Wyoming Outlaw

This film essentially begins with the "Three Mesquiteers" driving some cattle through Wyoming when they discover that one of their steers has been rustled and subsequently slaughtered on the spot. Unable to follow the footprints of the man who rustled their steer, they soon turn back and head to a nearby town to get something to eat. While there "Stony Brooke" (John Wayne) comes across a young lady named "Irene Parker" (Pamela Blake) who begins to get hassled by one of the local thugs in that town. Naturally, this prompts Stony to get involved and after a quick fistfight, Stony walks Irene back to her house. Much to his surprise, once he gets there, he finds his too buddies "Tucson Smith" (Ray Corrigan) and "Rusty Joslin" (Raymond Hatton) already there talking to Irene's parents. Not long afterward, they also meet Irene's brother "Will Parker" (Don 'Red' Barry) who they quickly realize is the rustler they had been looking for. However, recognizing the bad situation the family was currently having to endure, they write off their loss and happily accept their invitation to have dinner with them instead. Unfortunately, they soon realize that Will and his family are even worse off than they thought due to a corrupt local businessman named "Joe Balsinger" (LeRoy Mason) who controls everything in that town--and still wants more. Now, rather than reveal any more, I will just say that this movie was one of the better films in the series due in large part to the acting of John Wayne and the absence of Max Terhune who existed solely for cheap laughs. Be that as it may, although this was still a grade-B Western by and large, I liked the more serious tone, and I have rated it accordingly. Slightly above average.

Wyoming Outlaw (1939)

** 1/2 (out of 4)

The Three Mesquiteers (w/John Wayne) are trying to save the life of a Robin Hood type (Donald Barry) who has taken it upon himself to try and bring down a town dictator who is forcing the poor to pay for jobs and has banned hunting so that they can't eat. This film in the series is really no better or worse than any other "B" Western but it does have a strong benefit of featuring a terrific performance by Barry who easily steals the show. He manages to be a very likable Robin Hood character and also gets mounds of sympathy due to Barry's performance. The rest is all pretty much standard stuff but having seen over one hundred Wayne films I must say his weakest fight is in this film, which includes him fighting a beanpole of a man who's probably two feet shorter than him.

The 32 year old John Wayne was fortunate enough to have talented writers around him to write novels that could be adapted into vehicles for his career, as well as short stories and screenplays that would immortalise him as the American hero. This film is one such example. When you watch this film you're not watching it for the story (like you would do in 'Rio Grande' or 'The Man Who Shot Liberty Valance'), you're watching it to see John Wayne in action. He is the romantic embodiment of what it was like for the settling community to live in the post-civil war era. Despite the fact that most of these westerns distort history, what Wayne delivers gives you access to his humanity. That's what we like about him.

An American Western; A story about a trio of cowboys who bring their herd to a Wyoming town and end up investigating local political corruption when a thief is subjected to wicked deception. This 'B' movie, set during the Great Depression, is based on characters known as "The Three Mesquiteers" from a series of Western novels by William Colt MacDonald and billed as such for a series of films. Each episode would blend the traditional Western period with the topical issues of the day. This installment is based on a well-publicised real-life incident about a would-be modern Robin Hood who escaped the law and, while hiding in the Wyoming hills, was shot by a citizen. The story is trite, a routine oater, though more serious in tone for the series. John Wayne makes it a show with his feisty persona, albeit from a reduced on-screen presence, and Don 'Red' Barry is compelling as a hopeless, desperate outlaw. The ending is abrupt and spoils what is a good final act.

Interestingly for this routine B-feature, the usual "Three Mesquiteer" characters are not really at the centre of the plot. The story belongs more to 'Red' Barry ("Parker") whose father has been deceived by a crooked politician and so his son ends up having to steal to feed himself and his family. It's when he pinches a cow from Messrs. Wayne, Corrigan and Hatton that the story starts to hot up a bit and, of course, they try to redress the balance for him and his sister "Irene" (Pamela Blake). It's takes a while to get going, this one - but once the scenario has been defined, it moves along nicely with a little more chemistry between Wayne and his female co-star than we are used to. "Ming" himself, Charles Middleton appears sparingly as the hard-done-by father, and LeRoy Mason is adequate - though nothing more - as "Balsinger" - the devious villain of the piece. The film aims squarely at some of the "New Deal" policies of post WWI US governments where opportunists frequently ended up with the whip hand over those who had worked hard during the war feeding the troops, but whose services were now surplus to requirements and they were left very vulnerable to pretty ruthless exploitation.