody that he knows, that she likes him, and that he must break up with Polly Benedict (Ann Rutherford) because of this attachment. When Judge Hardy must go to New York City to take care of an issue involving the estate of the benefactor of the Carvel Orphanage having stopped funding, the entire family is going with him. So Polly plans to embarrass Andy with the cover of the next copy of the High School magazine unless Andy returns with a photo of himself and Daphne together. Complications ensue.

Andy pulls a bunch of bone-headed stunts trying to meet Ms. Fowler, the result being that rather than him being angry at himself for trying to plunge headlong into the adult world of New York society without the wisdom or knowledge to do so, he feels the problem is that he and his entire family are a bunch of "nobodies" who have no position in a place like New York, and therefore will always be nobodies. Has Andy's reticence to read prices on a menu turned him into a Marxist? The judge takes him to task and even more complications ensue.

The real attraction here is Judy Garland who returns as Betsy Booth, a younger girl who has always had a crush on Andy. She's a better friend than he deserves and a real sticking point for me is that he doesn't seem to really appreciate her, even if he says that he does.

Highlights include a couple of numbers by the effervescent Judy Garland, when she was a young fresh face at MGM. Also, the judge and Aunty Milly have a word over a conspiracy they have going to get Mrs. Hardy to accept a fur coat, showing that they really had a very good friendship going.

Andy Hardy Meets Debutante (1940)

** 1/2 (out of 4)

The ninth film in the series (if you don't count the two shorts) has the Hardy family going to New York so that the Judge (Lewis Stone) can help keep an orphanage open. Andy (Mickey Rooney) has gotten into some trouble because he told people back home that he knows a famous model (Diana Lewis) and that she has the hots for him. While he tries to track her down he's too stupid to realize that there's one young woman (Judy Garland) who really does care for him. Outside the two shorts, this here was my first film from the series and it was pretty much what I expected even though I've read this wasn't nearly one of the best of the series. There's enough charm and good will for two movies so it's hard to imagine someone not getting some entertainment out of the film. I think it goes without saying that this film, and the series for that matter, was built around moral lessons for young people as Andy has a problem and then Judge is there to help him. The problem here is Andy being poor and from a small town feeling as if he isn't good enough to be around those who might look down on him. The importance of social standing and money is something Judge has to explain and this scene, while over-dramatic, does deliver a nice message. Rooney is in top form and delivers another winning performance. His comic timing is just right and his attitude perfectly mixes in with the stern Stone. The two of them work well together but that's to be expected considering how long this series ran. Garland is also pretty good here and manages to get off two songs. Rutherford, Fay Holden and Cecilia Parker are also winning in their roles. The scene stealer is the young Clyde Willson who plays one of the orphans and gets a big laugh each time he says a line given to him by Andy.

I am a huge fan of Judy so this review may be biased. I enjoyed this very much. "I'm Nobody's Baby" was typical early Judy. She and Mickey make a delightful team. They just make me smile when they come on screen. You can tell they had a blast working together. I especially like when Mickey goes out on the town and his shirt stud...I like at the very end of the movie when he looks at his photographs and says, "How one's women do mount up!" Just priceless.

Just two years after "Love Finds Andy Hardy", Mickey Rooney and Judy Garland meet again in another tale about Carvel's most dramatic high schooler. In this film, girlfriend Polly Benedict has slowed his roll and ridiculed Andy's obsession with a New York debutante named Daphne Fowler (Diana Lewis). When Judge Hardy decides to take the entire family to NYC while he confronts a big city law firm over financial commitments due an orphanage, Andy (Rooney) reconnects with Betsy Booth (Garland) and contrives to meet the mysterious and desirable Miss Fowler.

At this point the story bogs down. But two somehow-interconnected stories emerge: the benefits of living in the American Republic and Andy's despondency at being a backwater fish from a small pond.

The first part might be expected in a nation perched on the philosophical precipice of isolationism versus involvement in the ongoing war in Europe. Judge Hardy delivers a stirring speech that defines equality as equal opportunity under the law.

The party of the second part---Andy---somehow finds a way through his gloom and returns to Carvel a wiser man, where he confronts Polly, hoping to put their relationship back on track.

The best part of this film might be the musical interludes by Miss Garland. But Rooney is the driver of this and all the Andy Hardy films, and he does not disappoint. If you enjoy the Garland-Rooney vehicles, be sure to watch "Girl Crazy".

Andy's got a crush on famous New York socialite Daphne Fowler (Diana Lewis) and brags to Polly and Beezy that he knows her. Judge Hardy has to go to New York to save the Carvel orphanage and decides to bring the family along. When Andy's friends hear about this, they expect him to bring back photographic proof of his romance with Daphne. Once in New York, he gets help from his friend Betsy Booth (Judy Garland), who's grown up some and still in love with Andy.

The ninth entry in the MGM Andy Hardy film series is a good one. Probably the most quotable of the Hardy movies. Lots of funny lines ("We're not hillbillies. We wear shoes every day."). Mickey Rooney is terrific. Andy always had to learn life lessons in these movies but here he learns them all the hard way and Mickey does a fantastic job making Andy sympathetic while making us shake our heads at him at the same time. Judy Garland reprises her role as Betsy Booth from earlier in the series. She's a joy to watch and has great chemistry with Mickey. She gets to sing a couple of nice songs, too. Clyde Wilson steals his few scenes as the orphan Francis, who gets man-to-man advice from Andy. Cy Kendall has a good part as the owner of a fancy restaurant who gives Andy a tongue lashing for running up a bill pretending to be a big shot ("I've got eight dollars in my bankroll and with eight dollars I could buy the Club Sirocco."). A really good entry in the series with quality writing and solid performances from everybody.